The Lowdown Show - By ADVrider

Have you ever been away, for vacation or for work, and had to rent a car? But what if you could rent a motorcycle instead of a car? Of course you can rent motorcycles now. But it’s often a cumbersome process involving a dealership—which can complicate pickup and drop-off if they’re far from you and that often limits you to whatever units they dedicate as rentals. But what if you could rent a wide range of bikes from fellow enthusiasts? This week we talk to Austin Rothbard, owner of Twisted Road, a peer-to-peer motorcycle rental business that’s just now building up steam.

If you’ve ever watched police riders whip a Harley or a big BMW in and around pylons that appear impossibly close together, then you’ll appreciate this week’s guest, Quinn Redeker. Redeker is a maverick in the world of pilon-slaloming in that he adopts techniques from most all motorcycling disciplines, including, but not limited to, motocross, trials and roadracing. Even if you’re not interested in turning your 1250 GS around within the footprint of a porta-potty, Redeker has something to say about technique that will make you a better rider.

Gregory Frazier skips to his own beat. Dr. G, as he prefers to be called, is an author and globe-trotting bon-vivant and a man often mistaken for Ozzy Osbourne—when Ozzy was still living, presumably. Dr. G riffs to Neil Graham about pioneer motorcycle traveller Carl Stearns Clancy, references a book he considers the best ever written about an RTW trip, and disses on meeting Robert Pirsig—yes, the Zen author himself—while Pirsig was on his seminal trip. Part showman, part shaman, Dr. G is untethered to the mundanities of life.

When Lang Hindle’s career as a superbike racer ended he turned to the art of pipe bending, using experience gained in racing to build an empire of exhaust. Lang and Neil discuss the art of tuning, the mindset of a racer, the progression of an industry, and—naturally—noise.

Daryl Tearne—fresh out of design school—landed the oddest dream gig of all: redesigning the Crocker motorcycle for the modern age. Crocker, with less than 50 ever made, make brands like Vincent seem mainstream. But Tearne did the near impossible and made a prototype that was at once futuristic and traditional. When that project hit a wall, he moved on to Buell, for yet another project that hit an ever bigger wall. Working with Erik Buell in the dying days of the company was a lesson in keeping his head above water. And moving on. Now Tearne heads the design department of a major toy company. Dishing on the inner workings of Buell, Tearne has a few opinions and a bundle of life lessons as a young man making his way through two legendary—if doomed—American motorcycle institutions.