The Witchfinder General

Season Conclusions: Ending the Hunts

Join Kenyon in this concluding episode for season two. This episode covers some examples of trials that continued into the eighteenth century, the end of the early modern witch hunts, as well as the legacies of this history today. Kenyon also briefly discusses how modern practitioners are again looking back to the ancient roots of magic, as well as parts of the world where witch hunts continue to occur. Thank you to all for tuning in to listen to this second season! The show will be back after a break for the summer. Cheers! Visit the Outcasts of the Earth website at: www.ootepod.com [https://open.acast.com/networks/67f46be447643545ed866a50/shows/67f46d73f20dfdb29b4db4d6/episodes/www.ootepod.com] Outcasts of the Earth on Instagram: @ootepod Written and recorded by: Kenyon Payne Theme music: "Southern Gothic" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Outro music: “D´vil,” anrocomposer ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

Salem Divided

In this episode, Kenyon covers the complicated and deeply entrenched history of the Salem Witch Trials. This is part two of a two-part episode on this topic; if you have not listened to episode one ("Tituba's Confession"), please check it out! More of this episode will make sense. Picking up the story with the downward spiral that followed Tituba's confession to witchcraft, the community across Salem began to pull itself apart, suspecting neighbors and other church members of being a witch. This episode covers the backstory to family conflicts, how the Putnams became so central to the witch trials, and the repercussions followed after the trials came to an end. Next week is the final episode of season two. To vote on season three's topic, please head over to the show's Instagram page @ootepod! Visit the Outcasts of the Earth website at: www.ootepod.com [https://open.acast.com/networks/67f46be447643545ed866a50/shows/67f46d73f20dfdb29b4db4d6/episodes/www.ootepod.com] Outcasts of the Earth on Instagram: @ootepod Sources: SWP No. 094: Rebecca Nurse Executed July 19, 1692 [https://salem.lib.virginia.edu/n94.html] SWP No. 022: George Burroughs Executed, August 19, 1692 [https://salem.lib.virginia.edu/n22.html] SWP No. 069: Abigail Hobbs [https://salem.lib.virginia.edu/n69.html] Cotton Mather, The Trial of Susannah Martin, at the Court of Oyer and Terminer, Held by Adjournment at Salem, June 29, 1692. — Paul Boyer and Stephen Nissenbaum, Salem Possessed: The Social Origins of Witchcraft (1976) Rebecca Brooks, “Ann Putnam, Jr: Villain or Victim?” [https://historyofmassachusetts.org/ann-putnam-jr/] History of Massachusetts Blog (July 6, 2015).  Rebecca Brooks, “Betty Parris: First Afflicted Girl of the Salem Witch Trials,” [https://historyofmassachusetts.org/betty-parris-first-afflicted-girl-of-the-salem-witch-trials/] History of Massachusetts Blog (June 10, 2013). Marc Callis, “The Aftermath of the Salem Witch Trials in Colonial America” Historical Journal of Massachusetts Volume 33, No. 2 (Summer 2005). Richard Francis, Judge Sewall's Apology: The Salem Witch Trials and the Forming of a Conscience (2016).  Carol Karlsen, The Devil in the Shape of a Woman: Witchcraft In Colonial New England (1998). Mary Beth Norton, In the Devil’s Snare: The Salem Witchcraft Crisis of 1692 (2003). Jenni Tyler, “On this day in 1692: The Final Day of Salem's Witch Trial Horror,” [https://www.arcadiapublishing.com/blogs/news/on-this-day-in-1692-the-final-day-of-salems-witch-trial-horror?srsltid=AfmBOoolo2sUOfTo8Zlq44SW6Rkmmb3hpRL3gUYHuHr4XddFT8F4SgAT] Arcadia Publishing, Sept. 22, 2025.  Written and recorded by: Kenyon Payne Theme music: "Southern Gothic" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Outro music: “D´vil,” anrocomposer Additional featured music: “Historias,” anrocomposer “Piano & cello Beautiful Poetic Music,” Denis Pavlov Music “Black Powder,” Shadows and Echoes “Around Every Corner,” Dream Protocol “Horror,” Litesaturation “Tragedy and Grief,” Ashot Danielyan “The Moon Got Tangled in the Branches," Lexin Music “Gothic & Horror,” Pianocafe_Kumi “Forgotten Waltz,” Grand Project By Kevin MacLeod(incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ [http://creativecommons.org/licenses/by/4.0/]: “Gymnopedie No 3” “Virtutes Instrumenti” “Magic Escape Room” ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

