Out of Order Book Club
In the last episode we were in the capital of Scotland, this time we're heading to London for the second book in the DI Henley series. I'll be taking a look into Nadine Matheson's 'The Binding Room'. This is an author and a series that I discovered when I attended an event at the Harrogate Crime Writing Festival a couple of years ago. Matheson’s description of the series, and what she wanted to do with it, stuck in my head. Now, a couple of years later, I’ve created an episode about the series or, more precisely, one book in the series ‘The Binding Room’. If you’re an avid reader or an aspiring writer, you should go to events like these! In this episode, we'll be taking a look at the key things that jump out at an 'out of order' reader in this novel such as an unusual case of team trauma rather than 'just' the central characters, as well as DI Henley as female crime fiction character and mother. In reading as a writer, we'll be looking at how Matheson deals with the past experiences and relationships of this team while moving the story forward. You can also count how many ways I pronounce Pellacia, the surname of one of the key characters in the D.I. Henley series. Apologies for that, I seem to be making a habit of this kind of thing! Email: outoforderbookclub@outlook.com Useful links and helpful sources: Nadine Matheson website [https://www.nadinematheson.com/]: I think this is a really good website for anyone new to the Henley series, interested in Nadine Matheson's background and/or aspiring writers as well. The Writer's Verdict Substack [https://nadinematheson.substack.com/]: I mention two articles from Nadine Matheson's substack in the episode, but there are a lot to choose from. If you're a regular fixture on social media giving opinions on the latest book drama, you may find Matheson has responded to something you're aware of giving an insider's perspective. Nadine Matheson YouTube Channel [https://www.youtube.com/@nadinemathesonauthor]: This Channel contains both episodes of the The Conversation podcast interviews and her collaborations with Page One in 'Adventures in Publishing-land'. 'This Itch of Writing' Substack [https://emmadarwin.substack.com/p/ten-tips-for-reading-like-a-writer]: This is a link to Emma Darwin's Ten Tips for Reading like a Writer, this is a really useful page for anyone reading widely and trying to be a better writer. That describes me, what about you? Quick Book Review with Phillipa Hall Interview [https://shows.acast.com/quick-book-reviews/episodes/nadine-matheson-interview-the-shadow-carver-inspector-henley]: This 2026 interview covers pretty much everything! You have Matheson's background, her writing process and her writing plans for the future. The Gloss Book Club Interview [https://theglossbookclub.com/interview-with-nadine-matheson/]: This 2022 interview was published around the time of 'The Binding Room', so I found it a really interesting read for context. Mary Ann Gillies' 'Trauma and Contemporary Crime Fiction' (2019 [https://www.proquest.com/docview/2255560438?fromopenview=true&pq-origsite=gscholar&sourcetype=Scholarly%20Journals]): This is a fascinating essay about trauma theory, but also taking that and applying it to crime fiction where (surprisingly!) this theory hasn't been applied. There is, it seems, a preference for using it on 'literary fiction'...send me an email if you can define that phrase. Thanks! Shauna Wilton's 'Mothers hunting murderers: Representation of motherhood in Broadchurch and Happy Valley' (2018) [https://www.proquest.com/docview/2064866877?fromopenview=true&pq-origsite=gscholar&sourcetype=Scholarly%20Journals]: Although this is a novel, and this essay focuses on TV drama/crime shows, the parallels with Henley and, specifically, my expectations of Henley were striking. I wouldn't say what Matheson is doing reflects the conclusions Wilton has about these two TV programmes, but it really reflects the tightrope the author walks when writing about women as detectives.
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