7.许鞍华《桃姐》:香港阔少照顾中风保姆？

10. 反叛女人- Riot Women: 中女朋克ish

第十期节目请到了Arche(年龄研究和美国文学研究学者)一起讨论了英剧《反叛女人》，该剧由英国导演萨利温莱特执导，讲述了五位中年女性在西约克郡组建朋克摇滚乐队的故事。收听提示： * 《反叛女人》总体印象，有何特别之处？ * 剧中（中年女性）照护家庭过程中的复杂性，既反映（性别）角色分工，不乏幽默，也强调专业机构照顾的重要性 * 中女年龄焦虑与女性经验的关系问题：为什么展现女性经验，有利于思考年龄焦虑的双重标准（Susan Sontag - The Double Standard of Aging)？ * 女性经验与身体变化描写的处理方式，对比《某种物质》，年龄焦虑/衰老经验是否总需要用夸张的形式呈现，才能引人注目？ * 中女与朋克音乐结合，是否冲突？ * 该剧是否有效致敬了（riot grrrl movement ）暴女运动––女性主義的地下朋克音樂運動。剧中音乐编曲来自 ARXX [https://www.google.com/search?q=ARXX&sca_esv=2827ae63164125c3&rlz=1C5CHFA_enUS1012US1012&sxsrf=ANbL-n4X7FE6wLDBpAMS0rwOVaiAaHke5g%3A1771598257177&ei=sXGYaf6mCsG_p84Pl6DA8Qg&biw=1154&bih=685&mstk=AUtExfChPn6B3E0dqWKM7nuzLe7UbX70-LGCnOtf90FY8Ix-BLzY5kUHFwMUoSWVtJFUrFaRMRzWSFeOpkfLokAvtMeRBmZmhxCcO89PDFDm91NRSqXmBSq54lCBk0pfq69FyrWa8aOpugN01ywuq-ylV1yT_aP-bqn6qh0hExsU24zsZ7o&csui=3&ved=2ahUKEwiU5-L6peiSAxVQJNAFHaIRFLkQgK4QegQIARAC] (Hannah Pidduck and Clara Townsend) * 该剧太白了吗？ * 年龄研究的交叉定位问题 欢迎留言一起讨论，感谢收听！欢迎转发！

9. The Farewell (2019) Should we tell people they are dying?

In This Episode: Should we tell people they are dying? In Lulu Wang’s film The Farewell (2019), Chinese-born, U.S.-raised Billi returns to Changchun, China after her family decides to “protect” her grandmother - Nainai - from her cancer diagnosis. They plan a wedding as a cover for a good-bye party. This story is “based on a true lie.” The question provoked by the film guides the discussion of Manaka (an active violinist, recitalist and composer based in Japan) and host Roya about: 1. Our first impression of the film and the casting: Awkwafina and her backgrounds 2. The film’s Chinese-American themes and the challenges of writing a script in two languages 3. The film is named “Don’t tell her” in Chinese, as well as the cultural context of hiding a cancer diagnosis from a loved one - the cultural differences between American and Chinese approaches to family and healthcare 4. The film’s portrayal of Nainai’s character. Did Nainai know? 5. The complex relationship between Billi and her immigrant mother; Billi’s in-between/fragmented identity 6. The film’s deeper message about the distinction between death and illness, and how society often conflates these concepts; the universal theme of saying goodbye to our loved ones 7. Birds as family messengers connecting Billi and Nainai 8. The ending, where it’s revealed that the real Nainai survived her diagnosis 9. Growing Asian American representation in media and its potential to challenge fixed national categories in the study of aging and intergenerational relationships. 10. The film’s musical elements * The major takeaway we want you to have from this podcast is: Manaka: I hope we can have a deeper understanding of The Farewell beyond its landmark as a film for Asian representation, and expand that understanding to more storytelling from different cultures as well. Roya: I hope we can better understand, and keep learning more about, the complex dynamics and emotional realities of intergenerational relationships in a transnational context. This film is a good example for thinking about this. Show notes: Manaka Matsumoto is an active violinist and recitalist based in Japan. She regularly premieres her own compositions in her recitals, arranges popular classical music to be performed by smaller ensembles in more intimate settings, and frequently collaborates with visual artists in live performances. Her mission as a classical music instrumentalist is to explore the possibilities of live performance culture, challenging conventions in repertoire, venue, and communication with the audience. A fun fact about the podcast: Totally coincidentally, Roya realized she had written a social media post exactly six years ago today—February 2, 2020—when she first watched the film (actually earlier than the time she mentioned in the podcast). In it, she wrote that she was moved to tears and that the film brought back sweet memories of her grandmother. It feels like another reminder of how life can seem almost magical or even fictional. Lulu Wang’s interview re. the script: https://www.youtube.com/watch?v=_taWSzIaBYg [https://www.youtube.com/watch?v=_taWSzIaBYg] Lulu Wang and the piano: https://variety.com/2019/film/features/the-farewell-lulu-wang-interview-awkwafina-1203285725/ [https://variety.com/2019/film/features/the-farewell-lulu-wang-interview-awkwafina-1203285725/] The Farewell Soundtrack: https://www.youtube.com/watch?v=OIV4HAz6n3M [https://www.youtube.com/watch?v=OIV4HAz6n3M] “Saying Goodbye to Your Roots in 'The Farewell'” by Quality Culture https://www.youtube.com/watch?v=aK1oXZ-jCZQ [https://www.youtube.com/watch?v=aK1oXZ-jCZQ] “In Defense of Ignorance: What You Don’t know” by This American Life https://www.thisamericanlife.org/585/in-defense-of-ignorance/act-one-8 [https://www.thisamericanlife.org/585/in-defense-of-ignorance/act-one-8] Interview “From writer/director Lulu Wang and starring Awkwafina. “ https://www.youtube.com/watch?v=1B6JUzB6GbQ [https://www.youtube.com/watch?v=1B6JUzB6GbQ] https://www.youtube.com/watch?v=cE289akkxY8 [https://www.youtube.com/watch?v=cE289akkxY8] "Lies and Goodbyes" by Caroline Hensley https://medicalhealthhumanities.com/2025/11/10/lies-and-goodbyes-lulu-wangs-the-farewell-2019/ "The Farewell" by Santa Barbara International Film Festival: https://sbiff.org/the-farewell/

