New Books in South Asian Studies

The Mirror of Ornaments (Alaṅkāradappaṇō) [http://www.fedoa.unina.it/15339/1/ALANKARADAPPANO-WITHOUT_TRIMS-20240806.pdf] defines and exemplifies 42 figures of speech or “ornaments” in 134 verses. It is the only surviving work of poetics in Prakrit, a literary language closely related to Sanskrit. It is one of the earliest representatives of the larger Indian discourse on poetics, and is especially closely linked to Bhāmaha’s Ornament of Literature (Kāvyālaṅkāra). This book includes an introduction, annotated translation, glossary, and diplomatic and critical editions of the single surviving manuscript of the Mirror of Ornaments. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices] Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies [https://newbooksnetwork.supportingcast.fm/south-asian-studies]

Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman. Projecting Desire: Media Architectures and Moviegoing in Urban India [https://bookshop.org/a/12343/9781479829620] (NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex’s evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city. Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India’s media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research, Projecting Desire maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South. Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like Television and New Media, International Journal of Cultural Studies, Feminist Media Studies, South Asian Popular Culture, and Porn Studies among others.  Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. More information on her research can be found on her website www.priyamsinha.com [http://www.priyamsinha.com/]. She can also be reached at https://twitter.com/PriyamSinha [https://twitter.com/PriyamSinha] Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices] Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies [https://newbooksnetwork.supportingcast.fm/south-asian-studies]

Intimation of Revolution: Global Sixties and the Making of Bangladesh [https://bookshop.org/a/12343/9781009329873] (Cambridge UP, 2023) analyzes the growth of Bengali nationalism in East Pakistan during the 1950s and 60s, highlighting the interplay of global politics and local socio-economic changes. The book posits that the 1969 revolution and the 1971 liberation war were influenced by the "global sixties," which reshaped Pakistan's political environment and paved the way for Bangladesh's creation. It challenges the conventional view of Bangladesh as solely a consequence of the Indo-Pakistani conflict, instead portraying it as a nation forged by Bengali nationalists resisting internal colonization by the Pakistani military-bureaucratic regime. The narrative explores how this resistance and nation-building process was inspired by concurrent decolonization movements in Asia, Africa, and Latin America, while also being influenced by the Cold War competition between the USA, the USSR, and China. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices] Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies [https://newbooksnetwork.supportingcast.fm/south-asian-studies]

Metaphysics As Therapy: List-Making and Renunciation in Gnostic Yogas [https://bookshop.org/a/12343/9789819625550] (Springer, 2025) examines the significance of metaphysical list-making as a determining feature of 'spiritual exercises' in South Asian gnostic yogas. It examines how these ancient traditions sought spiritual transformation through the dialectical practice of taxonomy. It highlights the gnostic thread that intersects 'spiritual exercises' and 'ways of life' in Hindu, Buddhist, and Jaina circles.  Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices] Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies [https://newbooksnetwork.supportingcast.fm/south-asian-studies]

In Ghostly Past, Capitalist Presence: A Social History of Fear in Colonial Bengal  [https://bookshop.org/a/12343/9781478030713](Duke UP, 2024), Tithi Bhattacharya maps the role that Bengali ghosts and ghost stories played in constituting the modern Indian nation, and the religious ideas seeded therein, as it emerged in dialogue with European science. Bhattacharya introduces readers to the multifarious habits and personalities of Bengal’s traditional ghosts and investigates and mourns their eventual extermination. For Bhattacharya, British colonization marked a transition from the older, multifaith folk world of traditional ghosts to newer and more frightening specters. These "modern" Bengali ghosts, borne out of a new rationality, were homogeneous specters amenable to "scientific" speculation and invoked at séance sessions in elite drawing rooms. Reading literature alongside the colonial archive, Bhattacharya uncovers a new reordering of science and faith from the middle of the nineteenth century. She argues that these shifts cemented the authority of a rising upper-caste colonial elite who expelled the older ghosts in order to recast Hinduism as the conscience of the Indian nation. In so doing, Bhattacharya reveals how capitalism necessarily reshaped Bengal as part of the global colonial project. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices] Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies [https://newbooksnetwork.supportingcast.fm/south-asian-studies]