When the Witches Came to Salem: Tituba's Confession

In this episode, we take on the history of one of the most infamous witch hunts in popular memory; it is also the largest witch panic in American history. The research, analysis, and discussion of the Salem Witch Trials continues to attract widespread attention and fascination (with thanks to Arthur Miller). In this first episode of a two-part discussion of the Salem Witch Trials, we focus on the contextual background to the panic that began in 1692. Years of warfare, including King Philip's War and King William's War, plus the loss of Massachusetts' colonial charter hit the Puritan community of Salem hard. Then, in 1689, Salem Village gained their new minister, Samuel Parris, who brought with him an enslaved woman named Tituba. Her eventual confession to witchcraft sent the people of Salem into a destructive, downward spiral. Visit the Outcasts of the Earth website at: www.ootepod.com [https://open.acast.com/networks/67f46be447643545ed866a50/shows/67f46d73f20dfdb29b4db4d6/episodes/www.ootepod.com] Outcasts of the Earth on Instagram: @ootepod Sources: SWP No. 013: Bridget Bishop Executed, June 10, 1692 [https://salem.lib.virginia.edu/n13.html]. SWP No. 125: Tituba [https://salem.lib.virginia.edu/n125.html]. Arthur Miller, The Crucible, 1953.  Edmund Randolph, “King Philip’s War,” 1675; available through the Digital History archive.  — Carol Berkin, et al, Making America, Volume 1 To 1877, Cengage Learning, 2012. Jess Blumberg, “A Brief History of the Salem Witch Trials,” Smithsonian Magazine (October 24, 2022).  Elaine G. Breslaw, Tituba, Reluctant Witch of Salem: Devilish Indians and Puritan Fantasies (NYU Press, 1995).  Elaine G. Breslaw, “Tituba's Confession: The Multicultural Dimensions of the 1692 Salem Witch-Hunt,” Ethnohistory 44:3 (Summer 1997).  Douglas O. Linder, “Bridget Bishop,” Famous Trials (1995).  Rachel McShane, Ph.D., “TAMUC History Professor Busts Myths About The Salem Witch Trials,” East Texas A&M Today (October 24, 2023).  Mike Messina, “America’s Most Devastating Conflict: King Philip’s War,” Your Public Media (August 12, 2014).  Marilynne K. Roach, Six Women of Salem: The Untold Story of the Accused and Their Accusers in the Salem Witch Trials (Da Capo Press, 2013).  Written and recorded by: Kenyon Payne Theme music: "Southern Gothic" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Outro music: “D´vil,” anrocomposer Opening clip from The Crucible (1996), produced by David V. Picker Productions and distributed by 20th Century Fox.  Additional featured music “Dark Lullaby,” ShadowsAndEchoes “Devotional Disorder,” Vincent-Santamaria “Dark Piano,” BrunoMagic “Dark Story,” Joel Fazhari “Soul of Classic,” Monument_Music By Kevin MacLeod(incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ [http://creativecommons.org/licenses/by/4.0/]: “Clash Defiant” “Mourning Song” “Lightless Dawn” ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

