Dear Daddy

Breaking the Art World Industrial Complex: Totebag Gate, Drama & Fall Predictions, 2025

Hold onto your tote bags and fragile egos—The Dear Daddy Podcast is back, and Fall Fairs 2025 broke the art world industrial complex. I’m spilling the juiciest highlights, roasting the ridiculous, and dropping bold fall predictions that’ll make collectors clutch their pearls. Expect show recaps, gallery gossip, and insider tea with Brittney Fanning, Rob Dimin of Dimin Gallery, and Josh Bailer Losh—because someone actually has to say it like it is. We dive headfirst into Totebag Gate (yes, the scandal that shook the system), grill Jack Chase and James Sundquist of U-Haul Gallery, and drag the sorry state of art criticism via my latest viral article in Art Viral Observer. Art, chaos, and opinions sharper than a gallery opening stiletto—served loud, messy, extra sassy, and unapologetically fabulous.

RuinartGate & The Fair Spiral: Dispatches from the Champagne-Soaked Frontlines

This week, we’re cracking open more than just lukewarm bubbly—Dear Daddy brings you an unhinged field report from the art fair circuit with full coverage of Frieze, Independent, and TEFAF, plus the exclusive tea on the now-infamous RuinartGate (yes, I broke that story for you, you’re welcome). We talk to James Cohan, who kept it cool amid the VIP chaos; Anton Kern, who offered dry wit and collector realness; and Kate Park, dialing in from Hong Kong with the kind of international glam and market intel that had us scribbling notes mid-interview. Add in some deeply disoriented fairgoers, a woman weeping in front of a Condo, and someone who confused TEFAF for a Goop event, and baby—you’ve got a show. It’s messy, sparkling, and more than a little unhinged. Just like the art world itself.

Dumpster Fire Dispatches: Art in the Age of Collapse

In the first episode of Dear Daddy, host The Art Daddy asks a burning question: How are you handling this political and social dumpster fire of a moment in the art world? Artist Jason Bailer Losh and Paris-based gallerist Brigitte Muholland respond with raw, voice-note reflections—offering insight into how they're navigating burnout, backlash, and the blurred line between activism and aesthetics. It's candid, messy, and exactly what this moment demands.