Spook Lit: Audiobook Club

21 - The Bell in the Fog: Part II

I step into a small room, bracing myself for that familiar smell. Decomposition. The full moon is just beginning to rise on this late evening on May 1st, Beltane. They say we are midway between the spring equinox and summer solstice. They say this midway point is similar to that of Halloween. They say the veil is equally thin now as it is then. Who knew? I am taking advantage of the quiet to get caught up on skull cleaning. A line of skulls in labeled bins with metal coins, waiting for my attention. I couldn’t be happier. It is honestly a privilege to stay late on a Friday night, recovering these beloved skulls. I put on music through my phone speakers, setting my phone face up on the cabinet behind me, under the paper towel dispenser. I settle in and pick up the first skull, bring it close to my face to inspect it for any lingering residue or grave wax. Gently scrubbing it clean with my brush, I sing along to the music. Behind me, I hear a familiar noise and I jump. It’s the automatic paper towel dispenser. You have to place your hand under it to trigger the paper towel to emerge. No one is there. I look around uneasily, trying to explain it away. Sometimes I hang strainer bags around the key permanently lodged in the top of the dispenser. It’s a convenient place for them to dry out, but occasionally one will trigger the mechanism and a paper towel will roll out. There aren’t any hanging bags today. There’s nothing anywhere near the automatic dispenser that would trigger it. Hesitantly, I get back to my task. Gently scrubbing beneath the eye sockets, avoiding the fragile sinus cavity. The song continues, and I sing along. After I finish the first skull, I move on to the second, but I realize I will need some tweezers for this one. I step out for a few minutes to grab them from the Aquatory next door. When I return, the room is silent. The music has stopped. My phone is gone from the cabinet. Holy shit! It’s lying face down on the floor. Hmmm. Maybe this job can wait ‘til tomorrow morning, I think. I grab my phone, turn the light off, and scamper full speed out of the room. Hello and welcome to your weekend haunt with Spook Lit, an audiobook club by dreary dendrophile I’m your host Lyns, and I’ll be reading aloud our spooky stories. Thank you so much for being here. I really hope you enjoy. That ghost story I just told you honestly has nothing to do with what we're talking about today. I just wanted to tell you about it. I hope you don't mind. Previously on Spook Lit… Last time, we started The Bell in the Fog with Part I, about an author named Orth who becomes haunted by two paintings of children long deceased. He brings their ghosts to life by writing a story about them. I also told you guys a personal story about my own experience with a painting at the Octagon House in Washington DC. Shout out again to the Octagon Museum and the Architects Foundation for a wonderful tour. If you’re in DC, t’s only $10 to go visit the house [https://architectsfoundation.org/the-octagon/visiting/] and hear about its history. This week’s story: We left off Part I with an excellent cliffhanger, and I had high hopes for Part II. I even talked about splitting this whole story into three episodes since Part II is very long. But after reading Part II, I was a little weirded out by it and decided to just get through it and move on. I don’t want to spoil you, so we’ll jump right into the story and then come back at the end to discuss. I’ve never tried this format before, so let me know what you think. Oh, and if you want to skip the reading and go straight to the commentary, I’ve added time stamps here in the show notes: * 00:00 Cold open (personal ghost story) * 03:20 Intro * 04:53 Reading * 39:25 Commentary (my thoughts and feelings) The Bell in the Fog - Part II: If you’d like to read along, the full text is included at the bottom of this post. My thoughts and feelings: You guys, it gets weird! (And a little predatory.) Is this how things were back then? I’m so bummed because I thought Part I was sooo good. I mean, don’t get me wrong - our protagonist Orth was a little into himself, and he did have some odd commentary about children: “Again he turned away impatiently. ‘I believe I am rather fond of children,’ he admitted. ‘I catch myself watching them on the street when they are pretty enough. Well, who does not like them,’ he added, with some defiance.” Stranger danger aside, he seems to really love and grieve for the children in the paintings, so much so that he brings them to life again by writing their story. This was one of my favorite quotes from Part I: “But the children were not statuettes. He had loved and brooded over them long ere he had thought to tuck them into his pen, and on its first stroke they danced out alive. The old mansion echoed with their laughter, with their delightful and original pranks.” Once his book is written, Orth leaves the house and settles down. And we get a really good cliffhanger at the end of Part I: “The ivy on his old gray towers had been young with his children. He spent a haunted night, but the next day stranger happenings began…” Stranger happenings indeed. I personally hated Part II. First, Orth meets a little kid wandering around by herself in the woods. She takes him back to her place, where everyone basically slut-shames the girl in the painting, to the extent