New Books Network
This is a special edition of the New York Institute for the Humanities’ Vault podcast. On May 13, 2026, Princeton’s Center for Human Values [https://uchv.princeton.edu/] hosted a day-long conference titled Audio & Ideas: Exploring the Possibilities for Scholarly Podcasting [https://uchv.princeton.edu/events/audio-ideas-exploring-possibilities-scholarly-podcasting]. [https://uchv.princeton.edu/events/audio-ideas-exploring-possibilities-scholarly-podcasting] It was co-sponsored by Princeton’s Journalism program, [https://journalism.princeton.edu/] and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses Tuning Time, a podcast about the politics of time stretching technology, with NYU media and disability studies professor Mara Mills. [https://maramills.org/]Professor Mills teaches in the Department of Media, Culture, and Communication [https://steinhardt.nyu.edu/departments/media-culture-and-communication]and is Director of the NYU Center for Disability Studies [https://disabilitystudies.nyu.edu/]. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is one of the co-founders of the podcast network Radiotopa [https://www.radiotopia.fm/] from PRX, and for a decade hosted and produced his award winning program Benjamen [https://theoryofeverythingpodcast.com/] Walker’s Theory of Everything [https://theoryofeverythingpodcast.com/]. [https://theoryofeverythingpodcast.com/] The panel continues with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 [https://press.uchicago.edu/ucp/books/book/chicago/T/bo186006661.html] (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices] Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network [https://newbooksnetwork.supportingcast.fm/new-books-network]
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