University of Michigan Press Podcast

Karine Premont and Christopher J. Devine eds., "Second in Command: Reevaluating the Role of Vice Presidents and Running Mates in Modern American Politics" (U Michigan Press, 2026)

Karine Premont and Christopher Devine have a new edited volume focusing on the American Vice Presidency and analyzing not just the office and the officeholders, but also the role of vice presidential candidates in the campaigns for the presidency. Second in Command: Reevaluating the Role of Vice Presidents and Running Makes in Modern American Politics [https://bookshop.org/a/12343/9780472058099] (U Michigan Press, 2026) is a fascinating exploration of the role and place of the vice president, the vice presidency, and the vice presidential running mate. Often this position and this job are dismissed—since the vice president has very few actual powers, besides his/her role as president of the Senate and tiebreaker in that body, and one of the certifiers of the Electoral College votes after an election. But in the contemporary political environment, vice presidents have grown in importance in terms of their role on the presidential ticket and in their role once elected to office. Second in Command [https://www.fulcrum.org/concern/monographs/hx11xj21b] is split into two parts, the first section focusing on the vice president in office, while the second part examines the vice presidential candidate and the role of being a running mate to a presidential candidate. In our conversation we discuss the fact that the vice president is often considered to be the “appendix” of American government, created at the Constitutional Convention to break a tie in the Senate, should there be one, and to solve the problem coming out of the newly designed Electoral College where two votes needed to be cast for president. But over the past fifty years, there has been tremendous change in terms of the inhabitants in the office, their relationship to the president and the presidency, and their activities on the campaign trail. Vice Presidents have become general advisors to the president. This precedent was established between President Jimmy Carter and his vice president, Walter Mondale. And since the 1970s, this newly engaged position and role for the vice president have generally been in place, with different approaches from different presidents/vice presidential pairs. The idea of trying to “balance” the ticket is still part of the selection dynamic, but it is as important as the working relationship that presidents have pursued with their vice presidential pick. We had a fascinating discussion of the history of the vice presidency as well as an analysis of the more modern dynamic. We talked about different parts of ticket balancing, since it is not necessarily about geography so much as constituent appeals: religious groups, gender, expertise/experience, and more. Second in Command: Reevaluating the Role of Vice Presidents and Running Mates in Modern American Politics [https://doi.org/10.3998/mpub.14505045] is available from the University of Michigan Press via open access. Here is the link: https://doi.org/10.3998/mpub.14505045 [https://doi.org/10.3998/mpub.14505045] It can, of course, also be purchased. Lilly J. Goren [https://www.carrollu.edu/faculty/goren-lilly-phd] is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science [https://newbooksnetwork.com/hosts/profile/a7ac4af9-1306-463f-baf9-00f1f4187dfd] channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga ( [https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/]University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse [https://kansaspress.ku.edu/9780700640546/] (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics [https://www.kentuckypress.com/9780813141015/women-and-the-white-house/] (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social [https://bsky.app/profile/gorenlj.bsky.social] Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices]

Mujun Zhou, "The Death and Life of Chinese Civil Society" (U Michigan Press, 2026)

In a society undergoing rapid transformation, how do people engage in debates around a foreign concept and in doing so, pursue contested political futures? The Death and Life of Chinese Civil Society examines how a group of Chinese intellectual elites referred to as the liberals or ziyou pai edified the civil society project beginning in the 1990s to build an independent space to constrain state power, increase political participation, and promote China’s democratization. In the early 2000s, activists in movements such as the environmental and the AIDS movements identified with the liberals and regarded their activism as part of the project of building civil society. However, since the late 2000s the liberals’ influence has gradually declined. In prominent social movements in the 2010s such as the labor and feminist movements, activists have openly criticized the liberal interpretation of civil society and regarded liberals’ civil society agenda as irrelevant. In the book, Mujun Zhou employs the concept of interstitial space, or the space where the exercise of power has not been fully institutionalized, to examine the history of the civil society project over the past three decades and its changing relationship with other social movements. Zhou suggests that by advocating for civil society the liberals gained allies and thematized many social problems rising during China’s economic reform; however, liberals’ activism also produced new forms of power inequalities. Mujun Zhou is a cultural-political sociologist. She is currently Associate Professor of Sociology at Zhejiang University. Her major research interests lie in issues in political culture and social change. Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here [https://liberalarts.tulane.edu/anthropology/people/graduate-students/yadong-li]. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices]

Susanne Vees-Gulani, 'Icon Dresden: Baroque City, Air War Symbol, Political Token" (U Michigan Press, 2026)

