P is For Punk

V is for Vices (with Jon Lewis of The Dopamines)

This week on P Is for Punk, I'm joined by Jon Lewis of The Dopamines for a track-by-track breakdown of the band's album, Vices. Jon reveals that he originally wanted the record to be an EP before growing into one of my favorite full-length releases by the band. We dive into the stories behind songs, the songwriting process, the recording sessions, and how Vices formed. Follow The Dopamines on instagram @thedopaminesohio See them on tour with Pennywise and at Ohio is for Lovers Fest.

U is for Unicornography

This week on P Is for Punk, we cover The Falcon's Unicornography. We break down the band's Chicago punk roots, the album's bizarre artwork, and every track from this "supergroup". Follow on instagram @pisforpunk

T is for The Shape of Punk to Come

On this episode of P is for Punk, we're tackling one of the most influential and divisive punk records ever made: Refused's The Shape of Punk to Come. When the Swedish hardcore band released the album in 1998, it confused fans, sold poorly, and was followed almost immediately by the band's breakup. Yet over the following decades, it became a blueprint for modern post-hardcore, metalcore, and experimental punk. From jazz interludes and electronic textures to explosive hardcore riffs and revolutionary politics, Refused challenged every rule of what punk was supposed to be. We'll dive into the history of Refused, the creation of the album, the meaning behind its iconic artwork, and break down every track. Follow the show on social media: @pisforpunk

S is for Somewhere in the Between

This week on P is for Punk, we're taking a deep dive into Somewhere in the Between by Streetlight Manifesto. We explore the band's history, how they helped evolve ska-punk beyond its third-wave roots, and why this 2007 album remains one of the genre's defining records. From the explosive energy of "We Will Fall Together" to the emotional depth of "Forty Days" and the title track, we'll break down every song and discuss the musicianship, lyrics, and impact that made Streetlight Manifesto one of punk's most unique voices.

R is for Reinventing Axl Rose

On this episode of P is for Punk, we dive into Against Me!'s legendary 2002 debut album, Reinventing Axl Rose. We break down the history of the band and how Laura Jane Grace transformed Against Me! from a raw acoustic folk-punk project into one of the most influential punk bands of the 2000s. We explore the evolution of songs from Crime and the Acoustic EP into the louder, more explosive versions found on Reinventing Axl Rose, analyzing how the guitars, bass, drums, and vocals changed the emotional weight of the tracks. We also go track-by-track through the album discussing song meanings, themes of anarchism, identity, class struggle, burnout, and community, while diving into the chaotic beauty of the record's sound. Plus: the story behind the album art, the mythology of the title, the hilarious rumor that Axl Rose made voodoo dolls of the band members because he hated the album.