Dolly Parton's America

Hi, Dolly Parton's America fans! We're sharing a new trailer for our new 6-part series The Vanishing of Harry Pace -from the creators of Dolly Parton's America, Jad Abumrad and Shima Oliaee - now premiering at Radiolab. It was Motown before Motown, FUBU before FUBU: Black Swan Records. The label founded 100 years ago by Harry Pace. Pace launched the career of Ethel Waters, Louis Armstrong, inadvertently invented the term rock n roll, played an important role in W.C. Handy becoming "Father of the Blues," inspired Ebony and Jet magazines, and helped desegregate the South Side of Chicago in an epic Supreme Court battle. Then, he disappeared. The Vanishing of Harry Pace is a series about the phenomenal but forgotten man who changed America. It's a story about betrayal, family, hidden identities, and a time like no other. To listen to the the new series, search "The Vanishing of Harry Pace" and "Radiolab," wherever you get your podcasts.

As Dolly will tell you, so much of who she is - her creativity, her music, her stance on life - emanates from her faith, but what exactly is that faith? The answer is deeply surprising. In this episode, Dolly tells a story of finding God in an abandoned church filled with X-rated graffiti.  And she speaks of her plans for how she'll be remembered after she’s gone—how her voice will live on for the next 50, 100, 200 years.

In this second bonus music episode, we play two live songs we recorded, sung by bluegrass musicians Nora Brown and Amythyst Kiah.  You can find Nora on facebook @norabrownbanjo, instagram @little.nb, and her music atjalopyrecords.org [http://jalopyrecords.org/]and on Spotify. Amythyst is on facebook, instagram, and twitter at @amythystkiah, and her music can be found atamythystkiah.com [http://amythystkiah.com/].

This episode delves into the controversy surrounding Dolly Parton’s Stampede (formerly known as “Dolly Parton’s Dixie Stampede”)—a dinner theater that presents the Civil War as a friendly competition between neighbors. In the wake of the Charlottesville Riots in 2017, the Dixie Stampede was called out by the press, and then became embroiled in the larger national conversation about Civil War monuments and the white-washing of history. Dolly’s business conglomerate decided to eliminate “Dixie” from the name, which caused further uproar. Dolly embodies “a quivering mass of irreconcilable contradictions” in a way very few other American figures do… but has America arrived at a place where such contradictions are no longer defensible or tolerable?

At the University of Tennessee in Knoxville, we drop in on a history class called “Dolly Parton’s America.” (We borrowed the name for our series!) Taught by Dr. Lynn Sacco, the class is filled with college students who grew up in rural Appalachia, many of whom are the first in their families to attend college.  Dr Sacco gives the class an assignment: Write an essay that answers the question “What is Dolly Parton’s America?” Lurking just behind that question are thornier ones about Southern shame and identity and hillbillies and football and...well, Dolly.  Is Dolly helping or hurting us? The class splits down the middle. Editor’s Note:  We made two corrections to this podcast, originally released on December 3.  In referring to the location of the Battle of Blair Mountain, we changed “Southwestern Virginia” to “West Virginia.” And on the origin of the term redneck, we inserted narration that makes clear that the etymology of the term goes back farther than the Battle of Blair Mountain.