Infinite Plane Radio 5/16/26

Infinite Plane Saturn Day (May 23, 2026)

In this four-hour broadcast, host Tim Ozman deconstructs the reported White House shooting A significant portion of the show is dedicated to analyzing predictive and concurrent programming in the series The Boys. Ozman highlights how the show’s season finale, which depicts the assassination of a Trump-like character (Homelander) and the death of a Musk-like figure (Gunter Van Ellis), was filmed long before real-world parallels like the Butler, Pennsylvania shooting occurred. He asserts that these “engineered coincidences” are designed to bypass the public’s mental immune system. Ozman further critiques the “Truther” community, labeling positions like anti-vax and anti-5G as “alt-NPC” programming and controlled opposition. He introduces a Gnostic framework, categorizing humanity into the “helix” (soulless animals), “psychics” (partially aware), and “pneumatics” (those with direct knowledge or gnosis). The episode concludes with the announcement of his upcoming trip to Seattle on June 11th (6-11), where he intends to provide “off-world stage” reporting on a predicted theatrical nuclear or disaster scenario. * The White House “33” Hoax Code: Ozman notes the report of 33 shots fired at the White House as a primary indicator of a scripted event. * Quote: “I susptect it was 33... it’s sort of the hoax code.” * Systemic Fakery and Collusion: The broadcast claims that national news events and entertainment are synchronized to precondition public perception. * Quote: “The connections between entertainment and psyops is intentional, engineered.” * Trump/Homelander Parallels: Ozman analyzes how The Boys finale mirrored real-life assassination attempts, suggesting the real events were executed based on a pre-existing script. * Quote: “Amazon says, quote, the boys’ assassination episode was filmed long before the Trump shooting. The finale similarities are, quote, unintentional.” * The Death of Elon Musk Proxies: Using characters from The Boys and The Madness, Ozman argues that the media is “force-memeing” the eventual death of Elon Musk. * Quote: “I’m keeping track of how many times Elon Musk dies in these predictive programming roles.” * The “Seattle 6-11” Disaster Scenario: Based on patterns in films like Terminator 2, Ozman predicts a “theatrical disaster” in Seattle on June 11th. * Quote: “Ground zero for some world event is going to take place in Seattle on 11-3... [or] 3-11... using the same logic... they’re preparing us for some major event.” * Rejection of Controlled Opposition: Ozman dismisses “anti” movements (anti-vax, anti-5G) as part of the same “binary” system used by the mainstream to control the public. * Quote: “If you’re an anti, you’re mind controlled... Every anti-position is controlled opposition.” * Gnostic Categorization of Consciousness: The host categorizes the public into three levels of awareness based on their ability to perceive the “transcendent”. * Quote: “The pneumatics are those who are cognizant of a transcendent nature... the helix... are completely soul dead.” * Systemic Gaslighting: Ozman describes how media authority trains individuals to ignore their own perceptions in favor of the televised narrative. * Quote: “Gaslighting is when your perceptions tell you one thing and the authority tells you to believe another thing.” * Predictive Programming Axiom: Ozman establishes as an “axiom” that predictive programming never predicts real tragedies, only manufactured ones. * Quote: “Predictive programming only ever foreshadows fake events... every time, no exception.” * The “Off-World Stage” Mission: The episode frames Ozman’s work as “media deconstruction” intended to offer a perspective outside the controlled mainstream/alternative dialectic. * Quote: “We are media deconstructionists and another point... every conspiracy theory is a subplot on the meta script.”

