The Blue at the Centre of the World — Samarkand, Uzbekistan
There is no adequate preparation for the Registan at dawn. You know it from photographs — the three madrasas arranged around the square, the blue and gold tilework — but photographs cannot tell you about the scale, or the silence, or the way the mosaics change colour as the sun moves.
This week's issue: four days in Samarkand at the moment of its reopening. Uzbekistan opened to general visa-free Western tourism in 2018, after twenty-seven years of effective closure under Islam Karimov. The country I walked is unrecognisable from the country a foreign traveller would have seen in 2010 — not because the buildings changed, but because the stance toward visitors did.
Five mausoleums in five days — Rukhobod, Gur-i-Amir, Hazrat Khizr, Bibi-Khanym, and the long avenue of Shah-i-Zinda. The buried pre-Islamic city of Afrasiyab on a hill at the edge of town, where seventh-century wall paintings still show the Sogdian merchants and Chinese envoys and Korean delegations who met here before the Mongols came. Bread that lasts a month, baked to a durability the people who eat it have used for centuries. Pomegranate juice every day. A wedding in deep ruby, turquoise, apple green and saffron, the bridesmaids' dresses against the white-gravel star paths of the park. And a tea house on a wooden platform under carpets, where an Asian sitting in a Central Asian shaded courtyard recognises the furniture.
This episode is read by the editor, layered with the field sounds of Samarkand: the open square at dawn, the vaulted brick of the mausoleums, the lanes of Shah-i-Zinda, the Sogdian wind at Afrasiyab, a market at lunch, the bulvar at six in the evening, the platform tea house, and the hill at Hazrat Khizr looking down at the city.
The Farside Pick for Uzbekistan is the operator we'd send our friends to — a small team that started off in the Nuratau Mountains who recently won international the TO DO! Award for Socially Responsible Tourism by ITB Berlin. Submit an enquiry through the journal entry below and we'll make the introduction directly.
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Read the full journal: farside.earth/journal/004-samarqand-uzbekistan.html
Audio credits:'Day_Kids_Playing_In_The_Park_4_Overhead' by JonathanTremblay, CC-BY 4.0, https://freesound.org/s/253407/'basement noise 02 140209_0075' by klankbeeld, CC-BY 4.0, https://freesound.org/s/218355/'R4_00343-1-FR-CountrysideSummerMorning' by kevp888, CC-BY 4.0, https://freesound.org/s/650404/Also includes CC0 field recordings by bassimat (dutor) and T_WAZ (tanbur) — credited in full at podcast/audio/beds/licenses.txt.