that her grandfather gets up and leaves when the author mentions her: “[Blanche] did not die in childhood, but lived to be twenty-four. She was an angelic child, but little angels sometimes grow up into very naughty girls.” The little girl in the woods — also Blanche — is clearly her descendant. She has her name and resemblance, because of course she does. I assume they are implying some past life connection, which is always fun. Orth says: “’And I think she is Blanche Mortlake working out the last of her salvation,’” Orth leans real hard into making his fantasy with the ghost painting a reality with her real-life doppelgänger, complete with an underlying savior complex for the little girl’s virtue and social status: “He reformed Blanche’s accent and vocabulary, and read to her out of books which would have addled the brains of most little maids of six.” He lures this kid into his home with dolls and money and basically kidnaps her until her mom realizes she has six other kids she needs to get home to, and she has to beg this guy to give her kid back. They argue over whether or not he can adopt her, settling on letting the six-year-old decide for herself because she is just sooo mature for her age. But not before they both manipulate her first: “’I will be the one bereft, if you leave me. I am the only one who really needs you. I don’t say I will go to the bad, as you may have very foolishly persuaded yourself your family will do without you, but I trust your instincts to make you realize how unhappy, how inconsolable I shall be. I shall be the loneliest man on earth!’” Dramatic much? She decides to go back with her mom, which is obviously the wrong choice because she stops all correspondence with the writer a year later. Is she sick? Did she die? We’ll never know. My hope is that she realized she was a little kid and doesn’t owe this guy or anyone anything, and she was too busy playing with her new dolls to keep in touch. Aside from the content, the story itself just didn’t feel very satisfying. Part I felt like a legit ghost story, but Part II got a little too real for me. It was giving Abducted in Plain Sight and Interview With the Vampire. I wasn’t into it, but maybe I’m overly sensitive to grooming. It wasn’t all bad, ok? I do love the name Blanche - it’s my grandmother’s name. It’s not a name you hear very often. I love the idea of inheriting a haunted painting and solving the mystery of the girl in the painting. I love that it had a secret compartment. I’m so curious to know what you guys think. Please let me know in the comments. I’m dying to talk to someone about this! Shout-outs: Since I had some complicated feelings about our story this week, I decided to share some other books and media that have been bringing me joy, in case you also need a palate cleanser: * A Head Full of Ghosts, [https://www.thriftbooks.com/w/a-head-full-of-ghosts/9342893/?resultid=6d5a627a-18fe-4e75-9ebd-d9774fad2530#edition=10290268&idiq=17976512] by Paul Tremblay. I was craving a good old-fashioned exorcism story, and this one did not disappoint. I love a book that plays with timelines and younger and older versions of the same POV. You know it’s good when Stephen King says a book “scared the living hell out of me, and I’m pretty hard to scare.” * Trad Wife [https://www.thriftbooks.com/w/trad-wife-a-novel/55718679/?resultid=24c72267-1e42-41f7-9f3e-ba10d76db6d4#edition=73473334&idiq=85398741], by Saratoga Schaefer [https://substack.com/profile/310819495-saratoga-schaefer]. This book was a recommendation from Haunted Burrow Books [https://www.hauntedburrowbooks.com] in Capitol Hill, Seattle. It’s the first book I’ve ever read about fallen angels and I am obsessed with the concept. It was so fun. I am a sucker for body horror and she did a phenomenal job. It’s the Antichrist meets Breaking Dawn from Twilight, and I’m here for it. * Speaking of Twilight… Do yourself a favor and check out the Morbid podcast [https://open.spotify.com/show/1cpyLfDHP1cNnyOb478qrt?si=5b00739d65ce4da8]Twilight bonus episodes. * Did you (like me) read Twilight at a formative age or just at a time when the world was different and we didn’t understand how toxic relationships worked? Did you (like me) think the Twilight books were the pinnacle of romance and what every healthy relationship should strive for? * It’s not creepy at all that my crush has been sneaking in through my bedroom window and watching me sleep for weeks without my knowledge. It must be love! Did he make me go hiking so he could break up with me “for my own good,” sending me into a catatonic four-month dissociation complete with screaming night terrors every night? That’s how you know it’s love! Yes, it makes perfect sense that he would disconnect my starter cables making it literally impossible for me to leave. Relationship goals! * Isn’t it fun (and triggering) to look back on our favorite media from the early aughts with a present day lens? If you ever enjoyed or hated Twilight at all, please listen to these episodes - you’re in for a treat. I have been absolutely savoring them. What’s Lurking on Spook Lit: Next week, we move on from The Bell in the Fog to a short story called The Striding Place. Until then, thank you for listening to Spook Lit. I hope you enjoyed this chapter, and I’d love to hear your thoughts in the comments. Credits: * Audiobook: The Bell in the Fog and Other Stories by Gertrude Atherton * Chapter: “The Bell in the Fog - Part II” * Music: “Horror Spooky Piano” by Nikita Kondrashev on Pixabay * Artwork: Jeff Bent * Photography: Lyns McCracken * Linktree: https://linktr.ee/drearydendrophile [https://linktr.ee/drearydendrophile] All Spook Lit Audiobooks are public domain. Hauntingly yours, dreary dendrophile dreary dendrophile is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. You can also make a donation [https://ko-fi.com/drearydendrophile] if the spirit moves you. Get full access to dreary dendrophile at drearydendrophile.substack.com/subscribe [https://drearydendrophile.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

