Ancient Greece Today

Bonus Episode: Glorious Exploits

In this bonus episode, Naomi interviews Ferdia Lennon about his 2024 novel, Glorious Exploits, a book about tragedy and comedy in the wake of the Sicilian Expedition—Athens’ disastrous attempt to seize Sicily in 415–413 BCE, which resulted in their utter defeat. They talk about the sensory experience of visiting the ancient theater and quarries in Syracuse, […]

Episode 8: Trojan Women

Long considered the oldest anti-war play, Euripides’ Trojan Women is a devastating portrayal of the suffering of war’s female victims. It is also about female relationships and forms of agency, as well as the power of artistic innovation in the face of brutality and loss. Naomi discusses this strange and beautiful play with Professor Ella Haselswerdt (University of California, Los Angeles) and Rosanna Bruno (artist and illustrator of Euripides’ Trojan Women: A Comic).

Episode 7: Bacchae

In this episode, we talk about Euripides’ Bacchae. Dr. Lucy Jackson (Durham University) joins Naomi to explore the theatricality of this play about Dionysus, the questions it raises about gender, and how it has been reimagined in modern productions. Professor Monica Youn (University of California, Irvine) gives a reading of her poem “Study of Two Figures, Agave/Pentheus” from the collection From From (2023) and talks with Naomi about how this work traces constructions of Asianness, ancient and modern.

Episode 6: Medea

In this episode, Naomi talks to Professor Al Duncan (University of North Carolina at Chapel Hill) about Euripides’ Medea as a revenge drama, Medea's liminality, and the particular performance opportunities presented by this extraordinary tragedy. Then she interviews Rhodessa Jones, founder and director of The Medea Project: Theater for Incarcerated Women, about Medea and “women on the edge.”

Episode 5: Antigone

In this episode, we discuss Sophocles’ Antigone, from classical Athens to 21st-century Mexico. Dr. Andrés Carrete (Center for Hellenic Studies, Harvard University) joins Naomi to explore different frameworks, ancient and modern, for understanding this incredibly influential play. Then they talk to two Mexican playwrights, David Gaitán and Perla de la Rosa, who have both produced their own versions of Antigone as forms of political theater.