INTRODUCTION: The Who That We Are

FESTIVE GRIMNESS

In this final episode of the year, we fittingly discuss the inherent creepiness of the festive season and its representation in films and other such things. We also give a brief heads-up on what you might expect from us in the next year. ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

THE AMITYVILLE HORRORS (Part Two)

In this episode we discuss the Amityville films, with an emphasis on Amityville II: The Possession since that is quite clearly the best one. We'll occasionally be drifting into talk of The Conjurings as well. SPOILS: All Amityville and Conjuring films ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

THE AMITYVILLE HORRORS (Part One)

In this episode we discuss the Amityville films, with an emphasis on Amityville II: The Possession since that is quite clearly the best one. We'll occasionally be drifting into talk of The Conjurings as well. SPOILS: All Amityville and Conjuring films ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

INTRODUCTION: The Who That We Are

Better late than never. Join us for an introductory chat about who we are and roughly what you can expect from us over the course of this whatever-it-is. Emphasis on "roughly". ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

TERRIFIER 2 (Part Two)

It's Art, everyone's new favourite Clown. We forensically examine Damien Leone's surprise hit Terrifier 2, ignoring major plot points but spending a bit of time wondering about the cultural impact and what Art The Clown's penis might look like. SPOILS: All Hallows' Eve, Terrifier and Terrifier 2 ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.