Opera - We love singing
Podcast door Katia Arellano / Ricardo Ramirez
Music, and more particularly singing is always with us. A certain day we may find ourselves moody and with a melody from La forza del destino playing ...
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126 afleveringenSend us a text [https://www.buzzsprout.com/twilio/text_messages/1938397/open_sms] This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms. Support the show [https://ko-fi.com/operawelovesinging] You can join our channel in Telegram: https://t.me/OperaWeLoveSinging [https://t.me/OperaWeLoveSinging]
Send us a text [https://www.buzzsprout.com/twilio/text_messages/1938397/open_sms] In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from La Boheme by Maestro Puccini? By far, one of the most beautiful melodies ever written for the tenor voice. There is no tenor who doesn't want to have it in his repertoire. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show [https://ko-fi.com/operawelovesinging] You can join our channel in Telegram: https://t.me/OperaWeLoveSinging [https://t.me/OperaWeLoveSinging]
Send us a text [https://www.buzzsprout.com/twilio/text_messages/1938397/open_sms] In this season we are reviewing the most popular arias and songs of all times. Who doesn't know this piece of music that Andrea Bocelli made very famous in the 1990s? This song has been part of the programs for tenors and sopranos across the globe since then. In this particular case, there was a polemic on whether this should be part of the season, which was resolved by a voting of our subscribers. This is the result of such voting. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. This was a live session recording that premiered first on Youtube, subject to all technical challenges that this poses. So we beg your understanding on the troubles you may find. Support the show [https://ko-fi.com/operawelovesinging] You can join our channel in Telegram: https://t.me/OperaWeLoveSinging [https://t.me/OperaWeLoveSinging]
Send us a text [https://www.buzzsprout.com/twilio/text_messages/1938397/open_sms] This is the audio piece of the vblog entry that can be found here: https://youtu.be/doRonTeTLlo [https://youtu.be/doRonTeTLlo] Support the show [https://ko-fi.com/operawelovesinging] You can join our channel in Telegram: https://t.me/OperaWeLoveSinging [https://t.me/OperaWeLoveSinging]
Send us a text [https://www.buzzsprout.com/twilio/text_messages/1938397/open_sms] This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms. Support the show [https://ko-fi.com/operawelovesinging] You can join our channel in Telegram: https://t.me/OperaWeLoveSinging [https://t.me/OperaWeLoveSinging]
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