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Film Making Giants

Podcast af Niklas Osterman

engelsk

Kultur & fritid

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Step into the worlds of the filmmakers who reshaped cinema forever. Filmmaking Giants tells the stories of visionaries who transformed moving pictures into the most powerful art form of the modern age. From D. W. Griffith’s groundbreaking continuity editing to Sergei Eisenstein’s explosive montage, from F. W. Murnau’s haunting shadows to Jean Renoir’s humanist eye, from Orson Welles’s innovations in sound and space to Alfred Hitchcock’s mastery of suspense—this season brings you ten giants whose influence still shapes every frame we see.We travel further: Akira Kurosawa’s rain-soaked epics, Yasujirō Ozu’s quiet tatami-level stillness, Satyajit Ray’s realism rooted in everyday life, and Ingmar Bergman’s intimate explorations of faith and existence. Each episode blends biography, context, and legacy—asking how these filmmakers changed the language of cinema and why their work still matters today.Season 1 is a guided tour through the foundation of world cinema. Whether you’re a student of film, a working creator, or simply someone who loves stories told on screen, this series gives you the tools to see movies differently—and to recognize the giants whose shoulders we all stand on.Produced by Selenius Media Inc

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31 episoder

episode Park Chan-wook — Operatic violence & surreal beauty cover

Park Chan-wook — Operatic violence & surreal beauty

You’re listening to Filmmaking Giants. Today’s episode is about a director who makes violence look like opera—stylized, rhythmic, sometimes darkly funny, sometimes horrifically intimate—and then uses that beauty to trap you. Park Chan-wook is famous for extreme images: a hallway fight, a hammer, a tongue, an octopus, a revenge that turns into a labyrinth. But if you reduce him to shock, you miss the real craft. Park’s films are not violent because he likes violence. They are violent because he is fascinated by what violence reveals—about desire, shame, power, identity, and the hidden stories people tell themselves so they can keep living. Park is also one of cinema’s great formalists. His framing is precise. His color is purposeful. His camera movement is deliberate. His editing has the snap of a blade. He understands that style is not a surface; style is a weapon. He uses it to seduce the viewer into complicity, and then he makes you confront what you enjoyed.

12. feb. 2026 - 11 min
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