The Wilkie Collins Library
In which Ariel, the singular driver of a fidgety pony-chaise, escorts the narrator to the curious and somewhat grim abode of Miserrimus Dexter, where the eccentric master’s artistic efforts and peculiar temperaments are unveiled in broad daylight. Within the sombre walls adorned by grotesque paintings and strange costumes, a melancholy yet whimsical dialogue ensues, culminating in Mr. Dexter adopting the calming art of embroidery as a prelude to a delicate and earnest conversation about a mysterious death.
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