8.《姥姥的外孙》：照顾爷爷奶奶可以获得百万房产吗？

第八期节目请到了三七跟我一起聊泰国导演帕特·波尼蒂帕特导演的《姥姥的外孙》（2024），电影上映时，大受欢迎。电影中主人公M看到堂妹因为照顾病重的祖父，获得房子和巨额遗产后，决定效仿堂妹，走上”啃老致富“这条路，通过照顾患上癌症的外婆Menju，拿到外婆这里的房产和遗产。但随着朝夕相处的陪伴，他跟姥姥之间产生了真正的感情和连结。 收听提示： * 对电影的预想，第一印象 * 泪点、及其产生的效应：如传达了对老年人需求的关注和代际沟通的问题 * 主人公M前后的大转变，即从网瘾少年到全职外孙，是否可信？青少年离开游戏空间与姥姥建立联系的可能性 * 东亚叙事？电影在国际上引起广泛共鸣，被认为代表了东亚家庭关系中的孝顺和隔代温情？英文片名How to Make Millions Before Grandma Dies形成的反差 * “儿子继承了家产，女儿继承了癌症。” -- 引自主人公母亲对姥姥说的话。 * 泰国社会结构和经济压力，年轻人面临的就业和房产问题，贫富差距 * 给姥姥买墓地，新旧价值观的交织与传承，隔代连接 * “你知道老人真的想要，但是无法从子女那里得到的是什么吗？是时间。”“你要习惯老人的味道，直到闻不到，我连爷爷的尿味都习惯了。” -- 引自主人公堂妹 背景音乐出自电影，Talat Phlu & Grandma's Home by Jaithep Raroengjai

7.许鞍华《桃姐》:香港阔少照顾中风保姆？

第七期节目请到了我的好朋友Xueyi跟我一起聊了许鞍华导演的《桃姐》（2011）：电影通过真人真事改编，讲述了桃姐（叶德娴 饰）住家保姆突然中风，由她曾经服务的家里少爷罗杰（刘德华 饰）照顾的故事。收听提示：许鞍华导演和《桃姐》剧情介绍 * 电影风格，桃姐人物塑造小细节，“仁慈”的镜头语言，配乐安静，不煽情 * 桃姐和罗杰：超越血缘的照护关系，在现实中可信吗？罗杰人物形象，“成长小说”？ * 桃姐中风表情特写，侧面描写生病的场景 * 养老院场景拍摄，人物要素充分，中秋节探望的情节 * 养老费，丧葬费等现实问题讨论 * 罗杰对母亲和桃姐的不同态度，两位不同老年女性刻画 * 桃姐招聘新佣人失败，“住家保姆”时代的变迁 * 年龄和衰老节奏在电影里的呈现，描写和现实的出入 主要提到的作品有：《好好看电影》《第一炉香》《女人四十》《wrinkles》《aged by culture》 by Margaret Gullette提到的博主是"微路"背景音乐出自电影

6. 人文跨学科｜用艺术思考失智照护

第六期节目请到了Iris (在苏格兰做博士研究，主要研究艺术教育/素养和社会关怀，关注如何通过艺术活动促进长辈/高龄者心理健康，与此同时是艺术家，从事艺术活动，在美术馆工作)一起讨论了，她如何用艺术思考失智照护的多元、跨学科研究方法和经历。 收听提示： 1. 多元研究背景，博士项目申请，文科转型跨学科趋势和案例 2. 设计工作坊技巧和心得，如何抛出有效的讨论问题？互动和沟通方式分享 3. 为什么关注照护工作者这个群体？照护者承受的多层压力，如何让他们的声音被听到？（非盈利组织）从研究中建立社群空间 4. 对未来照顾的多元想象：人工智能和人群看護的展望 - 在看护的过程中，有哪些是人工智能无法替代的？人工智能可能为看护带来哪些新的伦理问题，以及新的想象可能？ 5. 如何开展人文教育中，更多对于死亡等命题的讨论（在日常和学校场景里如何践行）？- 医学人文和临终关怀 6. 名词和术语，在不同语境中的使用，如何去污名化？ 提到的主要作品有：TYRA Talk 2025 藝術人文｜藝術作為社區關懷—多元宇宙論下的失智照顧方法與實踐 “对话哈佛教授凯博文：当我们和爱的人都在变老｜视频播客·新世相访谈” 背景乐：Death Cab for Cutie - Good Help (Is So Hard To Find) p.s. 本集仅保存一年期限。