Charlie Kirk's Ghost, Tuckers Demons, Neil's Aliens, and Luna's Interdimensionals

Charlie Kirk's Ghost, Tuckers Demons, Neil's Aliens, and Luna's Interdimensionals

Infinite Plane Radio 5/16/26

### **IPS DEPROGRAM: Synopsis**This installment of **IPS DEPROGRAM** features Tim Ozman deconstructing what he describes as a **"science fiction paradigm"** currently being used by government and media authorities to manage public consciousness. Ozman argues that the "Church of State" has begun mainstreaming supernatural concepts—such as **aliens, demons, and sentient AI**—to replace traditional religious myths and maintain a "wall of ignorance". He specifically critiques the narrative surrounding the perceived death of **Charlie Kirk**, dismissing claims of "ghostly communications" by figures like Candace Owens as tabloid-level psyops designed to keep audiences trapped in a scripted, fictional reality.### **Top 5 Topics*** **The "Science Fiction" Worldview:** Ozman asserts that modern science and atheism have betrayed their core values by endorsing superstitions like "sentient" AI and interdimensional aliens, which he views as "angels on a high-tech craft".* **The Charlie Kirk "Necromancy" Narrative:** A critique of the claims that Charlie Kirk is communicating from beyond the grave, which Ozman frames as a **"gatekeeping operation"** to reinforce the reality of political characters.* **The Great Deconstruction:** Ozman details his project to release short, topic-oriented videos aimed at proving **systemic fakery** and the "collusion between government and entertainment" in simulated events.* **NASA and Heuristic Skepticism:** The host advocates for a **"fake until proven real"** approach to national news and NASA missions, arguing that once a source is identified as a pathological liar, the burden of proof rests entirely on them.* **Rejection of the "Political Horseshoe":** A dismissal of both "woke left" and "woke right" subcultures (including QAnon and "J-Pil" narratives) as establishment-controlled "closed systems" that prevent true "off-world stage" thinking.### **Significant Quotes*** "Science isn't about beliefs. It's about a process for discovering what is."* "Because we live in the desert of the designated real. **It's real when they say it is.**"* "If you're not skeptical about media, you're not a skeptic."* "The mainstream worldview lives within a **science fiction paradigm**, a fictional universe."* "I categorically refer to everything **NASA does as fake until proven real.**"### **Summary**The episode serves as a call for **"conscientious objection"** to the scripted narratives of the world stage. Tim Ozman argues that the public is being subjected to **"strategic cognitive sabotage"** through the release of increasingly absurd tabloid stories involving ghosts and aliens. By deconstructing these events—from NASA missions to political martyrdom—Ozman promotes an **"open system"** of skepticism that rejects the false dichotomies of modern politics in favor of a fact-based assessment of what he deems "systemic fakery".

IPS Deprogram with Mark Sargent, May 14

Mark Sargent of the YouTube Flat Earth community, discusses the 2014-2015 origins of his “Flat Earth Clues” series, which he created after finding himself unable to prove the globe model to his own satisfaction,,,. The conversation centers on the concept of media fakery, where Sargent and host Tim Ozman argue that if special effects are possible in Hollywood, they can be used to deceive the public on television,. They analyze perceived glitches in modern space missions like NASA’s Artemis, such as missing shadows and the absence of stars in video footage, suggesting these are failures of high-stakes “live” production,,. The discussion further explores the idea of the world as a programmed simulation created by a higher power, alongside a critique of modern figures like Elon Musk, who is described as a “placeholder” for a manufactured narrative,,,. Key Topics * The Origin of “Flat Earth Clues”: Mark Sargent describes a “Moment of Clarity” at 3:00 a.m. in February 2015 that led him to stop trying to prove the globe and instead begin writing his influential video series,. * Media Fakery and Cinematic “Fillers”: The sources suggest that films like 2001: A Space Odyssey and Capricorn One were used to subconsciously fill in the blanks for the public regarding what space travel and planetary missions should look like,,. * Critique of NASA’s “Live” Production: Sargent argues that NASA’s biggest flaw is insisting on live broadcasts, which allow modern skeptics to analyze footage frame-by-frame to find glitches, such as objects appearing to “teleport” or harnesses being visible,,,. * Space as “Future Faking”: The concept of colonizing Mars is described as “future faking”—a mental construct and “psyop” designed to shape worldviews rather than a technologically achievable goal,. * Simulation Theory and Higher Power: Sargent expresses his belief that God is a programmer and that the world functions under “ones and zeros,” comparing reality to the “double-slit experiment” rules used in video game rendering,,. Significant Quotes * “I woke up in the middle of the night 3 a.m. and had this Moment of Clarity... here I am trying to prove the globe in a court of law in my head, can’t do it.” --MS * “As a rule, if they can fake it in the movies, they can fake it on TV.“ -- TO * “NASA’s biggest flaw right now is they still insist on doing it live.“ --MS * “Power perceived is power achieved, which is the average person doesn’t understand the 95 percent... of the bandwidth... is still undersea cables.” --MS * “I do believe that God was a programmer.“ --MS

