Talent Freaks Podcast
British documentary filmmaker and award-winning cinematographer Daniel Everitt-Lock joins Talent Freaks to discuss directing the 2026 feature Our Planet, The People, My Blood, centered on nuclear veterans advocate Alan Owen’s fight against the UK Ministry of Defence for justice and compensation while connecting impacted communities across four continents. Daniel shares how a short film about nuclear weapons tests sparked the project, why he expanded the story beyond test veterans to include downwinders, uranium miners, Marshallese communities, and Hiroshima/Nagasaki survivors, and how governments place the burden of proof on victims. He breaks down the realities of making a global, shoestring documentary—traveling 150,000 km, interviewing 50 people, self-editing after losing an editor, and managing 100+ TB of footage—plus the film’s May 14 UK theatrical release, social strategy, educational use, and plans to give footage to Lab Rats. If you’re interested in documentary filmmaking, cinematography, activism, or powerful human stories, this conversation is for you. Episode 12 of Talent Freaks. Follow Daniel Everitt-Lock's work: Website: https://everlockproductions.com/ Instagram: https://www.instagram.com/everittlock/ Facebook: https://www.facebook.com/everlockproductions/ Connect with Host Andy and Talent Freaks: 🌐 Website: https://www.talentfreaks.com/ 📷 Instagram: https://www.instagram.com/talent.freaks ▶️ YouTube: / @talentfreaks 🎵 TikTok: https://www.tiktok.com/@talent.freaks 🎙️ Apple Podcasts: https://podcasts.apple.com/us/podcast/talent-freaks-podcast/id1796292842 🎧 Spotify: https://open.spotify.com/show/5ELhgo3t9d4J2jT1V3dV70?si=c89a8c13991041a4 00:00 Trailer | Our Planet, The People, My Blood 01:45 Meet The Filmmaker 03:18 Origin Of The Story 06:40 Shoestring Global Production 09:08 Research And Interview Style 13:39 From Veterans To Global Chain 16:25 Cut Threads And Credibility 19:51 Activism And Extra Footage 26:26 Distribution And Social Push 28:37 Government Side And Hanford 37:31 Editing The Feature Alone 39:49 Editing Marathon Lessons 40:29 Finding the Narrative Thread 42:17 Next Projects and Creative Balance 43:44 Parliament Screening Impact 44:30 Festival Rejections Reality 45:23 DIY Theatrical Release 49:10 Why Nuclear Stories Sell 50:49 Desert Screening Ideas 52:36 Origin Story as Filmmaker 57:15 Cinematography Joy and Craft 01:02:26 Hardest Parts and Setbacks 01:05:10 Release Plans and Call to Action 01:09:04 Final Thanks and Wrap Up
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