The Witch & The Scarlet Letter: the True Story behind Mistress Hibbins

The cantankerous and evil witch who appears to tempt Hester Prynne in Nathaniel Hawthorne's The Scarlet Letter was based on an actual person. Who was the real "Mistress Hibbins," and why does she remain identified as a witch? In this episode, Kenyon breaks down the perilous position women could find themselves in while living in Puritan New England, as well as the case of Ann Hibbins; a woman who committed the social crime of challenging the price and quality of some local carpenters’ work. In an attempt to win retribution for this perceived wrong, Ann instead became a pariah, condemned as a witch, and - thanks to Hawthorne - her memory has been forever bound to the crime that claimed her life. Visit the Outcasts of the Earth website at: www.ootepod.com [https://open.acast.com/networks/67f46be447643545ed866a50/shows/67f46d73f20dfdb29b4db4d6/episodes/www.ootepod.com] Outcasts of the Earth on Instagram: @ootepod Sources: John Winthrop, Winthrop's Journal, "History of New England," 1630–1649, Volume 7. Edited by James Kendall Hosmer (1908).  Nathaniel Hawthorne, The Scarlet Letter (Boston, 1850).  — Stephanie Buck, “This woman was executed as a witch because she complained about her carpenters,” Medium (November 29, 2016).  Olivia Campbell, “She’s a Witch!” Medium (March 13, 2023).  Nancy F. Cott, ed., Root of Bitterness: Documents of the Social History of American Women, second edition (Northeastern University Press, 1996).  David D. Hall, ed., Witch-Hunting in Seventeenth-Century New England: A Documentary History 1638-1693 (Northeastern University Press, 1991).  David Ketterer, “‘Circle of Acquaintance’: Mistress Hibbins and the Hermetic Design of The Scarlet Letter” English Studies in Canada, vol. 9, no. 3 (September 1983): 294-311.  Steve LeBlanc, “Boston had witch trials, too. A group wants justice for those accused across Mass.” WBUR (October 31, 2023).  William F. Poole, ed. “The Case of Ann Hibbins, Executed for Witchcraft in Boston in 1656” Joshua Scottow Papers, 5.  Written and recorded by: Kenyon Payne Theme music: "Southern Gothic" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Outro music: “D´vil,” anrocomposer Additional featured music: By Kevin MacLeod(incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/: “Myst on the Moor” “Lasting Hope” “Lightless Dawn” “Leaving Home” “SPC-x5x” “Blue Feather” “Dark Fog” ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

The Witchfinder General

In this episode, we break down the origins of the deadliest witch hunt in English history, and how one man became responsible for the arrest and execution of hundreds. Set in the midst of the English Civil War, which threw the country into a state of violent turmoil, we look at the story of Matthew Hopkins, and how this self-styled Witchfinder General came to create this new occupation for himself as fears around witchcraft were once again on the rise. This is a story of an opportunistic man who left a deadly legacy in his wake. How exactly does one become a witchfinder? Tune in to find out... Visit the Outcasts of the Earth website at: www.ootepod.com [www.ootepod.com] Outcasts of the Earth on Instagram: @ootepod Sources: Matthew Hopkins, The Discovery of Witches: In Answer to Severall Queries Lately… (1647). Made available through Project Gutenberg.  Ellen Castelow, “Matthew Hopkins, Witch-Finder General,” Historic UK (April 4, 2017).  Malcolm Gaskill, Witchfinders: A Seventeenth-Century English Tragedy (Harvard University Press, 2005).  Diane Purkiss, “Matthew Hopkins and the Panic about Witches,” in Literature, Gender, and Politics During the English Civil War, edited by Diane Purkiss (Cambridge University Press, 2005).  James A. Sharpe, Instruments of Darkness: Witchcraft in England, 1550-1750 (Penguin, 1996).  Jim Sharpe, “The Devil in East Anglia: the Matthew Hopkins Trials Reconsidered” in New Perspectives on Witchcraft, Magic and Demonology, Volume 3: Witchcraft in the British Isles and New England, edited by Brian P. Levack (Routledge, 2001).  Written and recorded by: Kenyon Payne Theme music: "Southern Gothic" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Outro music: “D´vil,” anrocomposer Additional featured music By Kevin MacLeod(incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/: “Leaving Home” “Mourning Song” “String Impromptu Number 1” “Blue Feather” “Double Drift” “Constance” ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.