Making Comics

Episode 280: Pixar's rules for Storytelling (Part One)

This week, we cover creating a game plan for story edits and changes (5:30), settling into a fresh, changed writing process (10:20), revamping your upcoming creativity schedule (18:00), taking time away from a book for a commission (22:10), the indie mindset (36:00), and figuring out if a comic script is done or not (41:50) before we get to this week's topic: part one of Pixar's rules for storytelling (48:30).

Episode 279: When Coloring reveals Art issues

This week, we talk about taking crowdsourcing ideas for a cover and incorporating it with other ideas (4:50), using the right symbols to reflect profanity (14:10), when the coloring stage reveals an error in the art (25:20), focusing on a commission (40:30), and talking through reader feedback on a story (44:20).

Episode 278: Staying productive on Convention weekends

This week, we talk about finishing art for an issue however you can (4:25), the final stages fulfilling a Kickstarter (10:50), when flatting gets time-consuming (15:30), when the real world gives your writing a boost (22:00), doing your post-con inventory (31:00), finding a prospective cover artist for an upcoming comic (37:40), launching a Kickstarter (42:30), and re-evaluating the Act One elements in your story (46:50).

Episode 277: A Story's Gravity

This week, we talk about what pauses mean in the audio landscape (4:00), Kickstarter prep and doing the video work (23:20), assembling a mini-comic (28:30), and working hard to complete a page goal (31:40) before we talk about carefully calibrating the sex in a story (41:00) and the gravity - or lack of - in a story (50:30).

Episode 276: One-Shot Stories (with Katelyn Windels)

This week, we welcome Katelyn Windels (Devil in the Herd, Veefriends) to the podcast and talk about hitting your weekly page goals (4:30), getting the feedback you didn't know you needed (13:30), brainstorming a new story in an existing comics world (20:00), one-shot stories in the current landscape (30:00), and the origin point of a story (42:30).