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The Film Analysis

Podcast af Wolfgang M. Schmitt

engelsk

Kultur & fritid

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Hi, my name is Wolfgang M. Schmitt. I am an ideology critic and film critic from Germany. On this channel I will analyze a popular film every week in an ideology-critical way. In addition, I will draw on philosophical, political, psychoanalytic and sociological theories. Like the famous German film critic Siegfried Kracauer said: "Films are a mirror of society". I would be happy if you would like to look into this mirror with me.

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20 episoder

episode Ep. 19: At full throttle into stupidity: FAST X – Review & Analysis cover

Ep. 19: At full throttle into stupidity: FAST X – Review & Analysis

Help! Unfortunately, this series has no end! Vin Diesel as Dom Toretto must once again defend the family, he is supported by many colleagues who also can not act. "Fast & Furious 10" ("Fast X") is a makeshift continuation of the fifth part: Dante (Jason Momoa) is the son of drug lord Hernan Reyes, who was once treated badly by the Torettos. Dante now wants to avenge his father, who was humiliated in the fifth part of the franchise. He also fights for the family - but for his own. As gruesomely crude and poorly told as the film is, if you look at it as a symptom, you can easily derive a social diagnosis from it: In this film, we encounter people without a world, and in the cinema audiences sit without a film. For dismemberment and fragmentation determine the form and content of this series. More on this by Wolfgang M. Schmitt in the film analysis.

14. maj 2026 - 18 min
episode Ep. 17: Highly topical: Kubrick’s DR. STRANGELOVE or: How I Learned to Stop Worrying and Love the Bomb cover

Ep. 17: Highly topical: Kubrick’s DR. STRANGELOVE or: How I Learned to Stop Worrying and Love the Bomb

Stanley Kubrick is a solitaire in film history. His works are enigmatic, they stand on their own and elude any current references. With "Dr. Strangelove or: How I Learned to Love the Bomb" (#DrStrangelove [https://www.youtube.com/hashtag/drstrangelove]), however, things are a bit different. The film is a direct response to the Cuban Missile Crisis, albeit a very artificial and bitterly nasty one. Peter Sellers slips into three roles at once, including that of the title character, who wants to see the world burn and just can't keep his right hand still. But what does the film, which was released in 1964, still have to say to us today? After all, the Cold War is long over. But the nuclear threat is by no means - many countries continue to arm, and leading politicians still believe in the idea of #deterrence [https://www.youtube.com/hashtag/deterrence] policy, which this classic blackly humorous exposes as an illusion. More on this by Wolfgang M. Schmitt in the film analysis!

1. maj 2026 - 15 min
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