The Cynthia Manion Show
Connect with Brian: Website: https://www.brianshoop.com/ Instagram: https://www.instagram.com/brian.shoop.90 Facebook: https://www.facebook.com/brian.shoop.90 IMDb: https://www.imdb.com/name/nm0794865/ Brian Shoop did not find acting in a classroom or on a childhood stage. He found it in a bank statement. A notice tucked inside his monthly statement mentioned auditions for a play at the Broken Arrow Community Playhouse. He went. He got cast as the lead. And something that had been dormant in him his whole life suddenly sprang to life. He was already in his 30s, with two boys to raise and a family counting on him in Tulsa, Oklahoma. So the dream waited. He kept working, kept providing, snuck off for the occasional commercial when he could, and put acting on hold until his sons left for college. He was 47 when he finally went all in. And his first major film role was in The Rookie, the story of the oldest rookie in professional baseball. In this episode of The Cynthia Manion Show, Brian shares the full story behind a career that now spans over 50 credits, including a principal role in Martin Scorsese's Killers of the Flower Moon, where he worked alongside Leonardo DiCaprio and Brendan Fraser on a set so quiet between takes you could hear Scorsese giving his notes in a whisper. He talks about his recurring role in Taylor Sheridan's Tulsa King, accidentally calling Adam Scott by his last name on the Severance set, what Kelsey Grammer is like between takes on Jesus Revolution, and what Glenn Morshower's Extra Mile Workshop gave him that no amount of credits ever could: the belief that he belonged in the room. He is 75 years old, just finished four auditions across four cities, and has no intention of stopping. His parting words say everything: "Don't worry about age. That's just a number. And the experience I thought was going to be a huge deficit? It hasn't been."
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