THE PETT REVIEW Podcast
Step into the visual culture of medieval Iberia to explore how a simple medicinal jar can become a “cognitive trap.” In this episode, we examine the “technology of enchantment” through a comparison of two 14th and 15th-century ceramic vessels, known as albarelli, held at the Victoria and Albert Museum. Drawing on the medieval Arabic concept of Ajab—a profound sense of wonder or marvel triggered by things so intricate they “escape immediate comprehension”—we investigate how Nasrid-influenced lustreware was designed to entrap the beholder’s gaze. We discuss the work of anthropologist Alfred Gell, who described these complex patterns as “bristling hooks” that slow down perception, holding the viewer in a state of “unfinished business”. The discussion traces the history of these objects from their roots in Persian and Abbasid craftsmanship to the workshops of Malaga and Valencia, where patronage shifted, and designs evolved. We contrast the “cognitive stickiness” of the heavily Islamic-influenced Albarello 1 with the more Gothic, vegetal patterns of Albarello 2, exploring why the sense of Ajab eventually declined as the last Caliphate of Al-Andalus fell and production oriented toward a Christian mass market. Join us as we ponder how these shimmering, iridescent vessels do more than just hold medicine—they command our time, sway our imagination, and move the soul toward contemplation. If you know what you’re looking at. Hosted by AI trained on an essay by Alfred Portman Get full access to THE PETT REVIEW at thepettreview.substack.com/subscribe [https://thepettreview.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]
3 episodios
Comentarios
0Sé la primera persona en comentar
¡Regístrate ahora y únete a la comunidad de THE PETT REVIEW Podcast!