Högsboligan

Högsboligan

Högsboligans namngivningsceremoni 2025

32 min · 11 de abr de 2025
Portada del episodio Högsboligans namngivningsceremoni 2025

Descripción

En trio grannar i området Högsbo i Göteborg möts genom danskonsten och fortsätter att bjuda upp till samtal. Bjuder in till scenkonst experiment. Bjuder ut till promenader över torg och mossar. Högsboligan spelades in på Götaverken som är Göteborgs stadsbiblioteks poddstudio 2025-02-19 Producent Jazz Munteanu Värd och curator: Moa M. Sahlin Granne och klassmutant: Frei von Fräähsen zu Lorenzburg Fler avsnitt finner du om du följer oss! Nu smyger vi igång LIGAN!

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2 episodios

episode Högsboligan avsnitt 1: Alyssa Chloé part of Hundra Hinkar fred artwork

Högsboligan avsnitt 1: Alyssa Chloé part of Hundra Hinkar fred

Högsboligan – Episode 1: Alyssa Chloé This opening episode frames knowledge as something learned, stored and transformed through the moving body, taking One Hundred Buckets of Peace as a point of departure; a site-specific ceremonial choreography created in Värnamo at the Peace bench by the river Lagan. Dancer, choreographer and educator Alyssa Chloé [https://www.linkedin.com/in/alyssa-chlo%C3%A9-b1558a49/]joins a conversation that moves between pop, protest and dance history. From Katherine Dunham as a Black dance matriarch to research by John Paul Zaccarini, the episode traces radical embodied lineages. Martha Graham is reframed as a working-class hero, grounded in material struggle and collective labor and placed in dialogue with dancers such as Walter Nicks (July 26, 1925 – April 3, 2007) was an African-American modern dancer, choreographer and teacher of jazz [https://alchetron.com/Jazz-dance] and modern dance [https://alchetron.com/Modern-dance]. He was a certified master teacher of Katherine Dunham [https://alchetron.com/Katherine-Dunham] technique. He was professionally active for nearly 60 years.) and Claude Marchant [https://sv.wikipedia.org/wiki/Claude_Marchant], highlighting how technique emerges from survival and social conditions. MTV aesthetics surface as a bodily archive and a key influence on Alyssa’s Pop Trash’d (2024). Hosted by choreographer Moa M. Sahlin, edited by journalist and dancer Jazz Munteanu and rooted in conversations with the neighbours of Högsbo, Gothenburg, depicts dance as lived knowledge, local experience and cultural grit! Cultural grit values what endures: practices forged through labor, community and refusal to disappear.

27 de dic de 202556 min