S4E2 Why a Jewish Arts & Culture Program Now? (Shoshana Gugenheim Kedem) (re-release)

S4E2 Why a Jewish Arts & Culture Program Now? (Shoshana Gugenheim Kedem) (re-release)

div]:bg-bg-000/50 [&_pre>div]:border-0.5 [&_pre>div]:border-border-400 [&_.ignore-pre-bg>div]:bg-transparent [&_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [&_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [&_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [&_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8"> _*]:min-w-0 gap-3 [&_>_*:last-child]:mb-0 print:block print:[&_>_*_+_*]:mt-3 standard-markdown"> Summer schedule update: Art Lab is slowing down for the summer — fewer new episodes (about one a month), plus some re-released favorites. Behind the scenes, we're prepping for our Jerusalem Biennale exhibition this September and developing our next fellowship and artist workshops. Note: in re-released episodes you'll hear the old name, "The Genesis" — same podcast, we just changed our name to the Art/Lab Podcast. Support Jewish art and artists at artlabpdx.org/donate. ------ I sit down with Art/Lab director Shoshana Gugenheim—my longtime collaborator—to clarify what changed since Co/Lab went on hiatus and Art/Lab spun out as its own org and we tackle the basic question: why a Jewish contemporary arts fellowship, and why now? We talk about creativity as core to being human and Jewish, and how Art/Lab serves artists and audiences who don't always find a home in synagogues or legacy institutions. We reflect on October 7 and the year that followed: how Jewish artists across the country were censored or sidelined, and how our cohort became a rare room where people could bring divergent views, grief, and complexity without an ideological litmus test. That experience also shaped the (paused-for-now) gallery vision: a space for experimentation and public-facing work by contemporary Jewish artists in the Pacific Northwest. Then we lay out what Art/Lab looks like today: the flagship nine-month fellowship (this year's theme: memory), public workshops drawn from our growing network of 38 artists, this podcast, deep partnerships with the Oregon Jewish Museum and Eastside Jewish Commons, and new educators joining our text study series. We also share two big updates: Art/Lab's selection for the 2026 Jerusalem Biennale and fresh support from CANVAS—along with the real-world fundraising trade-offs arts programs face. Finally, Shoshana name-checks what she's loving right now and we close with some breads-and-spreads talk and an open invite to learn more, get involved, or support the work. The Art/Lab Podcast: Conversations About Jewish Arts and Culture is conceived of and created by Rabbi Josh Rose, and is a program of Art/Lab: Innovating Jewish Arts and Culture. Links from the Show * Art/Lab website — artlabpdx.org [https://www.artlabpdx.org/] * CANVAS — bycanvas.org [https://bycanvas.org/] * Jerusalem Biennale — jerusalembiennale.org [https://jerusalembiennale.org/] * Oregon Jewish Museum & Center for Holocaust Education — ojmche.org [https://www.ojmche.org/] * Eastside Jewish Commons — ejcpdx.org [https://ejcpdx.org/] * Guerrilla Girls at the Getty — "How to Be a Guerrilla Girl" (Getty Research Institute) — getty.edu [https://www.getty.edu/exhibitions/how-to-be-a-guerrilla-girl]

S4E1 Forgetting and Jewish Creativity (with Rachel Attias)

One of our recent guests, David Winitsky, was asked to recommend a work of art he loves — he chose Gabriel García Márquez's One Hundred Years of Solitude. I found myself returning to its insomnia plague scene: a plague that causes forgetting so total that the community must label everything just to function ("this is a cow, you must milk it") — a meditation on what happens when a society tries to forget its political violence and darker episodes. The novel insists that memory is essential to identity, individual and collective. America feels like it's walking into a forgetting plague of its own making — asked to forget the norms of democracy, and asked to forget the harder parts of our past. Memory and forgetting have been on my mind. Jews are commanded to remember, but being Jewish has also always meant forgetting — every generation, ours included, has had to let go of some of what came before in order to recreate itself. I wanted to talk through all of this, so I sat down with Rachel Atias — a wonderful writer with a fertile mind — on day one of her Art Lab alumnihood. (This cohort of Art Lab artists just completed the program; she's the first to be interviewed, with more voices to come.) Rachel recently taught a workshop on forgetting and on writing the pieces of our forgotten selves, at The Shuk, the Jewish Day of Learning sponsored by Art/Lab along with the Jewish Federation here in Portland. Forgetting came up a lot in our conversation — but so did hope, and whether hope is warranted. I think you'll enjoy this one, and enjoy getting to know Rachel's writing. Links in the show notes as usual. Enjoy the conversation. The Art/Lab Podcast: Conversations About Jewish Arts and Culture is conceived of and created by Rabbi Josh Rose, and is a program of Art/Lab: Innovating Jewish Arts and Culture. Links Art/Lab: artlabpdx.org/ Rachel's Website: rachelattias.com Gefilte Fish — Portland Review: portlandreview.org/gefilte-fish-by-rachel-attias/ Pond Scum — Does It Have Pockets: www.doesithavepockets.com/fiction/rachel-attias [https://www.doesithavepockets.com/fiction/rachel-attias] A Fish in the Bathtub: en.wikipedia.org/wiki/A_Fish_in_the_Bathtub

S3E53 Jewish Art & Memory in a Time of Change (with Judy Margles)

