Play This At My Funeral
đ Episode Summary In our first guest episode of season 3, Dinah sits down with longtime work collaborator and beautiful human, Kat Kibben, for a conversation on the reality of lifeâs journey taking us off course. But in the best way possible. Katâs playlist brings to life a cozy, open mic night feel at your favorite bar which exactly how they want their funeral to feel. Weâll talk about artists like Hermanos GutiĂ©rrez and Otis Redding, and get introduced to Katâs favorite genre of music - âthat guy playing guitar that no oneâs ever heard of.â Well, now we know Joe Purdy, Greg Holden, and Noah Kahan, and weâre in love with their music. đż Songs Mentioned 1. âBoys in the Streetâ by Greg Holden 2. â(Sittinâ On) The Dock of the Bayâ by Otis Redding 3. âBridge Over Troubled Waterâ by Simon & Garfunkel 4. âHijos Del Solâ by Hermanos Gutierrez 5. âEverywhereâ by Fleetwood Mac 6. âDonât Think Twice, Itâs All Rightâ by Peter, Paul and Mary 7. âMessâ by Noah Kahan 8. âBig Black Carâ by Gregory Alan Isakov 9. âWorn Out Shoesâ by Joe Purdy 10. âA Change Is Gonna Comeâ by Sam Cooke 11. âNightswimmingâ by R.E.M. 12. âAnd I Love Herâ by the Beatles 13. âPlease Forgive Meâ by David Gray 14. âI Am Appalachiaâ by Josiah and the Bonnevilles You can listen to Katâs playlist on Spotify here:  https://tinyurl.com/47dzyyuf [https://tinyurl.com/47dzyyuf] The only recording of Ingrid Michaelsonâs loop cover of R.E.M.âs âNightswimmingâ we discussed: https://www.youtube.com/watch?v=Q3bXLwdrP7s [https://www.youtube.com/watch?v=Q3bXLwdrP7s] đ About the Guest Katrina Kibben is a keynote speaker, recruiting consultant, best-selling author, and founder of Three Ears Media, where they help organizations learn how to navigate change with confidence to build more collaborative and resilient teams. With more than 15 years of experience at global brands like Monster.com and Care.com, Katrina is known for their extensive research on creating better hiring outcomes and science-backed approaches to resilience. As a LinkedIn Top Voice, their insights have been featured in The New York Times, Forbes, NPR, and more. They are the author of two books, This Was All An Accident and The Bounce Back Factor: A Leaderâs Guide to Liking Yourself While Leading People. When Kat isn't writing or speaking on stages around the world, they're happy to be at home in Rockford, IL with their girlfriend and the dogs behind the name Three Ears Media. đđœ Thank You to Our Supporters TremFit [https://www.tremfit.com/] â Kara Tremelâs boutique online training experience helping every body feel strong, confident, and cared for. Second Home First [https://www.buyyoursecondhomefirst.com/] â The hit podcast rethinking homeownership and wealth-building. What if your 401(k) came with a fire pit and a lake view? đč About Play This At My Funeral Play This At My Funeral is a deeply fun, slightly macabre, always heartwarming podcast about the songs that shape our lives â including the ones weâd play at our funerals. Each episode, Dinah invites a guest to curate their hypothetical send-off playlist and share the stories behind the music. Think Desert Island Discs meets Films To Be Buried With â with more vibes and fewer survival scenarios. Created and hosted by Dinah Susan Alobeid. Edited and co-produced by Alice Marcondes. đ Stay Connected Subscribe wherever you listen to podcasts, leave a 5-star review, and share with someone building their own âfuneral playlist.â Follow on IG @PlayThisAtMyFuneralPodcast, TikTok @PlayThisAtMyFuneralPod, and Dinah @DinahSusanAlobeidWrites. Watch the full video episodes on YouTube and join Dinahâs Substack community, Write, Dance, Repeat. đ About the Host Dinah Susan Alobeid is a writer, dancer, and VP of Communications & Content. Her writing appears in Porter House Review, Five on the Fifth, Reverie Literary Magazine, Spectrum Magazine, and more. She lives in New Jersey with her partner and their rambunctious toddler. I hearby declare that I do not own the rights to any music or lyrics played during the recording of this podcast. All rights to the music and audio belong to their respective owner(s).
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