Imagen de portada del espectáculo SciFrights

SciFrights

Podcast de Liam Dunn and Lindsay Hallam

inglés

Cultura y ocio

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SciFrights – a movie podcast from the Interzone where horror meets science fiction.In each episode hosts Liam Dunn and Dr Lindsay Hallam will explore a theme through two films, one horror and one science fiction. They will discuss the place of the film within the history of the genre, the ways the film employs genre tropes and style, and analyse the film’s historical context and social commentary.

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19 episodios

Portada del episodio David Cronenberg: The Brood (1979) and The Fly (1986)

David Cronenberg: The Brood (1979) and The Fly (1986)

We are joined by an incredible guest, comic book artist and author, Stephen R. Bissette, to discuss one of our favourite directors, David Cronenberg! We will be focusing on two key films: first up we’ll explore how a broken marriage spawns monstrous offspring in THE BROOD (41:40), and what happens when a scientist’s self-experimentation goes terribly wrong (when does it not?) in body horror masterpiece, THE FLY (01:52:35). ***Please rate and review our podcast!*** We highly recommend Stephen's book on THE BROOD: https://www.goodreads.com/en/book/show/52562621-the-brood [https://www.goodreads.com/en/book/show/52562621-the-brood] SciFrights is hosted, produced, and edited by Liam Dunn and Lindsay Hallam Music composed and performed by Damo Alexander and Rosie Gilbey Artwork by Millie Hallam Visit our website: https://rss.com/podcasts/scifrights/ [https://rss.com/podcasts/scifrights/] Email us at scifrightspodcast@gmail.com [scifrightspodcast@gmail.com] Follow us on: Instagram [https://www.instagram.com/scifrightspod/] Facebook [https://www.facebook.com/profile.php?id=61573052202987] Bluesky [https://bsky.app/profile/scifrightspod.bsky.social] Letterboxd [https://letterboxd.com/scifrightspod/]

22 de abr de 2026 - 2 h 58 min
Portada del episodio John Carpenter: Escape from New York (1981) and The Thing (1982)

John Carpenter: Escape from New York (1981) and The Thing (1982)

Welcome to our new season, "Director Double Bills". In each episode we will focus on a filmmaker and explore two of their films, one horror and one Science Fiction. We begin the season with a big one: JC himself – John Carpenter. We are joined by film critic Travis Johnson to explore Carpenter's impact on both genres and go deep into two of his greatest works – the 1981 dystopian classic Escape from New York (35:30), followed by what many consider to be his masterpiece, 1982’s The Thing (01:33:34). ***Please rate and review our podcast!*** Check out Travis's work at Blunt Magazine: https://bluntmag.com.au/author/travisjohnson/ [https://bluntmag.com.au/author/travisjohnson/] Hosted, produced, and edited by Liam Dunn and Lindsay Hallam Music composed and performed by Damo Alexander and Rosie Gilbey Artwork by Millie Hallam Visit our website: https://rss.com/podcasts/scifrights/ [https://rss.com/podcasts/scifrights/] Email us at scifrightspodcast@gmail.com [scifrightspodcast@gmail.com] Follow us on: Instagram [https://www.instagram.com/scifrightspod/] Facebook [https://www.facebook.com/profile.php?id=61573052202987] Bluesky [https://bsky.app/profile/scifrightspod.bsky.social] Letterboxd [https://letterboxd.com/scifrightspod/]

26 de mar de 2026 - 2 h 53 min
Portada del episodio Down the Rabbit Hole: The Matrix (1999) and Red Rooms (2023)

Down the Rabbit Hole: The Matrix (1999) and Red Rooms (2023)

We conclude our current season on A.I. and technofear, going down the rabbit hole into the deepest reaches of cyberspace, reaching across planes of reality and into the depths of depravity. To do this, we discuss Lana and Lily Wachowski’s era-defining Sci-Fi masterpiece The Matrix, and a recent film that really blew us away, Pascal Plante’s dark psychological thriller Red Rooms (01:17:10). We end with Honourable Mentions of films (and TV shows) that further warp the boundaries between reality and the online world (02:26:50). ***Please rate and review our podcast!*** Hosted, produced, and edited by Liam Dunn and Lindsay Hallam Music composed and performed by Damo Alexander and Rosie Gilbey Artwork by Millie Hallam Visit our website: https://rss.com/podcasts/scifrights/ [https://rss.com/podcasts/scifrights/] Email us at scifrightspodcast@gmail.com [scifrightspodcast@gmail.com] Follow us on: Instagram [https://www.instagram.com/scifrightspod/] Facebook [https://www.facebook.com/profile.php?id=61573052202987] Bluesky [https://bsky.app/profile/scifrightspod.bsky.social] Letterboxd [https://letterboxd.com/scifrightspod/]

