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GEES Project Podcast

Podcast af GEES Project

engelsk

Kultur & fritid

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The GEES Project challenges the old assumption that girls were not allowed to perform on the early English stage. It explores girls’ participation in English dramatic culture from its earliest beginnings, and shows that they took active roles in religious drama, court masques, royal entries, civic pageants, and household entertainments: basically everywhere except the commercial London stage of Shakespeare and his contemporaries.

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25 episoder

episode Parthenia: Music for Virginals Ep. 3: Prof. Deanne Williams and Bull's Pavan and Gibbons' Galiardo and The Queen's Command cover

Parthenia: Music for Virginals Ep. 3: Prof. Deanne Williams and Bull's Pavan and Gibbons' Galiardo and The Queen's Command

'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613 probably as part of the celebrations for a royal wedding. MIO's Artistic Director John Edwards talks to Prof. Deanne Williams about the plays by Shakespeare, Beaumont and Fletcher and others, and masque performances during the run up to the marriage of Frederick, Count Palatine and Elizabeth Stuart. We then hear Louise Hung perform music by Bull and Gibbons from the book.  This episode was originally released on the Musicians In Ordinary's podcast feed.

26. juli 2025 - 35 min
episode Parthenia: Music for Virginals Ep. 2: Louise Hung and John Edwards on the Earl of Salisbury and Byrd's Earl of Salisbury's Pavan and Galiardo Secundo cover

Parthenia: Music for Virginals Ep. 2: Louise Hung and John Edwards on the Earl of Salisbury and Byrd's Earl of Salisbury's Pavan and Galiardo Secundo

'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. As the chief counsellor in the last years of Queen Elizabeth I’s reign and the first years of James I’s, Robert Cecil, the Earl of Salisbury was at the centre of a web of political patronage, artistic patronage, and a web of spies that seems to have included musicians. John Edwards and Louise Hung talk about Salisbury’s patronage of the arts, especially the art of music, his musical instrument collection and his collection of musicians. At the end of the chat you’ll hear Louise play William Byrd’s Pavana Earl of Salisbury and Galiardo secundo from Parthenia. Further reading: Patronage, Culture and Power: The Early Cecils ed. Pauline Croft and John Dowland by Diana Poulton. This episode was originally released on the Musicians In Ordinary's podcast feed.

26. juli 2025 - 37 min
episode Parthenia: Music for Virginals Ep. 1 Louise Hung and Byrd's Preludium and Galliardo Mary Brown cover

Parthenia: Music for Virginals Ep. 1 Louise Hung and Byrd's Preludium and Galliardo Mary Brown

'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. MIO's Artistic Director John Edwards talks to harpsichordist Louise Hung about the terminology of plucked string keyboard instruments in the Elizabethan and Jacobean period, how they make their sound, the association of the virginals with young women in our period and the techniques and fingering which they used and which Louise deploys to get the characteristic sprightly articulation in Mary Brownlow’s Galliard and the spectacular passage work in the prelude by Byrd, both of which you’ll hear at the end of our chat. This episode was originally released on the Musicians In Ordinary's podcast feed.

26. juli 2025 - 32 min
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