20 - The Bell in the Fog: Part I

A heavy hush falls over the house as we enter the ancient dining room, empty aside from a fireplace, a mirror, and a painting on the wall. “This is the room where people report seeing shadow figures,” explains my guide. I light up instantly, turning in circles and snapping photos from every direction, while she searches through her phone. I am too transfixed by the mirror hanging slightly above my head to notice the distinctive painting hanging above the fireplace. “Ugh, of course now I can’t find it,” she exclaims, disappointed. “Somebody took a picture with this mirror in it, and when you look at it, it looks like there’s a sort of dark figure in the mirror. It was a bit creepy when I saw it.” Hello and welcome to your weekend haunt with Spook Lit, an audiobook club by dreary dendrophile I’m your host Lyns, and I’ll be reading aloud our spooky stories. Thank you so much for being here. I really hope you enjoy. Previously on Spook Lit… We finished up Ghosts and Family Legends by Catherine Crowe and voted on our next book - The Bell in the Fog and Other Stories by Gertrude Atherton. This week, we are starting out strong with Part I of The Bell in the Fog, a story about a haunted painting. While I have heard a few stories about haunted paintings, I’ve never encountered one myself until I visited the Octagon Museum in Washington DC two months ago. The Octagon Museum was a house built for Colonel John Tayloe III in 1801, where he and his wife Ann Ogle Tayloe [https://architectsfoundation.org/octagon-intern-research-blog-the-women-of-the-octagon/#:~:text=Following%20Ann's%20death%20in%201855%2C,of%20The%20Octagon's%20permanent%20collection.] lived until their passing. They had 15 children, 13 of which survived to adulthood. The house is one of the oldest private residences in DC, and the architect Dr. William Thornton was an amateur who won a contest to be the first architect of the US Capitol. He was chosen to build the Tayloe home because of his ability to work with the oddly shaped triangular plot of land. The architecture design was a neoclassical federal style, and the home was decorated by the same professionals who decorated Monticello and the White House. Many of the original features still exist today. One of the most notorious details about the Octagon House is that it was home to James and Dolley Madison for 6 months after the British burned down the White House. Dolley Madison would throw huge parties and balls known as “Dolley’s squeezes” because she tried to squeeze so many people into the party room. An upstairs office now called the Treaty Room was used as a temporary Oval Office. It still contains the treaty table where James Madison signed the Treaty of Ghent, ending the War of 1812. After Mrs. Tayloe’s passing in 1858, the building was turned into a Catholic girl school, then later office buildings, before it was finally taken over by the American Institute of Architects, after which it became a museum. The ghosts… Perhaps most famously, Jackie Kennedy was visiting the Octagon House during her husband’s presidency in the 60s. She was standing on the spiral staircase looking out the window when she was overcome by the scent of lilacs. She believed she was experiencing the ghost of Dolley Madison. After Colonel and Mrs. Tayloe passed away, there were reports of servant bells continuing to ring periodically on their own. A staff member once saw a man in 18th century clothes sitting on the stairs. He smiled at her and raised his hat as she passed. She asked her fellow staff member if they were hosting a themed party in the museum that day. Not only was there no party, but nobody else was there at the time. There have been paranormal stories from the basement, however the majority of activity seems to escalate in the dining room, with several reports of shadow people, including the shadow in the mirror I mentioned earlier. My guide walks me over to the fireplace, acknowledging intricate details on the mantel stonework. She points to the hidden doorways, which she calls jib doors, that blend seamlessly into the walls and lead to servant areas behind the scenes. She narrates the painting that hangs above the fireplace. It features a man named Archy Nash, John Tayloe’s valet and alleged half brother, an enslaved person who was freed after his death. The painting was created by a contemporary artist named Peter Waddell [https://peterwaddell.com]. He is praised for his ability to depict realistic scenes based on his extensive research of American history and architecture. There are several of his paintings throughout the house, portraying scenes that would have taken place in each room during the Tayloes’ and Madisons’ residencies. The lovely guide confides that the painting