The Emmy-Winner's Playbook: Apoorva Bakshi on Betting Everything on Delhi Crime and Making Indian Stories Unstoppable
She is the Emmy-winning producer who read a script overnight, canceled all her meetings the next morning, and put her life savings into a show that had never been done before in India. Apoorva Bakshi joins Ritika Agrawal to break down exactly what it took to bring Delhi Crime, one of Netflix's Top 10 non-English shows globally, from an unproven idea to an internationally celebrated series, and to reveal the single creative principle she believes separates stories that travel from stories that simply get made.
Delhi Crime (Netflix, Seasons 1–3) Emmy Award winner, Best Drama Series; 2.5 million views in its first week; Netflix Top 10 Non-English globally. Apoorva is currently in production on new projects spanning Bengali cinema and additional series in development.
Apoorva explains:
■Why a good distribution strategy cannot save a bad story, but a great story can be amplified by one
■How to package and pitch independent Indian films to global streamers before they were buying them
■The subtitling decisions that made Delhi Crime land emotionally in markets that had never seen Indian crime drama
■What independent producers actually need to do before approaching a platform and why representation rights are a starting point, not a ceiling
■How to finance an independently produced TV series with no studio backing, no track record, and no guarantee of a deal
■Why shooting like an independent filmmaker is the competitive advantage on a streaming platform
■What makes a story investable to global financiers, and how to build a slate that earns trust over time
■The producing philosophy behind Delhi Crime's three-season run: specificity, subtitling, and betting on the written material
(00:00) Intro
(02:38) Welcome to OFFSCRIPT: A Conversation Long Overdue
(04:15) The Emmy, Delhi Crime, and 2.5 Million Views in Week One
(07:30) Creative vs. Distribution: Which Comes First?
(11:00) The More Specific You Are, the Further It Travels
(15:45) Why Subtitling Is a Craft, Not an Afterthought
(21:00) A Goldmine of Independent Films No One Was Distributing
(28:30) The Netflix Deal That Started With Representation Rights and No Money
(35:00) Reading the Delhi Crime Script and Canceling All Meetings
(44:00) Putting Life Savings In and Getting Everyone to Say Yes
(52:00) 62 Days, a Danish Cinematographer, and a Crew Aged 27
(1:01:00) The Sundance Bidding War and the Deal That Changed Everything
(1:10:00) Why Independent Cinema Still Wins in a $32 Billion Market
(1:18:00) The Rapid Fire: Constellation, Motherhood, and Ruthless Prioritizing
(1:26:00) What She's Betting on Next
OFFSCRIPT is your front row seat to the future of global entertainment. New episodes every other Monday, subscribe so you don't miss one: https://www.youtube.com/@offscriptwithritika
Listen on the go:
Spotify — https://open.spotify.com/show/6u63rW7RJ1zY74ery2h72C
Follow Ritika:
Instagram — https://instagram.com/ritikagrawall
LinkedIn — https://linkedin.com/in/ritika-agrawal-
TikTok — https://tiktok.com/@ritikagrawall
Follow OFFSCRIPT:
Instagram — https://instagram.com/offscriptwithritika
TikTok — https://tiktok.com/@offscriptwithritika
Follow Apoorva Bakshi:
https://www.instagram.com/apoorvarb/?hl=en
For sponsorships and partnerships: ritika@phoolhouseproductions.com
#OFFSCRIPT #ApoorvaBakshi #DelhiCrime #IndianCinema #Netflix #IndependentFilm #SouthAsianFilmmakers #GlobalStorytelling #EmmyAward #WomenInFilm