Maxie Rockymore: Award-Winning Filmmaker on Black Storytelling, "Fresh Cut" & What Comes Next
In this episode of On the Radar â the Minnesota Spokesman-Recorder's series highlighting Black Minnesota creatives â host Damenica Ellis sits down with writer, screenwriter, filmmaker, and playwright Maxie Rockymore to talk about her roots, her craft, and the stories she refuses to stop telling.
Rockymore grew up in South Minneapolis, surrounded by Black families who had migrated north from Mississippi, Texas, and Alabama. She spent her childhood at Hosmer Library reading Langston Hughes and Nikki Giovanni, sat on neighbors' porches absorbing their stories, and was writing love poems for classmates for a dollar in high school. There was never one turning point, she says â writing simply always was.
"I still see myself on the back steps in South Minneapolis writing stories, writing poems and just knowing that I was going to be a writer."
Her short film "Fresh Cut," produced at Urban Touch Barbershop in South Minneapolis, follows Buzz â a young Black man released from juvenile detention who goes to work at his stepfather's barbershop while grieving the loss of his mother. To write it authentically, Rockymore spent a full year in the barbershop before putting the final script together. The film screened at the Twin Cities Black Film Festival, then traveled to festivals in California and Greece, including the Muses Film Festival. At the Golden Gate International Film Festival, it won the audience choice award with the highest views and ratings.
Throughout the conversation, Rockymore speaks to her core artistic mission: writing Black people in their full humanity â not pathologized, not reduced to stereotype, but whole.
"We have problems, we have deaths, we have violence, but what I don't like and what I try not to do is pathologize the Black experience. We are wonderful people. We're beautiful people. We have a past that precedes slavery because we have a history from Africa."
She also looks ahead: Rockymore is currently writing a new screenplay set in Minnesota about a young Black woman schoolteacher navigating professional pressure, family, identity, and what success truly means. She hopes to bring it to a table read at the Minnesota Screenwriters Workshop, where she serves as president.
For emerging Black writers and filmmakers in Minnesota, her message is clear: write constantly, take classes at Film North or the Playwrights' Center, volunteer on sets, and stay immersed in the art. And advocate for the funding that makes it all possible.
"I wish there were more financial opportunities, more financial backing and funding for African-American women as filmmakers and artists and screenwriters. Because at the end of the day, you have to pay people."
đŹ Follow Maxie Rockymore on Instagram: @maxie.rockymore
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