reminds her of a scene in Bridgerton, with women wearing empire dresses and Archy Nash sporting a beautiful collar in full livery, serving everyone at the party. The painting is striking, but for me it is more due to the format and less about the scene. In reality, as we face the fireplace, the mirror is on the wall to my right towards the back of the room. It is interesting that dark figures are seen in the mirror, as it is too high up on the wall for most people to see their own reflections. It doesn’t reflect much except for the windows on the wall to my left. In the painting, the artist has built an optical illusion in which the viewer themselves are looking at the room through a reflection in a mirror. We are looking at the mirror presumably through a mirror, and we can see the other mirror directly opposite us in the reflection of the room. The view in the painting cannot exist in many ways. The mantel doesn’t have a mirror. The one true mirror in the room is on a different wall than is depicted. However, there is no question that the artist has portrayed this particular dining room because of the unique sculpting on the fireplace stonework. It’s unmistakable that he is painting the dining room. But his imagination is slightly off from reality. It is a common paranormal belief that mirrors reflecting each other can cause an “infinity mirror” effect, which can act as a gateway or portal for spirits. I have seen this effect in several of the most active haunted locations I’ve visited, such as the Conjuring House, a haunted shop in Vancouver, and a haunted bar in Pike Place Market. It feels as though the artist has created this painting almost intentionally to build upon the mirrors, thereby creating his own infinite reflection tunnel. Fireplaces are also considered to be portals in paranormal lore. The painting placed above the fireplace almost feels like a spiritual welcome mat. To top it all off, deep below our feet in the basement is a prominent room with a large bricked off well. Wells are also known to be portals or “energy vortexes.” I am certain that all of this somehow contributes to the energy of this space. Later, as I listen to a recording taken in this room, I hear myself say “That is so cool!” And she responds “That’s great because now I can look at it in another way” and on my recording, I capture an EVP ghost voice say “yeah.” I did not get permission to share a recording from the museum, so I won’t share it at this time, but I was blown away when I heard that little whisper “yeah.” So incredibly cool. We conclude our tour by visiting the basement cellar, which contains one of the largest kitchens I’ve ever seen and servant quarters with handmade nails spiking through the lumber ceiling. We make our way up to the Treaty Room, James Madison’s temporary Oval Office in 1814. I marvel at the curved walls and windows, the custom wooden blinds torn and hanging in slats in a few places. Everything bending together in a way I had never seen before. “We have the original shutters,” my guide explains. “One of the things that we do when we come in the morning is we open up the shutters and then we close them again at night, which I love. It’s sort of like a ceremony. They just fold back into the wall.” She looks out the curved windows that bend in sync with the stone walls, and she beams with pride. This house is brimming with history, much of it heavy. It was bought, paid for, and maintained by the free labor of enslaved people from Colonel Tayloe’s tobacco plantation [https://www.whitehousehistory.org/slavery-at-the-octagon]. It was a refuge for the president, an Executive Mansion when the White House burned. It was a home for sixty years. A Catholic School. And now a deeply treasured artifact that is shared with all of us. Above all, it has been loved. Shout-outs: * A massive thank you to The Octagon and the Architects Foundation [https://architectsfoundation.org/the-octagon/]for the amazing private tour! Thank you for catering to my interests and including all the ghost stories for me. * Also this week, I’d like to shout out my dear friend Robin Blackburn McBride [https://substack.com/profile/20385894-robin-blackburn-mcbride], who is launching her new book River of Dreams in October. See her post on Substack for more information about the book as well as her gorgeous cover reveal: I just read this description and am encouraging us to all go pre-order it now [https://www.robinblackburnmcbride.com/books/river-of-dreams/]! “River of Dreams is a captivating work of metaphysical fiction. If you like feminist themes, historical settings, and elements of the supernatural, then you’ll treasure Robin Blackburn McBride’s enchanting story.” - robinblackburnmcbride.com [https://www.robinblackburnmcbride.com/books/river-of-dreams/] What’s Lurking on Spook Lit: Next week, we get the rest of the story from The Bell in the Fog in Part II. It’s a little long, so I might split it up into two episodes. Meaning, The Bell in the Fog story has two parts but might have three Spook Lit episodes, if that makes sense. Until then, thank you for listening to Spook Lit. I hope you enjoy this chapter, and I’d love to hear your thoughts in the comments. Credits: * Special thanks to the The Octagon and the Architects Foundation [https://architectsfoundation.org/the-octagon/]for a very educational tour of the haunted Octagon Museum. * Audiobook: The Bell in the Fog