TRK/ID Mexico
🎧 "Lovely Day" was rejected by 46 record labels. Every single one said no. Until John Digweed heard it in Miami, asked for it on the spot, and it went on to hit #1 on the Billboard charts. In this episode of TRKID Mexico, Luke Brancaccio — the artist with more releases on Bedrock than anyone in the label's history — tells us everything unfiltered: how he went from hip-hop to electronic music living in a house with four roommates, how he snuck into Club Heaven with a homemade CD until they played it on the main floor within 15 minutes, what it was like fronting Suicide Sports Club in front of 40,000 people alongside Radiohead and Beck, and how a drunk night in the kitchen with his wife Kiki Cave gave birth to Tokyo Fan Club and a full album on Bedrock. We also dig into his current setup (CDJ 3000XS, V10, Moog Subsequent 37, 303, Diva, Pigments, Pulsar P900), exclusive unreleased tracks heard here for the first time, and his no-BS philosophy on the industry: know your worth and stay away from the noise. A conversation between friends. No pretense. Just real music. 🔔 SUBSCRIBE and hit the bell so you never miss an episode @trkidemexico in all platforms: FB, Instagram, Tik Tok, Apple Podcasts, Spotify, Podbean, etcétera. If this episode moved you, SHARE IT with someone who truly loves electronic music. That's what keeps this project alive. Want to SPONSOR TRKID Mexico? Connect your brand with a passionate global electronic music audience. Reach out: to Rafa Delgado: trkid.mexico@gmail.com [trkid.mexico@gmail.com] Time Stamps: 00:00 Intro: John Digweed dragging him on stage at Fabric 02:00 Beginnings: from hip-hop to electronic music living with four roommates 07:00 "Ghosts in Town", Nokia phones, Radiohead and 40,000 people 13:00 The relationship with John Digweed: boss, headmaster, friend 16:40 65 writing credits on Bedrock and counting 18:11 Track ID 1: "All I Need" with Faux Play: unreleased remix, first time anyone's heard it @MusicToDieFor https://www.musictodiefor.co.uk/ 26:00 Brian Eno's "Music for Airports": the album that changed how he looks at making music 32:25 @Anthony Pappa stayed 15 days to teach him 38:14 Track ID 2: Dominion 11 Hours by @GAIBARONE& @LukeBrancaccio 41:27 Software to use: P900, Subsequent 37, Pigment and Dive 44:00 "Bedrocking" with Gai Barone: the making of a 2025 track of the year on TrkIDMexico: how was i It made? Number 2 on the charts. 46:00 How a track starts: voice notes, alcohol, tons of tunes and creative chaos: 30 different ideas writing notes on my phone. It pops! 50:10 Track ID 3: "Filling Space" a solo track, out on UV Recordings @officialuvmusic in September 55:00 AI in music production: tool or trap? Use it as a tool. 56:00 Advice for young producers: practice, practice, practice, don't copy, make your own sounds 01:05:09 How do you pitch a track to a label?" Lovely Day" was rejected by 46 labels before hitting #1 on Billboard. Send it to lots of labels. 01:05:44 Track ID 4 "Abundance" remix (Paul Thomas & Maze.28) — out June 19 on UV Recordings @officialuvmusic 01:11:00 Staying inspired after 20+ years in the industry 01:12:00 Social media: why he hates it and does it anyway. I am really bad! 01:17:16 Track ID 5 and A SECRET WEAPON a bootleg that destroys the dancefloor Size9 I’m Ready (Framewer k4X4 Rewerk 01:20:00 Desert Island Discs: his 5 records for a deserted island #musicairports #davidbowie 01:25:00 Musical guilty pleasures: ABBA “Super Trooper” and Billie Eilish with zero shame 01:27:00 What's next for Luke? A new album and being able to make more music 01:29:00 Where to follow him and find his music: Soundcloud, Facebook and Instagran @Lukebrancaccio
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