Dialogues in Judaic Studies
For over two and a half centuries, the study of biblical Hebrew poetry has largely been influenced by metrical theories and the concept of parallelism. Although there is a growing agreement that biblical poetry does not adhere to metrical norms, a cohesive understanding of parallelism itself, or the features that classify biblical poetry as 'verse' or 'poetry' in the absence of meter, graphical lineation, and line-ending markers, has not yet been achieved. This monograph argues for the necessity of a new paradigm for biblical poetry, one that separates itself from both parallelism and meter. By employing the Cognitive Poetics framework developed by Reuven Tsur, Emmylou Grosser shifts the conversation regarding the structure of biblical poetry towards the auditory and perceptual experiences of the listener or reader. She contends that the line-units of biblical poetry emerge within the cognitive experience of the audience and offers a comprehensive analysis of the free-rhythm versification system that is intrinsic to biblical poetry. Grosser's cognitive perspective on biblical poetry tackles the extensive variety of lines and poems found in the Bible, shedding light on both the structural elements of biblical poetry and the artistic effects that can be achieved. This book presents a promising new paradigm for those who engage with the Bible, while also opening avenues for new investigations into nonmetrical poetries and the notion of 'parallelism' observed globally.
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