Front Row

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Podcast de BBC Radio 4

Live magazine programme on the worlds of arts, literature, film, media and music

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episode Review: Self Esteem's album A Complicated Woman; RSC's Much Ado About Nothing; Julie Keeps Quiet tennis film artwork
Review: Self Esteem's album A Complicated Woman; RSC's Much Ado About Nothing; Julie Keeps Quiet tennis film

Journalist Siân Pattenden & critic Stephanie Merritt join Tom to discuss Self Esteem's third album A Complicated Woman, which features collaborations with Nadine Shah and Moonchild Sanelly. Ahead of the release, Self Esteem AKA Rebecca Lucy Taylor showcased the album by staging a five-night theatrical presentation at London's Duke of York theatre. Tom and guests also talk about the Belgian film Julie Keeps Quiet, where a star player at a top tennis school deals with the aftermath of her coach being suspended. And they review the RSC's Stratford-upon-Avon contemporary production of Much Ado about Nothing which is set in the world of elite football. Plus, presenter Tom Service talks about the line up for the 2025 BBC Proms. Presenter: Tom Sutcliffe Producer: Claire Bartleet

Ayer - 42 min
episode The ethics of publishing posthumous diaries, Pianist Igor Levit, and Memorials to great women. artwork
The ethics of publishing posthumous diaries, Pianist Igor Levit, and Memorials to great women.

As the journals of the American writer Joan Didion (based on conversations with her psychiatrist) are published, writer and journalist Rachel Cooke and Alan Taylor, editor of actor Alan Rickman's diaries, discuss the challenges, responsibilities and ethics of posthumously publishing the diaries of great writers, artists and actors. Acclaimed German pianist Pianist Igor Levit talks about his own challenge - that of performing Erik Satie's pioneering piece Vexations, in a performance at the Multitudes arts festival at London's Southbank Centre. The performance is directed by leading performance artist Marina Abramovic and is expected to last approximately 15 hours, as Levit repeats Satie's one-page score 840 times. And how should great women be memorialised? Cultural critic Stephen Bayley and author and activist Sara Sheridan discuss what a memorial to Queen Elizabeth II might look like, and why, in comparison to their male counterparts, so few women have grand memorials in our towns and cities. Presenter: Kirsty Wark Producer: Mark Crossan

23 abr 2025 - 42 min
episode Dante's Inferno in Jamaica, Messiaen's Quartet for the End of Time re-examined, Shakespeare's first theatre artwork
Dante's Inferno in Jamaica, Messiaen's Quartet for the End of Time re-examined, Shakespeare's first theatre

Jamaica's former poet laureate, Lorna Goodison, on setting Dante's Inferno on the island of her birth; Journalist Joanna Moorhead on Pope Francis' relationship with the arts; Poet and librettist Michael Symmons Roberts on writing a form-breaking book to re-examine French composer Olivier Messiaen's form-breaking masterwork - Quartet for the End of Time; and going in search of an important piece of theatre history with Daniel Swift, author of The Dream Factory: London's First Playhouse and the Making of William Shakespeare. Presenter: Nick Ahad Producer: Ekene Akalawu

22 abr 2025 - 42 min
episode JMW Turner: 250th anniversary of Britain's greatest painter artwork
JMW Turner: 250th anniversary of Britain's greatest painter

Mr. Turner director Mike Leigh, art historian Charlotte Mullins and senior curator at Tate Amy Concannon join Tom Sutcliffe to celebrate the life and work of JMW Turner, as we approach the 250th anniversary of his birth. Also in this edition, David Hockney on Turner's skill as an artist, Alvaro Barrington talks about his continuing influence on artists today, and Tom goes to the conservation studio at Tate Britain to see what’s being done to protect Turner's bequest and look after his fragile and damaged works. Producer: Claire Bartleet Presenter: Tom Sutcliffe

21 abr 2025 - 42 min
episode Review: Alex Garland's film Warfare, Audition by Katie Kitamura, Shanghai Dolls by Amy Ng on stage artwork
Review: Alex Garland's film Warfare, Audition by Katie Kitamura, Shanghai Dolls by Amy Ng on stage

Alex Garland's latest film Warfare, which is co-directed by US military veteran Ray Mendoza turns back the clock back nearly twenty years to reconstruct a real-life surveillance mission in Iraq. Film critic Tim Robey and journalist Zing Tsjeng give their verdict on the analysis of the theatre of war, which unfolds in real time. They've also been to see Shanghai Dolls at London's Kiln Theatre - which spans six decades of Chinese history, focusing on the life of an actress who was to personify the terrifying face of the cultural revolution, Madame Mao. Literary critic Boyd Tonkin reflects on the legacy of Nobel prize-winning Peruvian writer Mario Vargas Llosa who has died at the age of 89. Samira and her guests have also been reading Katie Kitamura's new book Audition, about an actress who agrees to have dinner with a young man who seems fixated on her, and includes a 'sliding doors' alternative reality. And as the actress Cate Blanchett announces her intention to retire, Radio 4 listeners have a chance to hear her star in her first major radio drama The Fever, in which she plays a privileged woman who travels to a war-torn country and reflects on her comfortable life amidst the poverty of others. Presenter: Samira Ahmed Producer: Paula McGrath

17 abr 2025 - 42 min
Soy muy de podcasts. Mientras hago la cama, mientras recojo la casa, mientras trabajo… Y en Podimo encuentro podcast que me encantan. De emprendimiento, de salid, de humor… De lo que quiera! Estoy encantada 👍
MI TOC es feliz, que maravilla. Ordenador, limpio, sugerencias de categorías nuevas a explorar!!!
Me suscribi con los 14 días de prueba para escuchar el Podcast de Misterios Cotidianos, pero al final me quedo mas tiempo porque hacia tiempo que no me reía tanto. Tiene Podcast muy buenos y la aplicación funciona bien.
App ligera, eficiente, encuentras rápido tus podcast favoritos. Diseño sencillo y bonito. me gustó.
contenidos frescos e inteligentes
La App va francamente bien y el precio me parece muy justo para pagar a gente que nos da horas y horas de contenido. Espero poder seguir usándola asiduamente.

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