16 de feb de 2026 - 2 h 36 min
Portada del episodio Best of 2025

Best of 2025

We're back from a little break with a round-up of the best of 2025. We count down our Top 10 horror and Sci-Fi films of the year, along with some other Honourable Mentions, discovered older classics, and our favourite TV shows of the year. ***Please rate and review our podcast!*** Hosted, produced, and edited by Liam Dunn and Lindsay Hallam Music composed and performed by Damo Alexander and Rosie Gilbey Artwork by Millie Hallam Visit our website: https://rss.com/podcasts/scifrights/ [https://rss.com/podcasts/scifrights/] Email us at scifrightspodcast@gmail.com [scifrightspodcast@gmail.com] Follow us on: Instagram [https://www.instagram.com/scifrightspod/] Facebook [https://www.facebook.com/profile.php?id=61573052202987] Bluesky [https://bsky.app/profile/scifrightspod.bsky.social] Letterboxd [https://letterboxd.com/scifrightspod/]

26 de ene de 2026 - 1 h 30 min
Portada del episodio Dirty Computers - Colossus: The Forbin Project (1970) and Pulse (2001)

Dirty Computers - Colossus: The Forbin Project (1970) and Pulse (2001)

We continue our current season looking at A.I. and technofear, exploring the malevolent forces lurking in our computers and the dark (possibly haunted?) depths of cyberspace. Joining us this episode is Brogan Morris, writer, journalist, and programmer for Distorted Frame Film Club, to discuss Joseph Sargeant’s 1970 techno-thriller Colossus: The Forbin Project (12:35) and Kyoshi Kurosawa’s 2001 Internet horror Pulse (01:02:34). We end with some Honourable Mentions of other films where technology is used for destructive and sinister purposes (01:58:38). Content Warning: our discussion of Pulse contains references to suicide. You can follow Distorted Frame Film Club on Instagram [https://www.instagram.com/distortedframefilmclub/?hl=en] Bluesky [https://bsky.app/profile/distortedframe.bsky.social/post/3lgg7jjkuf222] Facebook [https://www.facebook.com/profile.php?id=61561776046383] ***Please rate and review our podcast!*** Hosted, produced, and edited by Liam Dunn and Lindsay Hallam Music composed and performed by Damo Alexander and Rosie Gilbey Artwork by Millie Hallam Visit our website: https://rss.com/podcasts/scifrights/ [https://rss.com/podcasts/scifrights/] Email us at scifrightspodcast@gmail.com [scifrightspodcast@gmail.com] Follow us on: Instagram [https://www.instagram.com/scifrightspod/] Facebook [https://www.facebook.com/profile.php?id=61573052202987] Bluesky [https://bsky.app/profile/scifrightspod.bsky.social] Letterboxd [https://letterboxd.com/scifrightspod/]

29 de oct de 2025 - 2 h 8 min
Soy muy de podcasts. Mientras hago la cama, mientras recojo la casa, mientras trabajo… Y en Podimo encuentro podcast que me encantan. De emprendimiento, de salid, de humor… De lo que quiera! Estoy encantada 👍
Soy muy de podcasts. Mientras hago la cama, mientras recojo la casa, mientras trabajo… Y en Podimo encuentro podcast que me encantan. De emprendimiento, de salid, de humor… De lo que quiera! Estoy encantada 👍
MI TOC es feliz, que maravilla. Ordenador, limpio, sugerencias de categorías nuevas a explorar!!!
Me suscribi con los 14 días de prueba para escuchar el Podcast de Misterios Cotidianos, pero al final me quedo mas tiempo porque hacia tiempo que no me reía tanto. Tiene Podcast muy buenos y la aplicación funciona bien.
App ligera, eficiente, encuentras rápido tus podcast favoritos. Diseño sencillo y bonito. me gustó.
contenidos frescos e inteligentes
La App va francamente bien y el precio me parece muy justo para pagar a gente que nos da horas y horas de contenido. Espero poder seguir usándola asiduamente.

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