I AM THE SPACE WHERE I AM with John Arnone

The Golden Age of Theater Criticism TOPIC: Part Two Harold Clurman & Walter Kerr GUESTS: Patrick Kelly & Jerome Weeks

Walter Kerr born July 8 ,1913 was a highly influential American theater critic for the New York Herald Tribune and The New York Times  for over 30 years, winning the 1978 Pulitzer Prize for Criticism. Known for his insightful, often witty reviews and academic background, he championed artistic excellence in theatre. He also was the writer, lyricist, and/or director of several Broadway plays and musicals as well as the author of several books. The Walter Kerr Theatre was renamed in his honor in 1990. Kerr died from congestive heart failure on October 9, 1996. Harold Clurman born September 18, 1901 was recognized as a pre-eminent theater critic and a visionary director. He viewed theater not just as entertainment, but as a "serious business" and the "food of the soul" that must remain relevant to society. Clurman shaped American theater through his insightful writing, serving as the drama critic for The New Republic from 1948 to 1952 and The Nation from 1953 until 1980. Clurman was a co-founder of the legendary Group Theater(1931–1941). He advocated for an ensemble approach to acting aiming to create theater that was socially relevant and emotionally realistic. He directed the original productions of Clifford Odets' Awake and Sing! and Golden Boy, as well asArthur Miller's Incident at Vichy. Clurman died on September 9, 1980 in New York City of cancer.  Patrick Kelly is Professor of Drama Emeritus at the University of Dallas where, with Judy Kelly his wife, they taught for forty-two years. Besides scores of campus productions he has directed plays at professional theaters around the country. He has also taught in such graduate theater programs as University of Washington, Denver’s National Theater Conservatory, University of Colorado at Boulder and Southern Methodist University.  Jerome Weeks for 15 years was the producer-reporter for the NPR-PBS station KERA. A professional critic for more than three decades, he was the The Dallas Morning News theater critic for ten years and  the book columnist for ten years after that. His writing has appeared in the San FranciscoChronicle, Los Angeles Times, Newsday, andAmerican Theatre  magazine.

The Golden Age of Theater Criticism: TOPIC: Part One Harold Clurman & Walter Kerr GUESTS: Patrick Kelly & Jerome Weeks

Walter Kerr born July 8 ,1913 was a highly influential American theater critic for the New York Herald Tribune and The New York Times for over 30 years, winning the 1978 Pulitzer Prize for Criticism. Known for his insightful, often witty reviews and academic background, he championed artistic excellence in theatre. He also was the writer, lyricist, and/or director of several Broadway plays and musicals as well as the author of several books. The Walter Kerr Theatre was renamed in his honor in 1990. Kerr died from congestive heart failure on October 9, 1996. Harold Clurman born September 18, 1901 was recognized as a pre-eminent theater critic and a visionary director. He viewed theater not just as entertainment, but as a "serious business" and the "food of the soul" that must remain relevant to society. Clurman shaped American theater through his insightful writing, serving as the drama critic for The New Republic from 1948 to 1952.and The Nation from 1953 until 1980. Clurman was a co-founder of the legendary Group Theater (1931–1941). He advocated for an ensemble approach to acting aiming to create theater that was socially relevant and emotionally realistic. He directed the original productions of Clifford Odets' Awake and Sing! and Golden Boy, as well as Arthur Miller's Incident at Vichy. Clurman died on September 9, 1980 in New York City of cancer.  Patrick Kelly is Professor of Drama Emeritus at the University of Dallas where, with Judy Kelly his wife, they taught for forty-two years. Besides scores of campus productions he has directed plays at professional theaters around the country. He has also taught in such graduate theater programs as University of Washington, Denver’s National Theater Conservatory, University of Colorado at Boulder and Southern Methodist University.  Jerome Weeks for 15 years was the producer-reporter for the NPR-PBS station KERA. A professional critic for more than three decades, he was the The Dallas Morning News theater critic for ten years and  the book columnist for ten years after that. His writing has appeared in the San FranciscoChronicle, Los Angeles Times, Newsday, andAmerican Theatre  magazine.

