Correct me if I'm Norm

The Rhinecliff Cinephile Behind NYU's Cinema Studies: Dana Polan

1 h 1 min · 26. mai 2026
episode The Rhinecliff Cinephile Behind NYU's Cinema Studies: Dana Polan cover

Beskrivelse

Norm sits with Dana Polan, the Martin Scorsese Professor and Chair of the Martin Scorsese Department of Cinema Studies at NYU Tisch. The chat ranges across a lifetime of thinking seriously about American film. Dana grew up in New York and Westchester, did his doctorate in France, and was later knighted by the French Ministry of Culture as a Chevalier dans l'Ordre des Arts. He explains how cinema studies emerged from English departments in the 70s, why USC made its production students take film history (and why they usually came back grateful), and how a young teaching assistant named Martin Scorsese could remember individual shots from films he'd seen years earlier. Dana explains the difference between a movie and a film, with Spielberg's own quote about Close Encounters as a starting point. Dana lays out the case for Scorsese as artist and Lucas as entertainer, the 80s backlash of hard-bodied masculinity in Die Hard and Rambo, the femme fatale in Double Indemnity and The Killers, and the way recent films like Barbie and Everything Everywhere All At Once try to have it every way at once. He makes the case for The Florida Project and the first Die Hard, pushes back gently on Mr. Smith Goes to Washington as accidental pedagogy, and explains why Strangers on a Train was the film that made him realize movies were made on purpose, shot by shot. Dana is currently co-writing Hoboken to Hollywood: The American Places of Frank Sinatra with Chuck Granata for Reaktion Books' Reverb series, and he shares stories from his Sinatra odysseys, including a tour of the Twin Palms bachelor pad in Palm Springs and a sobering evening in Las Vegas watching Sinatra's grandson perform in a no-gambling lounge. Produced by Norm Magnusson, Jennifer Hammoud, and Matty Rosenberg @ radiofreerhinecliff.org Send comments to comments@radiofreerhinecliff.org

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Alle episoder

240 Episoder

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Norm welcomes Sue Sie, a longtime Rhinecliff resident who arrived via an ex-husband, a Bard professor's house, and a lot of determination. She stayed; he did not. That was 1989, and she has been one of the most quietly essential figures in the local environmental landscape ever since. Sue is an architect by training. She designed Gigi Trattoria, Terrapin, and Gabby's, among others, but has not practiced in about 20 years. These days she channels her energy into Dirty Gaia (dirtygaia.org), the environmental education nonprofit she founded to reconnect people with the natural world. The conversation covers the organization's seed library at Morton Library, this summer's Farm and Garden Ramble expanding into Red Hook, the upcoming Threshfest, and her ongoing work with Pollinate HV to promote native plants and protect at-risk pollinators. They also get into: how to save tomato seeds (ferment, rinse, dry), the Berkeley Hot Composting method, the bokashi fermentation technique for composting meat and cheese, the appalling self-regulatory framework for pesticide testing, and why the American lawn is an ecological wasteland. Sue is also a diver, certified in murky New Jersey Atlantic waters and polished in Bonaire, and a devoted cook who dreams in dishes and makes a mean Swiss chard with chickpeas and fennel. Produced by Norm Magnusson, Jennifer Hammoud, and Matty Rosenberg @ radiofreerhinecliff.org Send comments to comments@radiofreerhinecliff.org

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11. juni 202659 min
episode The Rhinecliff Cinephile Behind NYU's Cinema Studies: Dana Polan cover

The Rhinecliff Cinephile Behind NYU's Cinema Studies: Dana Polan

Norm sits with Dana Polan, the Martin Scorsese Professor and Chair of the Martin Scorsese Department of Cinema Studies at NYU Tisch. The chat ranges across a lifetime of thinking seriously about American film. Dana grew up in New York and Westchester, did his doctorate in France, and was later knighted by the French Ministry of Culture as a Chevalier dans l'Ordre des Arts. He explains how cinema studies emerged from English departments in the 70s, why USC made its production students take film history (and why they usually came back grateful), and how a young teaching assistant named Martin Scorsese could remember individual shots from films he'd seen years earlier. Dana explains the difference between a movie and a film, with Spielberg's own quote about Close Encounters as a starting point. Dana lays out the case for Scorsese as artist and Lucas as entertainer, the 80s backlash of hard-bodied masculinity in Die Hard and Rambo, the femme fatale in Double Indemnity and The Killers, and the way recent films like Barbie and Everything Everywhere All At Once try to have it every way at once. He makes the case for The Florida Project and the first Die Hard, pushes back gently on Mr. Smith Goes to Washington as accidental pedagogy, and explains why Strangers on a Train was the film that made him realize movies were made on purpose, shot by shot. Dana is currently co-writing Hoboken to Hollywood: The American Places of Frank Sinatra with Chuck Granata for Reaktion Books' Reverb series, and he shares stories from his Sinatra odysseys, including a tour of the Twin Palms bachelor pad in Palm Springs and a sobering evening in Las Vegas watching Sinatra's grandson perform in a no-gambling lounge. Produced by Norm Magnusson, Jennifer Hammoud, and Matty Rosenberg @ radiofreerhinecliff.org Send comments to comments@radiofreerhinecliff.org

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