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TRK/ID Mexico

Podcast de trkidmexico

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New podcast weblogTRK/ID Mexico – Where Progressive House Lives and EvolvesWelcome to TRK/ID Mexico, the video podcast that takes you inside the world of progressive house DJs and producers. Discover where they come from, how they made it, and where their sound is heading  all through real, unfiltered conversations.In every episode, our guests drop 4 or 5 exclusive Track ID’s that are unreleased, underground gems, or commercial beats no one has heard yet.If you’re into progressive house, underground sounds, and the stories behind the music, this is your space.Subscribe, turn up the volume, and get ready to hear the tracks before anyone else.#TRKIDMexico #progressivehouse  #podcast  #electronicmusic  #djlife  #housemusic

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17 episodios

episode 46 Labels Said NO. Then It Hit #1 on Billboard | Luke Brancaccio | TRKID Mexico artwork

46 Labels Said NO. Then It Hit #1 on Billboard | Luke Brancaccio | TRKID Mexico

🎧 "Lovely Day" was rejected by 46 record labels. Every single one said no. Until John Digweed heard it in Miami, asked for it on the spot, and it went on to hit #1 on the Billboard charts. In this episode of TRKID Mexico, Luke Brancaccio — the artist with more releases on Bedrock than anyone in the label's history — tells us everything unfiltered: how he went from hip-hop to electronic music living in a house with four roommates, how he snuck into Club Heaven with a homemade CD until they played it on the main floor within 15 minutes, what it was like fronting Suicide Sports Club in front of 40,000 people alongside Radiohead and Beck, and how a drunk night in the kitchen with his wife Kiki Cave gave birth to Tokyo Fan Club and a full album on Bedrock. We also dig into his current setup (CDJ 3000XS, V10, Moog Subsequent 37, 303, Diva, Pigments, Pulsar P900), exclusive unreleased tracks heard here for the first time, and his no-BS philosophy on the industry: know your worth and stay away from the noise. A conversation between friends. No pretense. Just real music.                                       🔔 SUBSCRIBE and hit the bell so you never miss an episode @trkidemexico in all platforms: FB, Instagram, Tik Tok, Apple Podcasts, Spotify, Podbean, etcétera. If this episode moved you, SHARE IT with someone who truly loves electronic music. That's what keeps this project alive.   Want to SPONSOR TRKID Mexico? Connect your brand with a passionate global electronic music audience. Reach out: to Rafa Delgado: trkid.mexico@gmail.com [trkid.mexico@gmail.com] Time Stamps: 00:00    Intro: John Digweed dragging him on stage at Fabric 02:00    Beginnings: from hip-hop to electronic music living with four roommates 07:00    "Ghosts in Town", Nokia phones, Radiohead and 40,000 people 13:00    The relationship with John Digweed: boss, headmaster, friend 16:40    65 writing credits on Bedrock and counting 18:11    Track ID 1: "All I Need" with Faux Play:  unreleased remix, first time anyone's heard it  @MusicToDieFor https://www.musictodiefor.co.uk/ 26:00    Brian Eno's "Music for Airports": the album that changed how he looks at making music 32:25    @Anthony Pappa stayed 15 days to teach him 38:14    Track ID 2: Dominion 11 Hours  by @GAIBARONE& @LukeBrancaccio 41:27    Software to use: P900, Subsequent 37, Pigment and Dive 44:00    "Bedrocking" with Gai Barone: the making of a 2025 track of the year on TrkIDMexico: how was i             It made? Number 2 on the charts. 46:00    How a track starts: voice notes, alcohol, tons of tunes and creative chaos: 30 different ideas        writing notes on my phone. It pops! 50:10    Track ID 3: "Filling Space" a solo track, out on UV Recordings @officialuvmusic in September 55:00    AI in music production: tool or trap?  Use it as a tool. 56:00    Advice for young producers: practice, practice, practice, don't copy, make your own sounds 01:05:09           How do you pitch a track to a label?" Lovely Day" was rejected by 46 labels before hitting #1 on Billboard. Send it to lots of labels.  01:05:44          Track ID 4 "Abundance" remix (Paul Thomas & Maze.28) — out June 19 on UV                                       Recordings @officialuvmusic 01:11:00           Staying inspired after 20+ years in the industry 01:12:00           Social media: why he hates it and does it anyway. I am really bad! 01:17:16           Track ID 5 and A SECRET WEAPON  a bootleg that destroys the dancefloor                         Size9 I’m Ready (Framewer k4X4 Rewerk 01:20:00           Desert Island Discs: his 5 records for a deserted island  #musicairports #davidbowie 01:25:00           Musical guilty pleasures: ABBA “Super Trooper” and Billie Eilish with zero shame 01:27:00           What's next for Luke? A new album and being able to make more music 01:29:00           Where to follow him and find his music: Soundcloud, Facebook and Instagran                                         @Lukebrancaccio

