Creativity Without Strategy Fails | Isaac Seton | S4E2

Creativity Without Strategy Fails | Isaac Seton | S4E2

Isaac Seton (also known as Navide Sai), a project manager and performing artist, works at the intersection of business and culture. Across the conversation, Seton outlines a model for creative work that marries originality with execution and situates Nigerian creativity within a global frame without losing its centre.

The Enduring Legacy of Uche Okeke in Today’s Young Artists | Jaida & Kiara | S4E1

This episode of Coffee and Uche Okeke was co-hosted by Salma Uche-Okeke and Chuma Uche-Okeke. They welcomed two emerging artists, Jaida Yahya and Kaira Uche-Okeke, who shared how they are navigating their creative journeys while carrying forward the enduring influence of Uche Okeke.

Rediscovering Igbo Art and Ethno-Aesthetics Through Uli | Prof. Ikwuemesi | S3E6

Prof. Ikwuemesi’s discussion with Salma Uche-Okeke sheds light on the importance of blending traditional art with modern practices. It also highlights the challenges artists face and calls for increased support to ensure the growth and preservation of African art traditions.

Art, Legacy, and the Power of Community | Ato Arinze | S3E5

Arinze’s view provides important lessons for artists, curators, and cultural groups. These lessons help promote art that honours cultural heritage and supports modern creativity. Listen and leave a kind review, please.

Rewriting Art History with African Perspectives | Aindrea Emelife | S3E4

Aindrea Emelife was inspired to study art history by the Benin Bronzes, focusing on overlooked Nigerian artists like Uche Okeke at the Courtauld Institute of Art. She's driven to rewrite art history with African perspectives, influenced by Chika Okeke-Agulu, who highlighted art's connection to colonialism and identity. At MOWAA, she champions contemporary African artists, archival preservation, and cross-border collaborations. She believes digitisation democratises art access, preserving it for posterity. Aindrea celebrates diverse Black art perspectives and is excited about growing global appreciation for African art.