and Other Stories by Gertrude Atherton * Chapter: “The Bell in the Fog Part I” * Music: Horror Spooky Piano [https://pixabay.com/music/mystery-horror-spooky-piano-254402/] by Nikita Kondrashev on Pixabay [https://pixabay.com/music/mystery-horror-spooky-piano-254402/] * Artwork: Jeff Bent [http://www.sporecloud.com/] * Photography: Lyns McCracken * Linktree: https://linktr.ee/drearydendrophile [https://linktr.ee/drearydendrophile] All Spook Lit Audiobooks are public domain. Thank you and hauntingly yours, dreary dendrophile dreary dendrophile is a haunted museum full of spooky stories. To receive new posts and support my work, consider becoming a free or paid subscriber. You can also make a donation [https://ko-fi.com/drearydendrophile] if the spirit moves you. Get full access to dreary dendrophile at drearydendrophile.substack.com/subscribe [https://drearydendrophile.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

19 - The Votes Are In: Our Next Spook Lit Read

Hello everyone, I’m just popping by for a minute to let you know the votes are in for our next Spook Lit read, and the winner is The Bell in the Fog by Gertrude Atherton. A humungous THANK YOU to everyone who voted! I really appreciate you all. I’m really excited about this one. It’s creepy, delightfully dreary and overall just perfect for Season 2. We’ll officially begin the new season in April after the Oregon Ghost Conference. [http://www.oregonghostconference.com] For those who are local to the Pacific Northwest, I hope you can join me at the conference this year! I’ve been attending the past few years, and it is one of my favorite events. This year I will be hosting a vendor table for the first time - come by and say hi, and we can chat ghost stories and all things Spook Lit! Oregon Ghost ConferenceSeaside Civic & Convention Center - Seaside, OregonMarch 27-29, 2026General Admission: $20 Thank you again for listening to Spook Lit and for helping me choose our next book. I really hope you enjoy it. Until then, I hope you all have a wonderful weekend and the happiest of hauntings! Credits: * Music: Horror Spooky Piano [https://pixabay.com/music/mystery-horror-spooky-piano-254402/] by Nikita Kondrashev on Pixabay [https://pixabay.com/music/mystery-horror-spooky-piano-254402/] * Artwork: Jeff Bent [http://www.sporecloud.com/] * Photography: Lyns McCracken * Linktree: https://linktr.ee/drearydendrophile [https://linktr.ee/drearydendrophile] All Spook Lit Audiobooks are public domain. Hauntingly yours,dreary dendrophile dreary dendrophile is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Or you can make a one-time donation [https://ko-fi.com/drearydendrophile] if the spirit moves you. Get full access to dreary dendrophile at drearydendrophile.substack.com/subscribe [https://drearydendrophile.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

18 - Vote Now: Choose Our Next Spooky Audiobook for Season 2

“The terror of that night was never spoken of again; but I have often thought that silence was worse than any confession.” -Elizabeth Gaskell, Gothic Tales Hello and welcome to your weekend haunt with Spook Lit, an audiobook club by dreary dendrophile I’m your host Lyns, and I’ll be reading aloud our spooky stories. Thank you so much for being here. I hope you enjoy. Previously on Spook Lit… Last time, we read a stand-alone story called Death and the Woman, by Gertrude Atherton, originally published in Vanity Fair, London, in 1892. We also released Season 1 of Spook Lit onto Apple Podcast and Spotify platforms. Feel free to go binge all the stories from Ghosts and Family Legends by Catherine Crowe. This week’s stor(ies)…. This week, we are voting on our next book for Spook Lit Season 2! I’ve searched far and wide for spooky stories that do not have much (if any) presence in the audiobook space. Below, I’ve curated a list of my favorites including their descriptions from Thriftbooks and Goodreads. I’m also including some general info about the authors. Please let me know your top choice in the comments, and we’ll announce the winner in the dreary substack chat. Thank you so much for helping me choose! It’s a group effort. *Note that regardless of page count, all stories will be broken into digestible episodes, typically 20-30 minutes each. Gothic Tales — Elizabeth Gaskell Stories: 9Page Count: 340 “Gothic Tales is an anthology of all of Elizabeth Gaskell’s stories of mystery, gothic, and horror written between 1851 and 1861 — including old legends, ghastly ghostly tales, sympathetic takes on witchcraft, tragic novellas, and bizarre narratives.”— Goodreads [https://www.goodreads.com/book/show/19112488] “Elizabeth Gaskell's chilling Gothic tales blend the real and the supernatural to eerie, compelling effect. 'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelgänger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the stories in this volume form a stark contrast to the social realism of Gaskell's novels, revealing a darker and more unsettling style of writing.”—Thriftbooks [https://www.thriftbooks.com/w/gothic-tales_elizabeth-gaskell/419995/#edition=3374899&idiq=10400471] Elizabeth Gaskell (1810–1865) Known for: Victorian realism, social novels, gothic short fiction "Elizabeth Cleghorn Gaskell, née Stevenson (29 September 1810 – 12 November 1865), often referred to simply as Mrs. Gaskell, was an English novelist and short story writer during the Victorian era. Her novels offer a detailed portrait of the lives of many strata of society, including the very poor, and as such are of interest to social historians as well as lovers of literature.”