This Must Be the Gig

This Must Be the Gig [https://consequenceofsound.net/thismustbethegig/] is joined by Ólafur Arnalds. Across his impressive career, the Icelandic composer's work has scored ballet, TV, and film, in addition to a stunning discography. Like a fusion of classical composition, modernists like Arvo Part, and his own background in punk, Ólafur's compositions tap into an immense well of emotion and deliver surreal heights. His latest album, Some Kind of Peace, appropriately places his face directly on the cover, eyes closed as if in the middle of a dream and that powerfully personal and intimate feeling swims throughout the record. In this chat, Lior spoke with Ólafur about his old hardcore band, Fighting Shit, his introduction to composing through German metal band Heaven Shall Burn, what makes his new album his most personal, touring with Sigur Ros, and so much more. Head here for more info on Ólafur Arnalds [https://olafurarnalds.com/]. Head here for more information on this week's featured organization, The National Independent Venue Association [https://www.saveourstages.com/]. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app [https://anchor.fm/app]

This Must Be the Gig [https://consequenceofsound.net/thismustbethegig/] is joined by Local Natives. As two of the founding members of the Southern California band, Taylor Rice and Ryan Hahn first came together when they were just high schoolers. Not long later, Local Natives' debut record Gorilla Manor solidified their radiant credentials. Over a decade later, the five-piece have now released four studio albums and spread their sunshine and wonder at festivals and sold-out shows around the world. Most recently, the band put out the four-track Sour Lemon EP, collaborated with Sharon Van Etten, and put together an incredible live-streamed concert for eager fans. In this chat, Lior spoke with Taylor and Ryan about playing shows in living rooms early in their career, idolizing At the Drive-In, working with The National's Aaron Dessner, keeping sane as a new parent during quarantine, and so much more. Head here for more info on Local Natives [https://www.thelocalnatives.com/]. Head here for more information on this week's featured organization, Good Kids Mad City [https://www.gkmcenglewood.com/donate]. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app [https://anchor.fm/app]

This Must Be the Gig [https://consequenceofsound.net/thismustbethegig/] is joined by Netta. The Israeli artist won the esteemed Eurovision contest in 2018, sealing the victory with the brilliant and quirky "Toy". Utilizing a loop station to accentuate her resonant, powerful voice, Netta has since dominated stages around the world and seen her music spread like wildfire, including "Toy" becoming a massive force on TikTok. Between a video series called Netta's Office [https://www.youtube.com/playlist?list=PL7F5_nz2NVkIX5g4hnzhC2wYHvDHzrt3m] and a viral cover of "Supercalifragilisticexpialidocious" [https://twitter.com/DisneyMusic/status/1301157941521702918] for Disney, the Tel Aviv-based singer has found appropriately unique ways to keep creative and connected with fans through quarantine. In this chat, Lior spoke with Netta about connecting to the Beatles in school, what it was like participating in Eurovision, her appearance in the Will Ferrell film based on the contest, recording her new album, and so much more. Head here for more info on Netta [https://nettamusic.com/]. Head here for more information on this week's featured organization, Chicago Birthworks Collective [//chicagobirthworks.com/donate]. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app [https://anchor.fm/app]

This Must Be the Gig [https://consequenceofsound.net/thismustbethegig/] is joined by Tawny Newsome and Bethany Thomas. You may know Tawny as one of the stars of TV shows like Bajillion Dollar Propertie$,Star Trek: Lower Decks, and Space Force, as well as the co-host of Yo, Is This Racist? and a frequent guest of podcasts like Comedy Bang Bang. You may know Bethany, meanwhile, for her celebrated musical and theatrical work on Chicago stages such as Steppenwolf and the Green Mill, performing everything from a Gershwin opera to alt country. Before all that, Tawny and Bethany spent years together in Chicago as for-hire backup singers for tribute and cover bands, forging an intense friendship and musical connection, including time as members of UK punk hero John Langford's Four Lost Souls. This week, Tawny and Bethany's long history of collaboration culminates in their first album under their own names, the explosive and magnetic Material Flats. In this chat, Lior spoke with Tawny and Bethany about chasing their own sound after supporting other voices for years, how their passion for music thrives alongside acting careers, the influence of Devo and the Talking Heads, the difference between recording dialog for Star Trek: Lower Decks and recording music (hint: tequila is involved), and so much more. Head here for more info on Tawny and Bethany [https://tawnyandbethany.bandcamp.com/album/material-flats-2]. Head here for more info on Tawny Newsome [https://twitter.com/TrondyNewman]. Head here for more info on Bethany Thomas [http://www.bethanythomasmusic.com/]. Head here for more information on this week's featured organization, World Central Kitchen [https://wck.org/]. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app [https://anchor.fm/app]

This Must Be the Gig [https://consequenceofsound.net/thismustbethegig/] is joined by Black Thought of The Roots. Long before he became the voice of one of the most essential hip-hop groups of a generation, Tariq Trotter started performing on the streets of Philadelphia with another young man named Ahmir Thompson. Not long later, the duo stood at the fore of a massively influential band, now going by Black Thought and ?uestlove. The Roots made a splash quickly, kicking off in the early '90s and reaching the platinum echelon with 1999's classic Things Fall Apart. That strength has only continued to grow for decades, with Black Thought's diverse list of credits now including The Roots' role as Jimmy Fallon's house band on Late Night. Now, Black Thought is set to release his third solo project, Streams of Thought Vol. 3: Cain and Abel. Due October 2nd, the record spans a vast array, showcasing Thought's unique vocal skill alongside production from Sean C and features including Pusha T and Portugal the Man. In this chat, Lior spoke with Black Thought about what he and ?uestlove learned while performing on the street, how the pandemic has shifted his pre-show routines at Fallon, setting Bruce Springsteen and the E Street Band as a goal in the Roots' rise, covering Debarge as a teenager, and so much more. Head here for more info on Black Thought [https://twitter.com/blackthought?lang=en]. Head here for more information on this week's featured organization, Black Roots Alliance [https://blackrootsalliance.org/]. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app [https://anchor.fm/app]