Breath Support, Part 2 — Where the Air Goes: Finding and Fixing the Leak

Breath Support, Part 2 — Where the Air Goes: Finding and Fixing the Leak

Last episode, the premise was simple: when it comes to breath, more is almost always the wrong answer. This episode makes good on the promise — finding the leak and fixing it. In part two, Josh Manuel gets diagnostic. The episode traces breath waste back to its most common source — the onset — and explains how the way you start a note largely determines how much air you’re about to burn through. From there it covers the full diagnostic tree for “I keep running out of air,” how to build toward firmer fold closure in singers who need it, why what you feel while singing is often the opposite of what’s actually happening, and a deep look at what breath support actually buys you once the work is done. This one goes deep. It’s built for singers who want to understand the instrument, not just survive the phrase. voicescience.org

Breath Support, Part 1 — Why "More" Is Almost Always the Wrong Answer

“More air. More support. Bigger. Push more. Give me more.” If you’ve spent any time in a voice lesson or choir rehearsal, you’ve heard it. And according to Josh Manuel, founder of VoSci — it’s almost always the wrong answer. In part one of this two-part episode, Drew Williams-Orozco walks through Josh’s ground-up breakdown of how breath actually works, why the “more” instinct betrays singers, and what’s really happening when a phrase falls apart. The episode covers the mechanics of inhalation and exhalation, what breath support actually is and which muscles are doing the work, why tension isn’t the enemy, and the subglottal pressure principle that reframes everything singers think they know about air. Part two goes diagnostic — finding the specific leaks that are costing you air and what to do about each one. But first, the foundation. voicescience.org

Do You Know Your Type? A Model for Understanding Different Types of Students

Not all students want the same thing — and assuming they do is one of the most common sources of frustration for both teachers and students. In this episode, contributor Timothy Wilds introduces a diagnostic model developed by Juilliard-trained violinist and educator Fedor Ouspensky that helps teachers identify what a student actually wants from lessons. Built around two simple questions about goals and mastery, the model produces four distinct student types — Dedicated, Hobby, Casual, and Experience — each requiring a different teaching approach and a different kind of relationship. Timothy walks through each type in depth, shares how his own teaching assumptions have had to evolve over four decades, and offers practical guidance for the most common scenario teachers face today: the student who wants the result without the skills — and what to do when that student is standing in front of you. Whether you’re a teacher trying to retain students while holding your standards, or a student trying to figure out why lessons haven’t been clicking — this one is for both of you. voicescience.org Ready when you have the link! 🎙️

Why Does My Voice Strain? (And How to Fix It)

Vocal strain is one of the most common complaints singers bring into the studio — and one of the most misunderstood. In this episode, Drew walks through the mechanical cause of most strain, why the advice to “breathe deep and support” can actually make things worse for contemporary singers, and what to do instead. The episode covers the hyperfunction loop, the relationship between breath pressure and vocal fold closure, why singing softly is more physically demanding than it sounds, and how redirecting tension into the torso changes everything. Practical, science-grounded, and immediately applicable. If your throat gets scratchy on certain passages, if high notes feel like a fight, or if you hit a wall somewhere in the middle of your range — this episode is for you.

A Case for Voice Teacher/Trainer Licensure

Anyone can legally teach voice lessons in the United States. No degree. No clinical hours. No exam. No license. In this episode, contributor Timothy Wilds makes a direct and sometimes uncomfortable case for why that should change — and what a more professionalized field could look like. Timothy draws a pointed comparison between the credentialing standards required of speech-language pathologists and those expected of voice teachers, argues that the overlap between the two professions is larger than the industry acknowledges, and challenges the commonly cited reasons for keeping voice teaching unregulated. He also shares how his own teaching was transformed by pursuing deeper training — and why he believes evidence-based tools and voice science have a critical role to play in raising the bar for teachers at every level. Whether you’re a voice teacher, a student, or simply someone who cares about the integrity of the field — this episode is for you. Ready to go deeper? VoSci Academy gives you structured Practice Paths, real-time pitch and interval feedback, and biweekly Q&A calls. Learn more at voicescience.org