—Goodreads [https://www.goodreads.com/author/show/1413437.Elizabeth_Gaskell] Strange Stories by a Nervous Gentleman — Washington Irving Stories: 9Page Count: 112 “Years before Edgar Allan Poe began his literary career, Irving was already in the business of scaring readers silly. Read them... if you dare!”— Thriftbooks [https://www.thriftbooks.com/w/strange-stories-by-a-nervous-gentleman_washington-irving/19877834/?resultid=bad5ed07-83d3-4963-a75c-afcb28f24d28#edition=21150393&idiq=86069704] “A collection of Gothic tales by Washington Irving that brings together a series of weird and thrilling narratives told by a retired traveler and his friends… Among the tales are eerie adventures such as the German Student, the Mysterious Picture and the Adventure of the Mysterious Stranger, which deliver suspense, supernatural moments, and outright strangeness.”— Goodreads [https://www.goodreads.com/book/show/42364946-strange-stories-by-a-nervous-gentleman] (based on Tales of a Traveller, first published 1824) Washington Irving (1783–1859) Known for: Early American short fiction, gothic folklore, satire “People remember American writer Washington Irving for the stories “ Rip Van Winkle [https://www.goodreads.com/book/show/462182.Rip_Van_Winkle]” and “The Legend of Sleepy Hollow [https://www.goodreads.com/book/show/93261.The_Legend_of_Sleepy_Hollow] ,” contained in The Sketch Book [https://www.goodreads.com/book/show/2362440.The_Sketch_Book] (1820). This author, essayist, biographer and historian of the early 19th century wrote newspaper articles under the pseudonym Jonathan Oldstyle to begin his literary career at the age of nineteen years. In 1809, he published The History of New York [https://www.goodreads.com/book/show/41551673.The_History_of_New_York] under his most popular public persona, Diedrich Knickerbocker.”— Goodreads [https://www.goodreads.com/book/show/509094.Legend_of_Sleepy_Hollow_and_Rip_Van_Winkle?from_search=true&from_srp=true&qid=oe4cbKiwqR&rank=4] Night Shivers: The Ghost Stories of J.H. Riddell — J.H. Riddell Stories: 15Page Count: 449 “Moving, his candle was instantly extinguished, and in the very moment of being left in the darkness he saw, standing in the doorway, a woman, resembling her who had haunted his dream overnight. He rushed with outstretched hands to seize her, but clutched only air. Night Shivers presents a treasure trove of the stories of Mrs J. H. Riddell, one of the greatest Victorian writers of ghost stories. These tales, many of which have been out of print for years, take the reader on fearful journeys into the gloomy haunts of old neglected houses, into a world of prophetic dreams, out onto the wild terrain of Ireland to encounter a frightful banshee and even down into Hell itself. In these fourteen short stories and one novella, The Uninhabited House, there is the distillation of the best and most effective of Riddell s spine-tingling supernatural fiction. This description may be from another edition of this product.”— Thriftbooks [https://www.thriftbooks.com/w/night-shivers-mystery--supernatural-tales-of-mystery--the-supernatural_charlotte-riddell_jh-riddell/767363/?resultid=6a7ce5eb-36dd-4896-ad96-a92fd6c5b058#edition=5830553&idiq=7889167] J. H. Riddell (Charlotte Riddell) (1832–1906) Known for: Victorian ghost stories, haunted houses, supernatural, economic stress “Charlotte Riddell aka Mrs J.H. Riddell (30 September 1832 – 24 September 1906) was one of the most popular and influential writers of the Victorian period. The author of 56 books, novels and short stories, she was also part owner and editor of the St. James's Magazine, one of the most prestigious literary magazines of the 1860s….…She was the author of many ghost stories, six of which were published as Weird Stories in 1882.”— Goodreads [https://www.goodreads.com/author/show/2085432.J_H_Riddell] The Bell in the Fog and Other Stories — Gertrude Atherton Stories: 10Page Count: 78 “The Bell in the Fog and Other Stories is a collection that includes tales of mystery and the supernatural by Gertrude Atherton… The title story features a haunted country estate and eerie paintings that begin to haunt the protagonist, alongside other chilling narratives.”— Goodreads [https://www.goodreads.com/book/show/8739874-the-bell-in-the-fog-and-other-stories] Gertrude Atherton (1857–1948) Known for: Psychological fiction, supernatural tales, strong female characters “Gertrude Franklin Horn Atherton (October 30, 1857 – June 14, 1948) was a prominent and prolific American author. Many of her novels are set in her home state of California. Her bestseller Black Oxen (1923) was made into a silent movie of the same name. In addition to novels, she wrote short stories, essays, and articles for magazines and newspapers on such issues as feminism, politics, and war. She was strong-willed, independent-minded, and sometimes controversial.She wrote using the pen names Asmodeus and Frank Lin, a play on her middle name.”