Forsidebilde av showet Book making as an art form: exploring the boundaries

Book making as an art form: exploring the boundaries

Podkast av The Book Photographer

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Les mer Book making as an art form: exploring the boundaries

Book making as an art form is for those who create, shape, and believe in books as a powerful medium. Recorded live with a public event, this podcast is a love letter to the world of art books - where creativity, craft, and dedication meet. Hosted by The Book Photographer and curator Justina Nekrašaitė, each episode celebrates the people who bring books to life with their hands, hearts, and ideas. Season 2 supported by Pictoright, Het Cultuurfonds, and many big-hearted individuals via Voordekunst. Season 1 supported by The Mondriaan Fonds.

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12 Episoder

episode S2 Ep.3 Jochem Öfner: Troublemaking, Printing, and the Politics of the Page cover

S2 Ep.3 Jochem Öfner: Troublemaking, Printing, and the Politics of the Page

In this episode of Book Making as an Art Form, I speak with Jochem Öfner, Director of Printing at Drukkerij Raddraaier [https://raddraaier.nl/], an Amsterdam-based printing house with roots in activist print culture. Founded in the late 1970s during the Dutch squatting movement, Drukkerij Raddraaier emerged from a network of independent print shops producing books, posters, pamphlets, and political materials when mainstream printers would not. In our conversation, Jochem reflects on the radical history of the press, his own journey from wanting to “make the revolution” in Central America to working in print, and how the politics of publishing remain embedded in the act of printing itself. Together, we spoke about: 1. The activist roots of Drukkerij Raddraaier 2. Freedom of the press before and after the Internet 3. The environmental realities of print and digital publishing 4. Why sustainability in printing is more complex than it seems 5. The importance of keeping independent print production alive Tune in now for a conversation on activism, sustainability, and the politics of print. __________ Produced and hosted by Justina Nekrašaitė | ⁠ [https://www.thebookphotographer.com/]The Book Photographer [https://www.thebookphotographer.com/]⁠ [https://www.thebookphotographer.com/] Audio productions: ⁠ [https://drexhage-media.nl/]Drexhage Media [https://drexhage-media.nl/]⁠ [https://drexhage-media.nl/]| Jasper Drexhage Design: ⁠ [https://www.thomniessink.com/]Thom Niessink [https://www.thomniessink.com/]⁠ [https://www.thomniessink.com/] Recorded at Stedelijk Museum Library Communication & promotion: Chana Levy ❤️ Season 2 is supported by Pictoright, Het Cultuurfonds, and many big-hearted individuals via Voordekunst. With particular appreciation to our principal supporters: Ruth Higgins, Luminosity Lab, Eleonoor Jap Sam / Jap Sam Books, Silvia Robertelli, Wilco Art Books Amersfoort, and Marc Gijzen.

5. mai 2026 - 26 min
episode S2 Ep. 2 ArtEZ Press: Publishing Between Education and the World cover

S2 Ep. 2 ArtEZ Press: Publishing Between Education and the World

“The first moment you actually hold it in your hands… the smell of the printer ink comes out, and that’s a unique moment in the history of an object coming to life. When it’s first being opened, it reveals itself.” In this episode of Book Making as an Art Form, I speak with Minke Vos, publisher of ArtEZ Press at ArtEZ University of the Arts. For over 20 years, Minke has been working within the institute to develop publications where design and content strengthen one another. Alongside ArtEZ Press, she is also involved in APRIA, a platform for artistic research across text, sound, image, and experimental formats. In our conversation, Minke reflects on her long-standing role within the institution, the importance of sharing knowledge beyond its walls, and the unique position of publishing between education and the wider public. We also talk about the book as a sensory object, the value of slowness in the process, and how experimentation plays a role in shaping new forms of publishing. Together, we spoke about: * Publishing as a bridge between education and the public * Sharing knowledge from within the institute with the world * The book as a sensory and performative object * Tune in now to the conversation on publishing, research, and the life of a book. __________ Produced and hosted by Justina Nekrašaitė | ⁠ [https://www.thebookphotographer.com/]The Book Photographer [https://www.thebookphotographer.com/]⁠ [https://www.thebookphotographer.com/] Audio productions: ⁠ [https://drexhage-media.nl/]Drexhage Media [https://drexhage-media.nl/]⁠ [https://drexhage-media.nl/]| Jasper Drexhage Design: ⁠ [https://www.thomniessink.com/]Thom Niessink [https://www.thomniessink.com/]⁠ [https://www.thomniessink.com/] Recorded at Stedelijk Museum Library Communication & promotion: Chana Levy ❤️ Season 2 is supported by Pictoright, Het Cultuurfonds and many big-hearted individuals via Voordekunst. With particular appreciation to our principal supporters: Ruth Higgins, Luminosity Lab, Eleonoor Jap Sam / Jap Sam Books, Silvia Robertelli, Wilco Art Books Amersfoort, and Marc Gijzen.

