Leuven University Press Podcast

Bram de Maeyer, "Building for Belgium: Belgian Embassies in a Globalising World (1945-2020)" (Leuven UP, 2025)

Embassy buildings are the most tangible evidence of a state’s diplomatic presence abroad. State authorities have invested in the architectural conception of purpose-built embassies to flex their diplomatic muscle and project nationhood on foreign soil. While scholars have primarily focused on purpose-built embassies of (former) world powers, Building for Belgium: Belgian Embassies in a Globalising World (1945-2020)  [https://bookshop.org/a/12343/9789462704886](Leuven UP, 2025) by Dr. Bram de Maeyer shifts the perspective by scrutinising the Belgian Ministry of Foreign Affairs’ embassy-building programme from 1945 to 2020. Rather than a conventional political assessment of diplomatic relations, the book foregrounds the often-overlooked architectural lives of embassies and their social, economic, and political entanglements. By examining Belgian embassy projects across all continents, it reveals how the Belgian diplomatic corps has navigated diverse political regimes, geopolitical contexts, cultures, and building codes. More than the outcome of a deliberate policy, the embassy-building programme has been shaped by incidental decisions, private ambitions and personal tastes of Belgian diplomats, ministry officials and politicians. Building for Belgium not only sheds light on diplomatic architecture but also connects domestic conversations about architecture in Belgium with global state-building projects. Offering fresh insights into the politics of space, it will be of value to scholars and practitioners in architecture, urban studies, international relations, cultural heritage, and Belgian and European studies. This interview was conducted by Dr. Miranda Melcher whose book [https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/] focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher [https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher], wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices]

Nena Vandeweerdt, "Women and Work Through a Comparative Lens: Gender and the Urban Labor Markets of Premodern Brabant and Biscay" (Leuven UP, 2025)

Women and Work Through a Comparative Lens: Gender and the Urban Labor Markets of Premodern Brabant and Biscay [https://bookshop.org/a/12343/9789462704947] explores women's economic roles in late medieval and early modern Europe, particularly through the lens of craft guilds and regional comparisons with the aim emphasising the visibility of women’s economic activities in premodern Europe. The book explains the nature of guilds at this period, emphasising their male-dominated nature that limited women's formal participation while still allowing them to play significant roles within household economies. Among other topical issues examined in the book are the institutional factors that shaped women's economic roles in the 16th century, with details on how households in Brabant functioned as economic units with women managing income and administration. Also, the book explained how institutions such as guilds, households, informal markets, and town governments shaped women's economic opportunities in the 16th century. Through a comparative approach, the book allows for a deeper understanding of women's visibility and economic conditions, particularly through the analysis of taxation registers and the public versus private nature of women’s work in different trades. The book contains a more nuanced comparison between specific regions in Europe, including Brabant and Biscay, to provide explanation on the North-South divide. The adoption of a comparative approach in the book enables a detailed analysis of women's labor opportunities including the fish trade, bread trade, itinerant informal trading, merchant activity and artisan work by examining two distinct regions. This comparative method reveals the complexities of women's economic positions and the varying factors that shaped their experiences cutting across town policy which placed restrictions due to guild influences. Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn [https://www.linkedin.com/in/olugbodi-mariam-801a52130/?originalSubdomain=ng], Mariam Olugbodi (0000-0001-5027-6644) - ORCID [https://orcid.org/0000-0001-5027-6644] and User:Margob28 - Meta [https://meta.wikimedia.org/wiki/User:Margob28] Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices]

Elwin Hofman et al. eds., "The Business of Pleasure: A History of Paid Sex in the Heart of Europe" (Leuven UP, 2022)