—Goodreads [https://www.goodreads.com/author/show/102922.Gertrude_Atherton] “Gertrude Atherton was born in San Francisco in 1857, and died in 1948. She eloped at the age of nineteen, took up writing against her husband's wishes, and after his death became a protegee of Ambrose Bierce, whose influence can be seen here in those stories, The Dead and the Countess, Death and the Woman and The Striding Place, which have an overtly supernatural element. The Striding Place was rejected by one editor as 'far too gruesome', but was in Atherton's view 'the best short story I ever wrote'. Elsewhere, The Greatest Good of the Greatest Number, The Tragedy of a Snob, and A Monarch of a Small Survey the psychological takes precedence over the supernatural. And in The Bell in the Fog (reminiscent of The Turn of the Screw, and dedicated to Henry James) the supernatural and psychological combine to brilliant effect: an angelic child bears a striking resemblance to an old portrait. Is she a reincarnation of her ancestor? And will she turn out as unangelic in adulthood as that distant ancestor turned out before her?”— Goodreads [https://www.goodreads.com/book/show/1329392.The_Bell_in_the_Fog_Other_Stories?from_search=true&from_srp=true&qid=gXBXQTr1cZ&rank=2] Thank you for considering these options for our next book. Again, please let me know your preference in the comments, and I’ll send an update in the dreary dendrophile substack chat with our final choice. What’s Lurking on Spook Lit? I am still working on releasing Ghosts and Family Legends as a stand-alone audiobook. Stay tuned, I’ll let you know once it’s available. Why is everything free now? Paid subscriber updates: When I first launched Spook Lit, I only made full episodes available to paid subscribers. It was a way to honor the dedication of this community and the immense effort that goes into this project. That said, I’ve done a lot of thinking on the old model, and I really don’t love it, for a variety of reasons: * The whole purpose of this project is to bring forgotten stories into the spotlight. Gatekeeping them seems like the opposite of that objective. * My personal anecdotes are always available for free on paid posts, but Substack forces me to paywall the comments regardless. I hate not being able to interact with all readers in the comments. It feels stuffy and gross. * Keeping these episodes free and more widely available to the public makes me feel lighter and brings me more joy. If you support my work as a paid subscriber, that support still means the world to me. I will never take it for granted. Please know that I’ll continue offering personal perks like free tarot readings, channeled poems, blackout poetry, merch discounts, and occasional collaborative features. Paid subscribers will receive these offers in their thank you email and occasionally at other times throughout the year. Whether you are a free or paid subscriber, I love you all to the moon and appreciate your support. Shout Outs Speaking of paid subscribers, thank you so much to the following readers for your financial support: * New paid subscriber Amanda Royal [https://substack.com/profile/183550901-amanda-royal] * New paid subscriber Catherine Davis [https://substack.com/profile/82239600-catherine-davis] * My parents for their incredibly generous donation in response to my post let the bodies hit the floor [https://open.substack.com/pub/drearydendrophile/p/let-the-bodies-hit-the-floor?utm_campaign=post-expanded-share&utm_medium=web] about the ICE raids in Minnesota. *Note: If you would like to support organizations that are helping Minnesota on the front lines, please consider donating to Stand With Minnesota [https://www.standwithminnesota.com]. Thank you all for being part of Spook Lit. I hope you are able to vote in the comments. I really appreciate your contributions to this next chapter! Credits: * Book and author descriptions by Goodreads [https://www.goodreads.com] and Thriftbooks [https://www.thriftbooks.com] * Music: Horror Spooky Piano [https://pixabay.com/music/mystery-horror-spooky-piano-254402/] by Nikita Kondrashev on Pixabay [https://pixabay.com/music/mystery-horror-spooky-piano-254402/] * Artwork: Jeff Bent [http://www.sporecloud.com/] * Linktree: https://linktr.ee/drearydendrophile [https://linktr.ee/drearydendrophile] All Spook Lit Audiobooks are public domain. Hauntingly yours,dreary dendrophile dreary dendrophile is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. You can also make a (very much appreciated) one-time donation [https://ko-fi.com/drearydendrophile] if the spirit moves you. Get full access to dreary dendrophile at drearydendrophile.substack.com/subscribe [https://drearydendrophile.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

17 - Death and the Woman

“Death —where was he? What a curious experience: to be sitting alone in a big house… waiting for Death to come and snatch her husband from her. No; he would not snatch, he would steal upon his prey as noiselessly as the approach of Sin to Innocence-an invisible, unfair, sneaking enemy, with whom no man’s strength could grapple. If he would only come like a man, and take his chances like a man! Women had been known to reach the hearts of giants with the dagger’s point. But he would creep upon her.” - Gertrude Atherton, Death and the Woman Hello and welcome to your weekend haunt with Spook Lit, an audiobook club by dreary dendrophile I’m your host Lyns, and I’ll be reading aloud our spooky stories. Thank you so much for being here. I hope you enjoy. Previously on Spook Lit… Last time, we literally closed the chapter on our book Ghosts and Family Legends by Catherine Crowe, the first recorded paranormal investigator in history. Over the