part 2-IPS DEPROGRAM May 12, 2026

The host explains why the general public is easily manipulated, citing the "Truth Default Theory" where individuals automatically assume honesty from trusted sources. He proposes a "Lie Default" operating system for processing information. * Auto-Believers: Most people are "auto-believers" who lack the situational awareness to recognize systemic, collusive media fakery. * The Veracity Effect: Humans are generally better at judging truth than detecting lies, which the media exploits. * Situational Awareness: Once a consumer is informed about "news bending," their frame of reference updates to treat the source as a "pathological liar". * Cognitive Inoculation: Sitting and listening to these deconstructions allows for a form of "osmosis" that inoculates the mind against future psyops. * The "Non" Position: Instead of being "pro" or "anti" (both of which are reactive), the host suggests being "non"—a conscientious objector to the mind war. Quote: "You should be lie default they're lying unless the evidence supports otherwise you could say fake until proven real... so you should be suspending your judgment until you get more facts." The host analyzes the eerie synchronization between the TV show The Boys and real-world political events, arguing that this "Concurrent Programming" proves collusion between the government and mass entertainment. * Homelander/Trump Parallels: Recent scenes in The Boys involving golden statues, Bibles, and fist-raising mirror Donald Trump’s real-world activities. * Assassination Narratives: The host notes that the show's assassination subplots tracked with real events, leading to emergency title changes for episodes. * Entrainment: This phenomenon is defined as "entrainment between entertainment and psyops," where scripts written years ago perfectly coordinate with current news. * The Simulation "Stop-Gap": People use the "simulation" theory to explain these coincidences because they cannot process the idea of a pre-scripted, intelligently planned reality. * Propaganda Conduit: The host views popular media like The Boys as a "propaganda conduit for PSYOP reinforcement". Quote: "The Homelander is Trump... Firecracker is MTG... My point is... the show was recorded years ago So how did a show recorded years ago perfectly coordinate with what's happening right now? It's because there's entrainment between entertainment and psyops." This topic dives into the idea that history is not just edited or censored, but "fabricated entirely" and "pre-written" into the future. * Systemic Fakery: Major events like the moon landing, 9/11, and COVID-19 are described as chapters in the same "script" that shares a singular backstory. * History as Prefabrication: The host argues that history for the last 60+ years has been a "prefabricated historical timeline" rather than a record of organic events. * Worldview Warfare: Media has replaced the "holy book" with a "closed system of ideas" that tells the public about their past, present, and future. * Subplots in Alt-Media: Conspiracy theories within alternative media (like the "J-pill" or "Mud Flood") are dismissed as "subplots" that keep truthers tethered to the fake timeline. * * Closed Systems: Using a cruise ship as "Ground Zero" creates a controlled environment for media narratives to flourish, similar to the Diamond Princess in 2020. * Crisis Actors: The host points to individuals in the news cycles as "crisis thespians" who reappear across different staged events. * Symbolism on Currency: He references the appearance of "bats" and "Mayflower" imagery on quarters as evidence of long-term symbolic planning for these events. * The "Odyssey" Reference: Headlines describing a "33-day Atlantic Odyssey" are cited as proof of the "Meta Script" using coded language. * Fear as a Mind Virus: The host emphasizes that the real threat is the "infectious mind virus" of fear, which causes psychosomatic reactions like "mind AIDS".