14. april 2026 - 29 min
episode S2 Ep. 1 Remco van Bladel: Books, Music, and the Systems That Shape Cultural Memory cover

S2 Ep. 1 Remco van Bladel: Books, Music, and the Systems That Shape Cultural Memory

Welcome back to the podcast! In this episode, opening season 2 of Book Making as an Art Form, I speak with graphic designer and publisher Remco van Bladel [https://remcovanbladel.nl/] about books, systems, and cultural memory. From growing up around a record shop and punk music, to co-founding Onomatopee and Archival Consciousness, Remco reflects on collaboration, the relationship between music and typography, and how publishing can become a tool for archiving knowledge. The conversation explores how books, archives, and digital systems shape the way culture is produced, organised, and remembered. Together, we spoke about: - Growing up around punk music, record sleeves, and drawing - Bookmaking as collaboration, just like playing in a band - Translating musical rhythm into typography and design systems - Building Archival Consciousness and new tools for cultural archives - Rethinking the book as both publication and archive Listen now to tune into the discussion about the significance of books outlasting people! __________ Produced and hosted by Justina Nekrašaitė | ⁠ [https://www.thebookphotographer.com/]The Book Photographer [https://www.thebookphotographer.com/]⁠ [https://www.thebookphotographer.com/] Audio productions: ⁠ [https://drexhage-media.nl/]Drexhage Media [https://drexhage-media.nl/] ⁠ [https://drexhage-media.nl/]| Jasper Drexhage Design: ⁠ [https://www.thomniessink.com/]Thom Niessink [https://www.thomniessink.com/]⁠ [https://www.thomniessink.com/] Recorded at Stedelijk Museum Library Communication & promotion: Chana Levy ❤️ Season 2 is supported by Pictoright, Het Cultuurfonds and many big-hearted individuals via Voordekunst. With particular appreciation to our principal supporters: Ruth Higgins, Luminosity Lab, Eleonoor Jap Sam / Jap Sam Books, Silvia Robertelli, Wilco Art Books Amersfoort, and Marc Gijzen.

18. mars 2026 - 29 min
episode S1 Ep. 9 Tradition and sabotage: Michaël Snitker on rules, intuition, and book design cover

S1 Ep. 9 Tradition and sabotage: Michaël Snitker on rules, intuition, and book design

In this last episode of Season 1 of Book Making as an Art Form: exploring the boundaries, I sit down with Michaël Snitker [https://snitker.nl/], Amsterdam-based graphic designer working across books, visual identities, and exhibitions for cultural institutions. Michaël’s practice blends clarity and complexity, modernist traditions and experimentation. Besides commissioned work, he initiates research projects and designs his own publications, often rooted in poetry and language. In our conversation, we explore: * Growing up surrounded by art and poetry * Fluxus as a lasting and intuitive influence * Working across four pillars * Trust, collaboration, and play as foundations of creative practice Inspired by the idea of tradition and sabotage, this episode reflects on bookmaking as a practice that balances rules with intuition, precision with imperfection, and legacy with experimentation. Produced by Justina Nekrašaitė | The Book Photographer [https://www.thebookphotographer.com/] Audio productions: Drexhage Media [https://drexhage-media.nl/]| Jasper Drexhage Design: Thom Niessink [https://www.thomniessink.com/] Recorded at Huis van het Boek Supported by Mondriaan Fund, L. van Heek Textiles, Luminosity Lab, Marc Gijzen, n.k.g. publications, Jeremy Jansen, Jesse Presse, Jap Sam Books, Michaël Snitker

29. des. 2025 - 31 min
episode S1 Ep. 8 The emotional life of a book with Luminosity Lab cover

S1 Ep. 8 The emotional life of a book with Luminosity Lab

In this episode of Book making as an art form: exploring the boundaries, I sit down with Caleb Cain Marcus, creative director of Luminosity Lab [https://luminositylab.com/], a Brooklyn-based design studio. He is known for making books that are not just objects but experiences. Shaped by a childhood in the mountains of Colorado and a background in poetry, photography, and printing, Caleb shares his reflections on: * Looking and curiosity as a lifelong practice * Moving from poetry and photography into book design * Why does he produce his books in Europe * Cultural support, budgets, and the ecosystems around bookmaking It’s a joyful conversation about attention, emotion, and the power of books. Produced by Justina Nekrašaitė | The Book Photographer [https://www.thebookphotographer.com/] Audio productions: Drexhage Media [https://drexhage-media.nl/] | Jasper Drexhage Design: Thom Niessink [https://www.thomniessink.com/] Recorded at Huis van het Boek [https://www.huisvanhetboek.nl/] Supported by Mondriaan Fund, L. van Heek Textiles, Luminosity Lab, Marc Gijzen, nkg publications, Jeremy Jansen, Jesse Presse, Eleonoor Jap Sam Croudfunding now: https://www.voordekunst.nl/projecten/20394-podcast-book-making-as-an-art-form

9. des. 2025 - 24 min
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