The Audio Equipment Podcast

Episode 3: Nelson Walkom from Hohm Microphones

29 min · 29 de feb de 202429 min
portada del episodio Episode 3: Nelson Walkom from Hohm Microphones

Descripción

Today I'll be joined by Nelson Walkom from the one man operation Hohm Microphones. Designed and fabricated from scratch in Melbourne, Australia, Hohm makes premium ribbon microphones at an attractive price, made possible by selling direct and keeping overhead costs low. The designs and sound are unique and ruggedly built from raw local materials, aiming to combine the warmth and natural intimacy associated with ribbon mics, with lower floor noise, extended high frequency response, and lighter weight than what would usually come to mind for a microphone of this type. Today Nelson will be discussing his journey, the technicality of his microphones, and covering a broad combination of audio topics.

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episode Episode 4: Mark Fouxman from Samar Audio Design artwork

Episode 4: Mark Fouxman from Samar Audio Design

Today I'll be joined by Mark Fouxman of Samar Audio Design. An innovator, highly skilled concert pianist (including prestigious music festivals across Europe), professor of piano, and leading voice in the field of microphone design, Dr. Mark Fouxman not only achieves precision and technical ingenuity in the field of audio capture, but highlights its beauty as well. Samar Audio Design is based in Salt Lake City, Utah, where Mark's designs are hand-built in the USA with an emphasis on artisinal craftsmanship, guided by cutting edge engineering. Every aspect of production is done in house, including the machining, assembling, even winding their own toroidal and bobbin transformers. Aiming not to mimic classic designs but instead venturing to create unique enduring classics of their own, Samar's focus is on pushing the envelope of great sound capture from a wisdom earned by years of Mark's research on the finest details of microphone design. Today Mark will be discussing his journey designing his own audio equipment growing up in the Soviet Union, being a concert level pianist, the importance of the physical aspects of his designs, and the importance of off-axis response in microphones.

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