12 de may de 2026 - 1 h 33 min
episode From Manchester to the Underground: The Untold Story of Fauxplay artwork

From Manchester to the Underground: The Untold Story of Fauxplay

In this exclusive episode of TRKIDMexico, we sit down with Fauxplay, a progressive music producer and DJ whose journey began in the early ’90s in Manchester: right at the heart of a cultural and sonic revolution. From listening to jazz and playing in a punk band to immersing himself in the UK underground scene, you’ll hear how living the culture shaped his connection to music and led him into production alongside Simon Novell (analogue producer). He also shares how collaboration became a key part of his sound, working with artists like OG Anthony Pappa. Fauxplay breaks down his production process in detail; from the way he approaches tracks to the equipment and plugins he uses. On the DJ side, he is living proof that being real, building community, and staying open to collaboration can lead to releases on labels like Music To Die For, Sudbeat Music, Forensic Records, and Stripped Digital, among others. This is more than a story about music, it’s about influence and the roots of progressive sound that still resonate in today’s electronic scene. If you're into progressive house, underground culture, and the origins of electronic music, this episode is for you. Favorite quote: “Never underestimate how much your music may have touched somebody’s soul.” Follow him @fuaxplay_music on IG,  Facebook: fauxplayUK  Soundcloud: fauxplay   *Subscribe here to TRKIDMexico *Like & share the episode to keep our community growing * Comment your favorit Track ID and moment of the interview Follow us on Social Media IG: @trkidmexico facebook.com/TRKIDMEXICO tiktok.com/@trkidmexico Contacto para patrocinios: trkid.mexico@gmail.com [trkid.mexico@gmail.com] Producer: Rafa “El Turco” Delgado                                     #ProgressiveHouse #ElectronicMusic #UndergroundMusic #MusicProducer #DJInterview #ManchesterMusic #90sElectronic #HouseMusic #TechnoCulture #TRKIDMexico #MusicPodcast #ProducerLife #DanceMusic #ElectronicScene #MusicStory #Rave #BreakBeats #Fauxplay   Time Stamps: 00:00    Intro 04:46    That was Simon Novell and started jamming together 10:30    I played the flute and then… 19:31    Track ID #1 Back in The Day by Fauxplay on Music to Die For 27:46    I’ve been djing since the early 90’s 34:41    He tells us all: how is his production process 47:17    Track ID #2 Suns Collide by Fauxplay on Music to Die For 1:01:24 How does Fauxplay builds his sets. 1:03:17 Track ID #3 Why are you wearing that stupid man suit? By Fauxplay on Music To Die For 1:11:08 It’s just laziness 1:20:33 Track ID #4 There is always hope by Fauxplay on Music To Die For 1:26:11 I wanna go gigging 1:37:46 Track ID #5 Free To Ride in collaboration with Ranj Kaler on Forensic Records     1:40:54 Less is more… 1:49:57 I have to be honest with you…

28 de abr de 2026 - 2 h 2 min
episode Nick Stoynoff - From Chicago to the world artwork

Nick Stoynoff - From Chicago to the world

In this episode of TRKID Mexico, we sit down with Chicago’s finest Nick Stoynoff, a producer and DJ pushing boundaries across progressive house and melodic. Nicks’s music has been released on some of the most respected labels in the scene, including Plastic Fantastic, Selador  and his own label Noff Records, while also receiving support from legendary artists such as Hernán Cattaneo, Aubrey Fry and Anthony Pappa.   Hosted by Pepe Camil and Mapiu, this conversation dives into Nick’s journey as a producer and DJ, the creative process behind his music. Nick also shares exclusive Track IDs for the #TRKIDMexico community and talks about his Jazz and pop mixing journey and building a sound that blends progressive house grooves and a melodic cinematic sound. With his debut in the upcoming Balance Festival, Nick Stoynoff seals an almost 30 year career in the Chicago’s electronic music scene. If you love progressive house, melodic cinematic music, and discovering the stories behind the artists shaping electronic music, this episode is for you.   Subscribe to the channel and turn on notifications to discover more DJs, producers, and #trackids only on #TRKIDMexico   👉 Subscribe to TRKIDMexico so you don’t miss PART 2 👍 Like the episode if this music and culture matter to you 💬 Comment your favorite moment or Track ID Follow us on Social Media IG: @trkidmexico facebook.com/TRKIDMEXICO tiktok.com/@trkidmexico Contacto para patrocinios: trkid.mexico@gmail.com [trkid.mexico@gmail.com] Producer: Rafa “El Turco” Delgado

14 de abr de 2026 - 1 h 36 min
episode Ranj Kaler: De 20 años en un Strip Club a la cima del Progressive & Breaks artwork

