319_Paul Mazurkiewicz-Cannibal Corpse

323_Esben Willems-Monolord

Drummer & Audio Engineer Esben Willems of Sweden’s Monolord returns to the CBBP to talk about the strange Covid times in Sweden and the challenges of getting back to Sweden while on tour during the onset of Covid, their new record Neverending; from the writing to the decision to work with legendary producer Sylvia Massy in Oregon, drums that were used, the drum room where it was recorded as well as knocking the tracking & mixing out in 4 weeks, the kit he still wants in his collection, Swedish governmental support of the arts and how it fosters artists, the awesomeness (and at times strangeness)of Black Sabbath, Swedish beers, upcoming tours and a whole lot mo’!!! PIC: James Rexroad  https://monolord.com/tour [https://monolord.com/tour]

322_Chris Hornbrook-Poison The Well

Drummer Chris Hornbrook of Poison the Well returns to the CBBP to talk their new record Peace in Place, the ubiquitous nature of the “chops revolution” outside of fusion, focusing on groove and musicality in the age of increasingly short attention spans, the extensive process of recording what would become Peace in Place w/ Will Putney, leading with intuition in the initial phases of writing to then inform the patterns that ultimately stay or get altered on the final recording,  the challenges of revisiting The Opposite of December [https://en.wikipedia.org/wiki/The_Opposite_of_December..._A_Season_of_Separation] for their reunion tour, revisiting double bass playing, taking lessons with Candiria drummer Ken Schalk, Jody’s lessons with JP Bouvet and Blake Fleming,  Chris’ work with Greg Puciato on Mirrorcell, some go-to snares from his  crazy collection & much more!

321_Art Cruz-Lamb of God

Lamb of God drummer Art Cruz talks with the #CBBP about their new record Into Oblivion; both in tracking drums with Josh Wilbur and working with the rest of the band on the record, how it differed from the previous two records, finding his “groove” in the band and how being relaxed and focused affected his feel on the recording, changing diet, fitness and more in the last three years and focusing on drilling down the set with hellacious reps -in advance of the tour, his history with marching band and the many lessons learned from his time in that world, our mutual influence in drummer David Garibaldi, some of Art’s early influences in his formative years, Michael Shrieve’s killer drumming in Santana, and much more! https://www.lamb-of-god.com/tour/ [https://www.lamb-of-god.com/tour/]

320_Jonathan Balsamo-Palaces

Drummer Jonathan Balsamo of ATL’s own Palaces talks about the long road from recording their new record Sunhunting to working with Bill Kelliher of Mastodon and Tom Tapley as the mixer, as well as accepting click tracks for the first time with the band, JB’s go-to drums and an assortment of snares used on the recording, the many ways the band Generation of Vipers rules, his roots as a bass player and how he reluctantly became a drummer, early math rock influences and the faux pas of China Cymbals and Double Bass pedals outside of prog/metal, Helmet and Jon Stanier’s drumming kicking all the ass, being self-taught and much more!! https://palaces.bandcamp.com/ [https://palaces.bandcamp.com/]

319_Paul Mazurkiewicz-Cannibal Corpse

Drummer Paul Mazurkiewicz of Cannibal Corpse talks about CC's nearly 40 year history, the early Buffalo, NY scene and some of the bands that inspired them (Slayer),  recording their first(and subsequent) record(s) , their migration from Buffalo to Florida and the incredible scene they inadvertently found themselves in, how Europe embraced the band from the beginning, the evolution of recording and playing live /Paul’s inevitable acceptance of click tracks, why Dave Lombardo rules, early impressions of Sean Reinert and Gene Hoglan’s drumming, Paul in the evolution of blast beats, viral social media moments and CC’s appearance in the movie Ace Ventura, Paul’s first drum set & much more!!