Omslagafbeelding van de show The Felonist

The Felonist

Podcast door The Felonist

Engels

True crime

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Over The Felonist

The Felonist is a serialized memoir built from real prison journals written at Rikers, Bedford, Albion, and Danbury. Each episode weaves multiple entries into an unfiltered portrait of traumatic emotional collapse, personal reckoning, faith, motherhood, addiction, and the slow, deliberate work of rebuilding a self from the inside out — all while incarcerated. It’s a raw, intimate archive of survival, accountability, and the quiet hope that endures even in the darkest chapters. Contains explicit language and descriptions of incarceration, mental health struggles, addiction, and trauma.

Alle afleveringen

44 afleveringen

aflevering Only Crazy People Eat Shit artwork

Only Crazy People Eat Shit

In this episode I learn what “crazy” really means in prison. You’re not crazy if you’re playing with your shit, painting with it, acting out with it, using it to get attention or get moved. That’s coping. But if you’re eating it? That’s a different story altogether. Check the crazy box. As I’m trying to understand the mental health landscape inside a women’s prison, I start to see that Bedford isn’t the end of anything — it’s the beginning of the real work and the real sentence. I’m writing through synchronicities, shouting matches with God, the collapse of my marriage, the tiny law library victories, the fear I’ve carried since childhood, and the slow, steady shift from despair to purpose. I’m learning the difference between self‑effort and self‑punishment, between fear and faith, between surviving and actually fighting for my life. This isn’t a conclusion. It’s the moment I finally understand I’m just getting started. And then — poof — I’m gone.

27 mei 2026 - 28 min
aflevering The Dark Night of Self-Torment artwork

The Dark Night of Self-Torment

Early August doesn’t hit me with outside blows — it turns inward. Melancholy settles in like fog, and self‑punishment becomes a daily ritual I perform without hesitation. I move through these days dissecting every thought, every failure, every imagined future, turning them into weapons and using them on myself with precision. Hope flickers, smothered by exhaustion, loneliness, and the suicidal thoughts that circle the edges of my mind. Bedford finally feels like prison — the place and the people. The walls close in, the unit grows hostile, and the waiting becomes another form of punishment. I am unraveling, haunted by phantasms of my own making. I torment myself mercilessly, inflicting a level of cruelty the system could never match. Survival becomes less about hope and more about endurance — holding on through the long, hot, airless hours until something, anything, shifts.

27 mei 2026 - 23 min
aflevering Beaten Bloody and On the Ropes artwork

Beaten Bloody and On the Ropes

Late July hits me like a series of blows in a mismatched prize fight — me on the ropes, bruised, bleeding, and getting clobbered. The shock denial, the fear of being moved to another prison far away, the anniversary of my mother’s death, the collapse of my marriage, and the sudden and casual cruelty coming through the phone all land before I can brace. The synchronicities that once steadied me still flicker at the edges, but they’re drowned out by fear, grief, and the sense that staying in the current has capsized my boat and I’m sinking fast. Bedford shifts from retreat to crucible; the unit feels hostile, the waiting unbearable, the negativity suffocating. I move through the days in a haze of prayer, anger, exhaustion, and a despair so heavy it feels physical, fighting to keep any hold on myself while my mind keeps slipping toward the edge. Conversations with the few people who love me offer brief flashes of relief, but the days are thick with sorrow, confusion, and the feeling of being abandoned by almost everyone I counted on. This is the stretch where I am losing my grip, where faith flickers, where the hits come too fast to absorb, and where holding on becomes its own act of survival.

20 mei 2026 - 29 min
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