Ranj Kaler: De 20 años en un Strip Club a la cima del Progressive & Breaks

¿Es posible reinventar tu carrera musical después de tres décadas? En este episodio de TRK/ID, charlamos con el productor londinense Ranj Kaler, cuya historia es una verdadera lección de resiliencia y pasión. Ranj nos abre su corazón sobre sus inicios en 1986, sus años trabajando con Paul Davis (Circulation) y los 20 años que pasó alejado de la producción mientras trabajaba en un club de striptease. Todo cambió en marzo de 2020: en pleno confinamiento, decidió dejar de procrastinar, abrió Ableton por primera vez y hoy cuenta con más de 150 lanzamientos y el apoyo de leyendas como John Digweed y Hernán Cattaneo. En esta charla exploramos: * Cómo superó el miedo al fracaso tras 30 años de dudas. * Su transición del DJ convencional a los Breaks melódicos y emocionales. * El proceso creativo detrás de sus remixes y bootlegs más famosos. * Su técnica old school: Por qué prefiere los plugins nativos y el botón de undo. * Sus influencias musicales * Consejos para las nuevas generaciones * El uso de la IA en la producción musical Una entrevista hecha por Pepe Camil y Mapiu que es indispensable para productores, DJs y cualquier amante de la electrónica que busque inspiración para dar el siguiente paso. Follow us on Social Media IG: @trkidmexico facebook.com/TRKIDMEXICO tiktok.com/@trkidmexico Contacto para patrocinios: trkid.mexico@gmail.com [trkid.mexico@gmail.com] Producer: Rafa “El Turco” Delgado #RanjKaler #ProgressiveHouse #Breaks #MusicProduction #Ableton #ElectronicMusic #TRKID #InspiracionMusical

31 de mar de 2026 - 1 h 23 min
episode The Rise of Lloyd Barwood: From 0 to Global Stages in Progressive House artwork

The Rise of Lloyd Barwood: From 0 to Global Stages in Progressive House

We open Episode 2 of NEW BEATS with one of the fastest-rising names in progressive house: Lloyd Barwood. Based in London, Lloyd has quickly built a reputation as a powerful selector and producer, earning support from icons like Sasha, Henry Saiz and Eelke Kleijn, while releasing music on labels such as Last Night On Earth, AXEPT, Controlled Substance and Stripped Digital.             In this exclusive conversation with TRKID Mexico, Lloyd shares his journey from starting in 2022 to performing across the UK and international stages, curating his own events and shaping a sound that blends progressive, melodic and club-driven energy.                                     We dive into: * His rapid rise in the global electronic music scene * The creative process behind tracks like “Burning Desire” and “Praying To The Moon” * His approach to DJ sets and storytelling on the dancefloor * The reality of breaking into the industry in 2025 * His vision for the future of electronic music                                     And exclusive Track IDs for the TRKID Mexico community                                       Suscribe to his channel on YT: @lloydbarwoodmusic and follow him on IG y Spotify @lloydbarwoodmusic If you are a young DJ or producer trying to find your sound, this episode is for you Subscribe to TRKID Mexico and discover the next generation of electronic music.   Producerr: Rafa “El Turco” Delgado Sponsorship Contact: trkid.mexico@gmail.com [trkid.mexico@gmail.com]   Follow us in socials! IG: @trkidmexico facebook.com/TRKIDMEXICO tiktok.com/@trkidmexico Find us in Spotify, Apple Podcast, Podbean just look us up as: TrackIDMexico   Time Stamps:   00:00    Introduction and welcome  03:20    The spark that trigerred 09:31    When you have supportive parents you embrace the love 11:32    Learn to read and write music to produce it! 11:43    Track ID#1 the record “Behind the Shades” coming out on April 17th! 20:00    Steve Parry send my unreleased music to Sasha and then we build our relation 21:30    Track ID#2  “The Quest” 32:05    Track ID #3 “The sweet spot” on Renaissance label 39:05    Sasha is my biggest influence. Getting his text made me cry! 41:57    An exclusive Track ID#4“Nothing like it was” by #lloydbarwood 49:31    A must listen Track ID #5 a collaboration with Medway “Engage” 58:54    Everyday put some work and method. So much rejection in this industry. 1:03:56 Track ID#6 “Feel the Rhythm” a collab with Medway 1:10:35 What’s next?...

24 de mar de 2026 - 1 h 16 min
Muy buenos Podcasts , entretenido y con historias educativas y divertidas depende de lo que cada uno busque. Yo lo suelo usar en el trabajo ya que estoy muchas horas y necesito cancelar el ruido de al rededor , Auriculares y a disfrutar ..!!
Muy buenos Podcasts , entretenido y con historias educativas y divertidas depende de lo que cada uno busque. Yo lo suelo usar en el trabajo ya que estoy muchas horas y necesito cancelar el ruido de al rededor , Auriculares y a disfrutar ..!!
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