Luister naar Writer's Routine

This week, we're taking a look inside the writing life of Hanna Thomas Uose, author of 'Who Whats to Live Forever'. Hanna won the Morley Prize for Unpublished Writers of Colour, was shortlisted for Orion and DHA's Space to Write project, selected for the Asian Women Writers Mentorship Programme, and went back to study for an MA in Prose Fiction. Her new novel is 'Who Wants to Live Forever', and it comes from the simple question - how would the world change if we didn't have to die? We discuss how Hanna expanded on that idea, yet also narrowed down the focus to the other questions she really wanted answered. It's about Yuki and Sam who are soulmates, destined to spend the rest of their lives together. However, when a miracle drug is created that can extend your life indefinitely, what happens when Sam decides to live forever, rather than love Yuki forever? You can hear about the pressure of delivering a good ending, also how Hanna feels with a one-book deal. We discuss why she went back to University, what she does to get ready to tell the story, and why she is in two minds when getting feedback for the edit. You can support the show at * patreon.com/writersroutine * ko-fi.com/writersroutine Subscribe to the newsletter - writersroutine.substack.com Get a copy of the book - uk.bookshop.org/shop/writersroutine @writerspod writersroutine.com ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

This week, we're chatting to Robert Whitlow, prolific writer of over 20 bestselling novels. His new one is 'Guilty Until Innocent', a legal thriller that looks an an old case being reopened, and the two lawyers who have to prove the convicted's innocence against the odds. His debut novel, 'The List', was adapted into a successful movie starring Malcolm McDowell. In fact, four of Robert's novels have been adapted for the big screen, and Robert still divides his time between writing and working as a local attorney. You can hear how he seperates his day, energy and creativity for that, and why he thinks the secret is to relax and be consistent... it's to discover your 'writing bio-rhythm' Faith plays a huge part in Robert's work, and we figure out why that is, how organic it can ever be, and whether he's bothered about how a reader's opinion towards religion might change with his writing. It's led him to win the prestigious 'Christy Award for Contemporary Writing' in 2001. He reveals why he loves editing, how he wrestles characters back to his ideas, and why he needs a few drafts to really figure out who his protagonist is. Get a copy of the novel - uk.bookshop.org/shop/writersroutine Support the show - patreon.com/writersroutine ko-fi.com/writersroutine Subscribe to the weekly newsletter - writersroutine.substack.com @writerspod writersroutine.com ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

Jennifer Saint worked as an English teacher in a secondary school for thirteen years, when all of a sudden, with an unexpected confidence, she felt the urge to write a novel. It wasn't just the confidence she could do it that surprised her, but the belief that it would do well. She was inspired by Greek mythology, and wanted to emphasise their relevance for the 21st Century. Her debut was 'Ariadne', which tells the legend of Theseus and the Minotaur from a female prespective. It was a Sunday Times Bestseller, a Waterstones Book of the Month, and was nominated for as their Book of the Year. She's also published 'Elektra' and 'Atalanta', also Sunday Times Bestsellers. Jennifer's new novel is 'Hera', who is Zeus' brother. Together, they overthrow their tyrannical father Titan Cronos... only Hera becomes confused with thoughts of power and leading. She is often portrayed as the jealous wife and wicked stepmother - Jennifer explains why she decided to spend a year with one of Greek mythology's most hated figures. We discuss how she picks her next retelling, also why as a teacher she wouldn't have liked how she gets to work as a writer, and what the point of Greek mythology is in 2025. Subscribe to the newsletter - writersroutine.substack.com Support us on - patreon.com/writersroutine ko-fi.com/writersroutine Get a copy of the book - uk.bookshop.org/shop/writersroutine @writerspod writersroutine.com ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

Paul S. Edwards is a lawyer, a family man with two children, and has just published his first sci-fi novel, 'The Triton Run'. He found time to write it... anywhere. If he was early at a football game, he'd get words down. If he was at a gig with a few minutes to spare, he'd write. On the sofa with his family watching TV, he will get down it it. His new novel is 'The Triton Run', the start of a new sci-fi series which spans planets and, Paul hopes, does something a bit different in the genre. We discuss how it's important to be inspired by what's come before, but not derivative of it... and there's a fine line in sci-fi. You can hear why he's trying to brand and market not just the novel, but also himself. He's made a short-life website to help with that - paulsedwards.com We discuss how he changes writing his second novel which his publisher was quite keen for, after taking a while on the debut, what he knows needs to be in sci-fi, and how he found his publishers, Northodox Press. Subscribe to the Substack and let me know what you like to hear in the podcast - writersroutine.substack.com Support the show at patreon.com/writersroutine @writerspod writersroutine.com ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

Julia Raeside is a journalist and broadcaster, who has written for The Times, The Guardian, The Big Issue and many others, and appeared across the BBC. Her new novel is 'Don't Make Me Laugh', which looks at the culture within the world of comedy... an industry which is rapidly approaching a #MeToo moment. It tells the story of Ali Lauder, a radio producer enlisted to hire Paul Bonatti to host a show. It could be her career breakthrough. Bonatti is a comedian who is thought to be cosy, warm, cool, and a fun feminist... turns out he's anything but. We talk about how the idea developed from experiencing life at the Edinburgh Festival Fringe, covering it as a journalist, and then thinking there was more to be discussed as a novel. You can hear why being a journalist isn't always helpful to novel writing, why she had to trick herself to write, and whether she was ever worried it wasn't her story to tell. You can get a copy of the novel at uk.bookshop.org/shop/writersroutine Support the show at patreon.com/writersroutine ko-fi.com/writersroutine @writerspod writersroutine.com ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.