Elwin Hofman joins Jana Byars to talk about the volume he edited with Magaly Rodríguez García & Pieter Vanhees, The Business of Pleasure: A History of Paid Sex in the Heart of Europe  [https://bookshop.org/a/12343/9789462704107](Leuven UP, 2022). In 2022, the Belgian parliament made a landmark decision by approving the decriminalisation of sex work. This move positioned the small nation as the first country in Europe - and the second globally - to abandon the hypocrisy of tolerance. Yet this was not the first time paid sex in Belgium gained international notoriety. The bathhouses of the fifteenth-century 'frows of Flanders' were well-known throughout Europe. In the nineteenth century, Belgium faced international outrage as the alleged epicentre of white slavery. Although Belgians were then accused of forcing white women into prostitution, they were also free to include any suspect women in the prostitution registers of colonial Congo. Throughout the First and Second World Wars, both allied and German soldiers sought relief in Belgian brothels. The Business of Pleasure presents the compelling life stories of sex workers and their interactions with authorities, clients and pimps. Pushing beyond stereotypes, this history of commercial sex offers a nuanced understanding of the difficulties and opportunities associated with paid sex for women, men and trans persons past and present. Contributors: Elwin Hofman (Utrecht University), Magaly Rodríguez García (KU Leuven), Pieter Vanhees (former researcher KU Leuven), Jelle Haemers (KU Leuven), Amandine Lauro (Université libre de Bruxelles), Maarten Loopmans (KU Leuven), Ilias Loopmans (MA history student at University of Antwerp), Sonia Verstappen (former sex worker). English translation of 'Seks voor geld. Een geschiedenis van prostitutie in België', Elwin Hofman, Magaly Rodríguez García & Pieter Vanhees (red.), (Amsterdam: Prometheus, 2022) Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices]

Yolanda Aixelà-Cabré, "African Women’s Histories in European Narratives: The Afropolitan Krio Fernandino Diaspora (1850-1996)" (Leuven UP, 2025)

Little is known about the African women who came to Europe from the 1870s onwards, nor do we dare to imagine them as wealthy, elegantly dressed individuals with refined tastes and fluent in several languages. The Krio Fernandino represented a multisited, multilocal, transnational, transcontinental and Afropolitan community that lived between Africa and Europe from the late 19th century onwards. African Women’s Histories in European Narratives: The Afropolitan Krio Fernandino Diaspora (1850-1996) [https://bookshop.org/a/12343/9789462704619] (Leuven University Press, 2025) explains how the Krio Fernandino, and particularly their women, transcended the barriers of race and gender in colonial Africa and in Spain. Aixelà-Cabré highlights a fascinating journey across cultures and continents, unearthing a compelling narrative of African women's empowerment in their home continent and in Catalonia. This research highlights a women's history that resonates on regional, national and transcontinental levels; a genuine Euro-African and Afro-European legacy to be preserved for future generations. This book will be made open access within three years of publication thanks to JSTOR's Path to Open pilot. Yolanda Aixelà-Cabré is Senior Researcher in Anthropology at the IMF center of the Spanish Council for Scientific Research-CSIC. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices]

Pamela Karimi, "Women, Art, Freedom: Artists and Street Politics in Iran" (Leuven UP, 2024)

Women, Art, Freedom: Artists and Street Politics in Iran [https://bookshop.org/a/12343/9789462704183] offers an insightful look at the 2022 Woman, Life, Freedom uprising in Iran, sparked by the tragic murder of Jina Mahsa Amini at the hands of the “morality police” for violating hijab rules. Beyond its feminist undertones and the remarkable courage of the young protesters, what sets this uprising apart from previous ones is the abundant and diverse art it has inspired. This book, rather than merely analyzing the artworks that garnered attention on social media platforms, brings to light lesser-known grassroots artistic movements that played a crucial role within their immediate local communities. Engaging with primarily Iran-based artists, it uncovers their role in shaping guerrilla interventions and street occupations and in articulating distinct forms of peaceful civil disobedience. By drawing on a broad spectrum of historical and theoretical sources, this book further reveals the origins and inspirations of Iran’s protest art. Focusing mainly on the interconnections between the public sphere, women’s bodies, and feminist viewpoints, Women, Art, Freedom underscores the vital role of artists in championing global justice and equality.  Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices]