Back by Popular Demand with Dennis Camlek

Fifty years ago producers Richard Zanuck and David Brown handed the directing reins of a best-selling novel to a young, upcoming filmmaker named Steven Spielberg. Moviegoers, the motion picture industry, and the country at large had no idea what was in store. An unprecedented release - and a critical and commercial triumph - “Jaws” has endured for decades and will forever remain part of the cultural conversation. Jim Camlek and his little brother celebrate this masterclass in story, character and execution. Here’s to swimming with bowlegged women! ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

Several weeks into production of "Back to the Future," screenwriter Bob Gale and director Robert Zemeckis had a huge problem: Eric Stoltz was not giving them the performance their Spielberg backed film desperately needed. Enter budding star Michael J. Fox, the actor they wanted from the beginning. Literally working around the clock, Fox spent his days portraying television's Alex P. Keaton and his nights as time traveling teen Marty McFly. It would quickly become the role of a lifetime. With the beloved classic turning 40, David O'Sullivan joins Dennis - and Nick Malone guests hosts - as our little podcast celebrates its 50th episode. This is heavy. ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

A love letter bidding farewell to the 'Golden Age of Cinema,' Quentin Tarantino's "Once Upon a Time...in Hollywood" revisits a world you fully want to live in. A magnificent recreation - and readjustment - of how things both were and should have been. One could even argue that this fascinating intersection of movie history and human history should have been the last film of Tarantino's outstanding career. Ruth Metzger joins Dennis to relish the cinematic treasures of 1969 Los Angeles, a place we can never get back to. And away we go... ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

A richly deserved Pulitzer cemented the legacy of David Mamet's 1983 play "Glengarry Glen Ross," but that legacy evolved during the opening minutes of James Foley's 1992 film adaptation. Alec Baldwin's memorable monologue (a scene Mamet wrote specifically for the screenplay) coupled with a murderers' row of actors, catapulted the film into a highly quoted cult classic. Media veteran Jason Wagenheim joins Dennis to discuss what it takes to get them to sign on the line which is dotted. Coffee is for closers only. ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

In 1984 a trusted production executive desperately tried to convince Clint Eastwood to pass on “The Cut-Whore Killing,” stressing that the screenplay was not worth his time. Eastwood placed it in a drawer, but not because of the material; only during the latter phase of his career did he feel he could earn the right to properly deconstruct the western genre. Released in 1992, “Unforgiven” would go on to win Oscars for Best Picture, Director (Eastwood), Editing, and Supporting Actor for the late Gene Hackman. Jason Thompson and Dennis roll into Big Whiskey, open a bottle and celebrate Eastwood's masterpiece. Deserve’s got nothing to do with it. ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.