The Wandering Wolf Podcast
What’s up folks! Hope you’re having a wonderful March so far. 😁 For some reason, colors scare the shit out of me. And I honestly don’t know why.So today’s talk is about colors. And no, it’s not about color theory, because I don’t even understand that yet. I’m definitely not here to teach you anything.When I see other artists use colors, it looks so inspiring and beautiful. I see their work and think, I want to try that myself. But then I try it… and it just goes wrong somehow. I don’t know why it scares me.Sometimes I try working in grayscale first and then add color afterward, you know, to get the light and shadows right. But sometimes grayscale just feels… boring. And yet I see other artists use grayscale and it looks beautiful.So my mind just goes in circles. 😵💫 About color theory, like I said earlier, I don’t really know much. I know which colors are warm and which are cold. I know some combinations, like complementary colors and things like that. But more than that? Not really.And to be honest, I don’t really want to dive super deep into it.Because in my head, every artwork needs to look realistic in some way. But at the same time, another side of my brain just wants to have fun and experiment. Like… does a tree really have to be brown and green?Why can’t it be bluish, or purple, or full of strange colors?But then my brain jumps in and says:“No. It needs to be realistic, or else no one will like it.”And that sucks. 😢Because when I see other artists play with colors, it’s just so beautiful. I think the biggest part of the problem is the reference images I use. When I use a reference, I try to copy it as much as possible, which is something I probably shouldn’t do.I should use it as a base and then make it my own. But it doesn’t really work that way. Not yet anyway.If I’m drawing a forest, every color needs to be just like the forest in the reference. Otherwise my brain says it will look wrong. Reference is great to use. There’s nothing wrong with that. It’s just that my brain gets stuck on it.I’ve tried using the reference only for the sketch, and then removing it completely so I don’t see it anymore. But that doesn’t always work either, because my brain already memorized the colors from the image.So my head keeps trying to find those colors anyway. Instead of me thinking: What if I used dark blue here, or a strong red light?Maybe one day. 🫠I think this might also be connected to my ADHD and ASD brain. My brain doesn’t really function like everyone else’s. It works in ways I don’t always understand myself. And right now I don’t have professional help with this kind of thing, so it takes longer for me to find solutions or workarounds.But I have tried to break free from it in different ways.One thing I’ve been doing is trying more unusual color combinations. I’ve been using sites like Coolors.co [https://coolors.co/] (said wrong in Audio) or Adobe Color [https://color.adobe.com/create/color-wheel]. I really like Coolors because it can randomize colors however I want, and then I can save them, lock them, and experiment with them.I recently used it for a painting where I just picked three colors to start with. It gave me a starting point, you know? And from there I could go in different directions. Coolors has more features too, like complementary color tools and other things, but that part is behind a paywall. And honestly, I don’t feel like I’m at the stage where I need to pay for that yet. So that’s where Adobe Color comes in. Adobe has tools for things like split complementary colors and other color theory systems. It’s helpful if you already have a color in mind and want suggestions for the others.Drawing software is also starting to include these tools more and more. Procreate has it.Corel Painter has it.Affinity added something similar in the newest version.I think Rebelle added it too.I don’t think Clip Studio Paint has it yet, but it might come someday. I hope it does, because it’s actually really useful. You can just say: “Okay, I want split complementary colors, and I want to start with blue.” And then the program gives you the other colors automatically.I have noticed something interesting though.When I work digitally, it’s much harder for me to experiment with colors. My brain keeps telling me that it needs to match the reference perfectly, or at least be as realistic as possible. But this year I’ve been painting more and more with watercolors.And with watercolors, something changes.I can actually play more. I can let the colors be… watercolor.When I do that, I start experimenting more. Sure, if I’m painting a polar bear I try to stay somewhat close to the real colors, but not completely.I want to be bold with colors. I’ve seen so many artists do it and it looks amazing. So why can’t I?And while talking about all of this, I started thinking about something else.What if I’m scared of colors because I’m worried about what other people will think?Like if the colors aren’t realistic, maybe people will say:“That doesn’t look real. That looks ugly.”I don’t know. My brain just goes there sometimes.But the goal is to break free from that thinking.To play with colors. To be bold with them.A lion doesn’t have to be brownish/Yellowish.A zebra doesn’t have to be black and white.Why not a zebra with red stripes? Or blue stripes? Or something completely unexpected? Why does it have to be realistic?We already see the real world every day.Why can’t art be its own little magic?So yeah… I hope I’ll be able to break free from this over the years. I would really love that. Just to be myself and enjoy colors. It doesn’t have to be realistic.Okay?Tell me that.Tell me in the comments. Email me. Just say:“It doesn’t have to look realistic.” Alright.Good. Bye. See you next time. 🤣 🌿 New Video 🌿 What to Read Next This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jezz.substack.com [https://jezz.substack.com?utm_medium=podcast&utm_campaign=CTA_1]
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