The Golden Age of Theater Criticism: TOPIC: Harold Hobson & Kenneth Tynan (Part Two) GUESTS: Patrick Kelly & Jerome Weeks

"One of the big theater jokes used to be that when you opened the Sunday Times and the Observer, you used to read Kenneth Tynan and Harold Hobson and they were always totally diametrically opposed. Tynan would say that this is the greatest show on earth. Hobson would hate it. If you had a play on and you opened it and Tynan gave you a good review, you knew that Harold was going to loathe it." Alan Aycbourn Patrick Kelly is Professor of Drama Emeritus at the University of Dallas where, with Judy Kelly his wife, they taught for forty-two years. Besides scores of campus productions he has directed plays at professional theaters around the country. He has also taught in such graduate theater programs as University ofWashington, Denver’s National Theater Conservatory, University of Colorado at Boulder and Southern Methodist University   Jerome Weeks for 15 years was the producer-reporter for the NPR-PBS station KERA. A professional critic for more than three decades, he was the The Dallas Morning News theater critic for ten years and  the book columnist for ten years after that. Hiswriting has appeared in the San Francisco Chronicle, Los Angeles Times, Newsday, and American Theatre  magazine.

The Golden Age of Theater Criticism: TOPIC: Harold Hobson & Kenneth Tynan (Part One) GUESTS: Patrick Kelly & Jerome Weeks

"One of the big theater jokes used to be that when you opened the Sunday Times and the Observer, you used to read Kenneth Tynan and Harold Hobson and they were always totally diametrically opposed. Tynan would say that this is the greatest show on earth. Hobson would hate it. If you had a play on and you opened it and Tynan gave you a good review, you knew that Harold was going to loathe it." Alan Aycbourn Patrick Kelly is Professor of Drama Emeritus at the University of Dallas where, with Judy Kelly, they taught for forty-two years. Besides scores of campus productions he has directed plays at professional theaters around the country. He has also taught in such graduate theatre programs as University of Washington, Denver’s National Theater Conservatory, University of Colorado at Boulder and Southern Methodist University   Jerome Weeks for 15 years was the producer-reporter for the NPR-PBS station KERA. A professional critic for more than three decades, he was the The Dallas Morning News theater critic for ten years and  the book columnist for  ten years after that. His writing has appeared in the San Francisco Chronicle, Los Angeles Times, Newsday, and American Theatre  magazine.

Guests: PATRICK KELLY & JEROME WEEKS Topic: JOHN ROSENFIELD

Max John Rosenfield Jr., was amusement critic for the Dallas Morning News for 41 years . It can be  argued that John Rosenfield did more for the arts in Dallas than any other person during a long  reign in which he was known as Cultural Pontiff of  the Southwest. In Mr. Rosenfield's  column, The Passing  Show, he wrote about the lively arts, theater, music, ballet and movies with erudition and grace. But his contribution to the performing arts in the  Southwest did not stop there. He put people with  talent in touch with people with money and watched the results with a certain pride. Through his influence, shrewdly exercised, he  guided his city's development in the arts and  popular amusements. By the time he retired,  Dallas was recognized throughout the music and  theater world for its opera, symphony and  innovative stage productions. Behind every  cultural achievement, the support and guidance of Rosenfield could be felt.  Patrick Kelly is Professor of Drama Emeritus at University of Dallas where, with Judy his wife, he taught for forty-two years. Besides scores of campus productions he has directed plays at professional theaters around the country. He has also taught in such graduate theatre programs as University of Washington, Denver's National Theatre Conservatory, University of Colorado at Boulder and SouthernMethodist University. Jerome Weeks was the arts producer-reporter for the NPR-PBS station KERA for 15 years. A professional critic for more than three decades, he was the theater critic for The Dallas Morning News for ten years and the paper’s book columnist for ten years after that. He blogged as book/daddy for Artsjournal, and his writing has appeared in the San Francisco Chronicle, LosAngeles Times, Newsday, American Theatre  magazine.