Share Coke with Will & Friends: Who Raised 13+ Billion to Buy Paramount & All They Got Was a Podcast
Met Nick at around 3am, sitting outside a Denny’s in Westwood. He’s a displaced veteran who turns wire and mesh into spiderwebs. Real ones. Detailed ones. And if you know me, you know spiderwebs mean something. My ex-fiancée has a diagram tattooed on her back—an invisible map where everything is connected. So when I see webs show up in my life, I take notice. To me, it’s always been a reminder that everything connects… eventually. That Denny’s is one of the only places left in Los Angeles that’s open 24 hours and has outlets you can actually use. Post-COVID, that matters more than people realize. Especially in a college town. There’s nowhere for students or artists to go work around the clock—and that makes zero sense. That realization helped shape the early vision for the Love Street Experience: hotels and spaces in college cities that connect legacy artists with Gen Z creators, day and night. At the time, I was displaced. I worked wherever I could—Hollywood, the Canyon Country Store with Tommy Bina, hotel lobbies, and a lot of late nights at Denny’s. I wasn’t hanging out. I was working. Endlessly. Eventually, even places that had known me for years couldn’t let me stay. Still, I always knew I had somewhere safe to sit, charge a device, or even just use the restroom. And I know how rare that is. Most people in that position don’t have that. Nick and I crossed paths in one of those quiet hours the world doesn’t see. And I’ll never forget him. It was one of the most meaningful encounters of my entire journey. This episode is about connection. About survival. About art. About Veterans. And about the invisible web that holds all of us together—whether we realize it yet or not.
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