Episode 1.5: Dude Perfect

Episode 1.6 Evidence Pt 2 - Vaccines

Last time we talked about better and worse evidence. This time we try to apply some of those good evidentiary practices and apply them to the controversial subject of vaccines. Do we dare Jesus Juke?

Episode 1.6: Evidence

In today’s social media environment, it’s hard to know how to separate good evidence from bad evidence. How do we keep from being deceived by arguments that sound good and we want to believe? Is there a reasonable and objective way to tell the difference between good and bad evidence? Observational vs. experimental studies https://www.iwh.on.ca/what-researchers-mean-by/observational-vs-experimental-studies Pyramid of evidence https://en.wikipedia.org/wiki/Hierarchy_of_evidence — Thanks to Gabriel O’Terry for editing and Rebecca Mardal for the intro/outro music.

Episode 1.5: Dude Perfect

Surely any attempted Jesus Juke about the YouTube channel Dude Perfect will be either judge-y or silly right? And is there such a thing as celebrating too much? Listen to find out. NOTES Afterlife by Switchfoot Switchfoot - Afterlife (Lyric Video) Celebration of Discipline: The Path to Spiritual Growth by Richard Foster The Divine Conspiracy by Dallas Willard — Thanks to Gabriel O’Terry for editing and Rebecca Mardal for the intro/outro music.

Episode 1.4: The Ukraine War

In which we discuss the travesty of Christians killing Christians in the service of their earthly governments. NOTES Resident Aliens: Life in the Christian Colony by Stanley Hauerwas and William Willimon The Patient Ferment of the Early Church by Alan Kreider — Thanks to Gabriel O’Terry for editing and Rebecca Mardal for the intro/outro music.

Episode 1.3: Diversity, Equity, and Inclusion

In which we discuss DEI initiatives that for a time had taken root in academia and in many other institutions in the United States. What exactly is Diversity, Equity, and Inclusion? Is it good or bad? Does a Jesus Juke mean we embrace it, redeem it, reject it? Thanks to Gabriel O’Terry for editing and Rebecca Mardal for the intro/outro music.