next few weeks, I’ll be releasing the entire first season of Spook Lit on Spotify, Apple Podcasts, and other podcast platforms. I will also be knitting together a stand-alone audiobook in case you want to listen without all the podcast extras. More on that later. A huge heartfelt THANK YOU to everyone who engaged with our first book of Spook Lit! Thank you for listening and reading and interacting in the comments. Thank you for your feedback and suggestions. Your insight and your ghost stories. What more could I possibly ask from you except for more! Thank you for dipping your toes into this new obsession of mine. It has truly been a blast. This week’s story… I’m still cleaning up the first book and preparing some options for the second. In the meantime, I like the idea of popping in these bite-sized short stories to tie us over between books. I chose Death and the Woman, by Gertrude Atherton, originally published in Vanity Fair, London, in 1892. In a raw twist of letting your imagination run away with you, Gertrude Atherton succeeded in keeping me glued to the page (a rare feat). Many of her stories have that in common. This story is a mix of psychological and existential feminine Gothic horror. The way the author personifies death is extremely important to me. She boldly embraces a story about death and dying in a way that was presumably quite unremarkable in her time, regardless of how extraordinary it seems in ours. Indeed, I was on the fence about even choosing this story due to my fear of offending your sensibilities with my dreaded death talk. (I tend to do that.) However, this week I am also listening to the audiobook Smoke Gets In Your Eyes & Other Lessons From the Crematory, by Caitlin Doughty. One of the best (and surprisingly most relatable) books I’ve read in a long time. I was literally shoveling wet bones out of the aquamation chamber when I heard Caitlin Doughty explain: “Prior to the Civil War, death and dying were strongly associated with the home… Since corpses were a domestic affair, the duty to care for them fell to women. Women baked the meat pies, did the laundry, washed the corpses. In many ways, women are death’s natural companions. Every time a woman gives birth, she is creating not only a life, but also a death.” - Caitlin Doughty, Smoke Gets In Your Eyes Doughty posits that during and following the Civil War, the rise in practices of embalming (practical for masses of deaths on a battlefield) and cremation (more affordable), may have resulted in our culture being entirely resistant to death. We are terrified of decomposition and decay. And we have completely lost our relationship to death and dying, avoiding it at all costs. “If decomposing bodies have disappeared from culture (which they have), but those same decomposing bodies are needed to alleviate the fear of death (which they are), what happens to a culture where all decomposition is removed? We don’t need to hypothesize: we live in just such a culture. A culture of death denial. This denial takes many forms. Our obsession with youth, the creams and chemicals and detoxifying diets pushed by those who would sell the idea that the natural aging of our bodies is grotesque. Spending over $100 billion a year on anti-aging products as 3.1 million children under five starve to death.” - Caitlin Doughty, Smoke Gets In Your Eyes This blew my mind. The idea that our rituals surrounding and treatment of the dead could influence our society’s attitudes towards death, and vice versa. I truly believe, and aspire to validate, that the subject of death and dying was far less objectionable and wholly unremarkable in Gertrude Atherton’s time. At the very least, concepts such as dying in the home and characterizing Death as a monstrous entity are fascinating themes reminiscent of the time period. I’m officially intrigued. What’s Lurking on Spook Lit? In the next episode, I hope to provide you with a list of options for our next serialized book. A few of you have even sent me some of your favorites - please keep them coming! My main criteria is that the book should match our vibes (I’ll leave that up to interpretation), and it must be public domain. I’m also prioritizing books and stories that do not yet have audiobook versions widely available, since we will be creating them. I have to admit, researching creepy historical books has been a cozy way to spend my free time this winter. Along with the next book, there are some other changes and improvements in the works. I’ll save those for next time. Until then, thank you for listening to Spook Lit. I hope you enjoy this story, and I’d love to hear your thoughts in the comments. Credits: * Smoke Gets In Your Eyes & Other Lessons From the Crematory, by Caitlin Doughty * Audiobook: Death and the Woman by Gertrude Atherton * Music: Horror Spooky Piano [https://pixabay.com/music/mystery-horror-spooky-piano-254402/] by Nikita Kondrashev on Pixabay [https://pixabay.com/music/mystery-horror-spooky-piano-254402/] * Artwork: Jeff Bent [http://www.sporecloud.com/] * Linktree: https://linktr.ee/drearydendrophile [https://linktr.ee/drearydendrophile] All Spook Lit Audiobooks are public domain. Hauntingly yours,dreary dendrophile dreary dendrophile is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to dreary dendrophile at drearydendrophile.substack.com/subscribe [https://drearydendrophile.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]