Judy Margles, longtime director of the Oregon Jewish Museum and Center for Holocaust Education, joins me to talk about the institution she spent a career building — and the tensions built into its dual mission of Jewish cultural memory and Holocaust education. We discuss how Oregon Jewish Museum and Center for Holocaust Education (OJMCHE) "third leg," pluralism, became the connective tissue between those two mandates, and how October 7th has complicated that commitment both toward the broader world and within the Jewish community itself. Judy shares a story about discovering that every parent in her friend group had a child at the Gaza rallies, and what that revealed about generational change. The conversation moves into the state of Jewish arts and culture right now — from the fight over the Israel Pavilion at the Venice Biennale to the movement of art across borders during wartime — and into bigger questions: what makes art endure, whether artists owe the Jewish community anything, and where Jewish culture actually comes from. Enjoy. The Art/Lab Podcast: Conversations About Jewish Arts and Culture is conceived of and created by Rabbi Josh Rose, and is a program of Art/Lab: Innovating Jewish Arts and Culture. Theme music by Rabbi Josh Rose. Links * Art/Lab: Innovating Jewish Arts and Culture: artlabpdx.org [http://artlabpdx.org/] * Our podcast on Youtube: @theartlabpodcast * Oregon Jewish Museum and Center for Holocaust Education: https://www.ojmche.org/ [https://www.ojmche.org/] * Rothko Chapel, Houston: https://rothkochapel.org/ [https://rothkochapel.org/] * The Jewish Museum, New York — current exhibitions (including the Walter Benjamin photography show Judy references): https://thejewishmuseum.org/exhibitions/ [https://thejewishmuseum.org/exhibitions/] * Portland Art Museum: https://portlandartmuseum.org/ [https://portlandartmuseum.org/]

S3E52 Language, Music and Resistance: Yiddish Folk Music in the 21st Century (with the band Brivele)

I think about language a lot. Understanding and translating Hebrew is a core part of what keeps me busy and engaged, and in my study of Kabbalah I often confront the limits of what language can convey. But language isn't just a philosophical puzzle — in our broader culture it's being used and abused, deployed in culture wars, for political division and demagoguery. Language can also be a form of self-determination, of pushing back against oppression. Think of how Jews in the late 19th century reclaimed Hebrew — turning it from a sacred religious tongue into a living secular language. In doing so, they largely turned away from Yiddish, the vernacular of diaspora Jewish life. Hebrew was the language of return; Yiddish was the language of exile. But in recent decades, Yiddish itself has undergone its own reclamation — not as a language of exile, but of resistance. For many Jews outside or critical of the Zionist mainstream, Yiddish carries a different kind of Jewish identity: diasporic, radical, rooted in solidarity and working-class organizing. You may recall my conversation with Mark Rubin, who draws on some of that same tradition in his own protest music. Today's guests are very much in that spirit. Maia Brown and Stefanie Brendler of Brivele are a Seattle-based Jewish duo making Yiddish music rooted in anti-fascist, anarchist, and labor organizing. Their latest album draws from the Proletpen — radical Yiddish writers working in New York between the 1920s and 1950s — and the music is as urgent as anything being made today. We talk about what drew them to Yiddish, how punk shaped their sound, and what it means to perform this music in Jewish spaces right now, when the community is so fractured. It's a rich, sometimes challenging conversation. I'll say upfront: my guests hold strong views on what's happening in Gaza — views I don't entirely share, and said so during our conversation. I think that exchange is worth hearing, and I'll let you draw your own conclusions. Enjoy the episode. The Art/Lab Podcast: Conversations About Jewish Arts and Culture is conceived of and created by Rabbi Josh Rose, and is a program of Art/Lab: Innovating Jewish Arts and Culture. Theme music by Rabbi Josh Rose Notes Art/Lab: Innovating Jewish Arts and Culture: artlabpdx.org https://www.brivele.com/ [https://www.brivele.com/] YIVO Encyclopedia entry on Yiddish: encyclopedia.yivo.org/article/235 [https://encyclopedia.yivo.org/article/235] Information on Dora Teitleboim: hcongressforjewishculture.org/people/4097/Taytlboym-Dora

S3E51 What Questions Are Jewish Artists Asking in the 21st Century? (David Winitsky)

Jewish artists have always found themselves in relationship with the world around them. Sometimes that relationship is generative. Sometimes it is uneasy. Often it requires artists to negotiate Jewish identity alongside broader ideas of citizenship, Americanness, Western culture, inherited artistic forms, and the cultural languages in which they work. That tension has become a recurring theme of the Art/Lab Podcast. But it is not new. Jewish artists and Jewish culture have always been shaped by the surrounding world — responding to it, resisting it, borrowing from it, arguing with it, and transforming it. In this episode, Rabbi Josh Rose speaks with David Winitsky, founder and Executive Artistic Director of the Jewish Plays Project, the nation's leading development house for contemporary Jewish theater. David has spent years thinking about how Jewish theater has changed over time, what questions Jewish artists are asking now, and what it means to create serious Jewish culture in the 21st century. David has directed and assisted on Broadway, Off-Broadway, and regionally, with work connected to institutions including Paper Mill Playhouse, Chicago's Steppenwolf Theatre, New World Stages, and others. Through the Jewish Plays Project, he has helped develop 49 plays, 27 of which have gone on to production or further development in New York, London, Tel Aviv, and across the United States. This conversation explores what makes a play Jewish, how contemporary Jewish theater moves beyond inherited mid-century stories, and why Jewish culture needs not only institutional support but active participation. David is a sharp and generous thinker about Jewish art, theater, identity, and the role of culture in shaping Jewish meaning today. The Art/Lab Podcast: Conversations About Jewish Arts and Culture is conceived of and created by Rabbi Josh Rose, and is a program of Art/Lab: Innovating Jewish Arts and Culture. Art/Lab: Innovating Jewish Arts & Culture artlabpdx.org Jewish Plays Project: jewishplaysproject.org/ Jewish Playwriting Contest: jewishplaysproject.org/jewish-playwriting-contest/ [https://jewishplaysproject.org/jewish-playwriting-contest/] One Hundred Years of Solitude: broadwaybooks.net/book/9780060883287