Icon Dresden: Baroque City, Air War Symbol, Political Token (University of Michigan Press, 2026) by Dr. Susanne Vees-Gulani explores how memory and politics in Dresden after its 1945 bombing are deeply intertwined with the city’s urban history. It highlights the complex origins of Dresden’s reputation as an exclusively cultural center, focusing on urban planning, marketing, tourism, and the city’s visual archive since the 17th century. Based on this iconic status, a narrative of victimhood arose after its destruction that ignored responsibilities while highlighting the city’s innocence. Despite its origin in Nazi propaganda, this narrative influenced postwar political discourse in socialist and post-reunification Germany. Icon Dresden also provides insight into Dresden’s role under National Socialism and the GDR’s evasive response to this history. It reveals how the strong presence of far-right movements in the city today stems from multiple discourses formed over centuries and communicated from generation to generation. Drawing on urban, heritage, and tourism studies, visual and memory studies, and environmental psychology, Icon Dresden examines Dresden’s history, identity, visual representations, and rebuilding decisions. It exposes the narratives that define its place in German and international memory and how, paradoxically, they support both Dresden’s current image as a symbol of peace and reconciliation and its backing of nativist and far-right movements. The book is available Open Access. This interview was conducted by Dr. Miranda Melcher whose book [https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/] focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher [https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher], wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices]

Pedro Thiago Ramos Bassoe, "Supernatural Japan: Izumi Kyoka and the Global Fantastic" (U Michigan Press, 2026)

Supernatural Japan: Izumi Kyoka and the Global Fantastic [https://bookshop.org/a/12343/9780472057993]  (U Michigan Press, 2026)examines the role of Japanese writer Izumi Kyōka (1873–1939) in the formation of modern literature of the fantastic in Japan as a global literary genre. Kyōka wrote some of the most famous stories of ghosts, monsters, and the supernatural in modern Japanese literature, including The Holy Man of Mt. Kōya, The Grass Labyrinth, and The Castle Tower. Despite the clearly modernist elements and global influences of Kyōka’s fiction, his work has often been characterized as relying on traditional Japanese genres as inspiration for its themes and literary form. Pedro Bassoe considers how Kyōka’s stories have been produced by a meeting of global influences—including Apuleius, The Arabian Nights, Hans Christian Andersen, the Brothers Grimm, Prosper Mérimée, Guy de Maupassant, Gerhart Hauptmann, and Jules Verne—combined with traditional Japanese genres. Bassoe develops the notion of “the scholarly fantastic” to describe how a set of realistic epistemologies reinforce the fantastic in Kyōka’s writings. Supernatural Japan offers an up-to-date introduction to Izumi Kyōka and his writing for students, scholars, or fans of Japanese fantasy literature and media. Pedro Thiago Ramos Bassoe is Assistant Professor of Japanese at Purdue University. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices]

Stephen Lee Naish, "Screen Captures: Film in the Age of Emergency" (Lever Press, 2026)

Movies open a window into our collective soul. In Screen Captures: Film in the Age of Emergency [https://bookshop.org/a/12343/9781554201754] (Lever Press, 2026), Stephen Lee Naish guides us through recent cinematic phenomena that reflect/refract our contemporary political existence. Stephen Lee Naish is a writer, independent researcher, and cultural critic. He is the author of several books on film, politics, music, and pop culture. He lives in Kingston, Ontario. He has appeared on the New Books Network three times for previous books: Create of Die: Essays on the Artistry of Dennis Hopper (2016) [https://newbooksnetwork.com/stephen-lee-naish-create-or-die-essays-on-the-artistry-of-dennis-hopper-amsterdam-up-2016#entry:14267@1:url], Deconstructing Dirty Dancing (2017) [https://newbooksnetwork.com/stephen-lee-naish-deconstructing-dirty-dancing-zero-books-2017#entry:13131@1:url], Riffs and Meaning (2018) [https://newbooksnetwork.com/stephen-lee-naish-riffs-meaning-manic-street-preachers-and-know-your-enemy-headpress-2018#entry:10274@1:url] From Star Wars-scope blockbusters and Hollywood coming-of-age comedies to independent horror productions, Naish draws out the ways these movies shape, and are shaped by, their audience's own dissatisfactions. In his discussion of the Star Wars franchise, Naish highlights a conflict between internet discussion-fueled fandom vs the Disney Empire that shares features with the ongoing rebellions depicted in the films themselves. A passionate fan base who can now voice their discontent via the internet is feeding back into the studio's agenda and criticizing the actions of characters within the film and the actors alike. Chapters on the super-heroes genre and disaster movies draw out the climate-based social tensions these reflect. Depictions of masculinity ("Men on the Verge of a Nervous Breakdown") on screens large and small bleed into discussions of the work and presence of Nicholas Cage, David Lynch, and Dennis Hopper -- with a side-excursion into Valerie Solanas's strikingly prescient SCUM Manifesto. Stephen Lee Naish's Screen Captures adds a sharpening filter to the film-goer's experience on the big and little screen. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices]