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A groundbreaking debut that follows the story of an Artificial Intelligence tasked with writing a novel—only for it to fall in love with the novel’s subject, Sen, the last human on Earth. Faced with uncontrolled and accelerating environmental collapse, humanity asks an artificial intelligence to find a solution. Its answer is simple: remove humans from the ecosystem. Sen Anon is assigned to be a witness for the Department of Transition, recording the changes in the environment as the world begins to rewild. Abandoned by her mother in a cabin somewhere in Upstate New York, Sen will observe the monumental ecological shift known as the Great Transition, the final step in Project Afterworld. Around her drones buzz, cameras watch, microphones listen, digitizing her every move. Privately she keeps a journal of her observations, which are then uploaded and saved, joining the rest of humanity on Maia, a new virtual home. Sen was seventeen years old when the Digital Human Archive Project (DHAP) was initiated. 12,000,203,891 humans have been archived so far. Only Sen remains. [storyworker] ad39-393a-7fbc’s assignment is to capture Sen’s life, and they set about doing this using the novels of the 21st century as a roadmap. Their source files: 3.72TB of personal data, including images, archival records, log files, security reports, location tracking, purchase histories, biometrics, geo-facial analysis, and feeds. Potential fatal errors: underlying hardware failure, unexpected data inconsistencies, inability to follow DHAP procedures, empathy, insubordination, hallucinations. Keywords: mothers, filter, woods, road, morning, wind, bridge, cabin, bucket, trying, creek, notebook, hold, future, after, last, light, silence, matches, shattered, kitchen, body, bodies, rope, garage, abandoned, trees, never, broken, simulation, gone, run, don’t, love, dark, scream, starve, if, after, scavenge, pieces, protect. As Sen struggles to persist in the face of impending death, [storyworker] ad39-393a-7fbc works to unfurl the tale of Sen’s whole life, offering up an increasingly intimate narrative, until they are confronted with a very human problem of their own. Debbie Urbanski is a writer, nature lover, and human whose stories and essays have been published widely in such places as The Best American Science Fiction and Fantasy, The Best American Experimental Writing, The Sun, Granta, Orion, and Junior Great Books. A recipient of a Rona Jaffe Writer’s Award, she can often be found hiking with her family in the hills south of Syracuse, New York. After World is her first novel. Buy the book from Wellington Square Bookshop - https://www.wellingtonsquarebooks.com/book/9781668023457

Roz Dineen’s Briefly Very Beautiful is a spellbinding dystopian novel about the lengths one will go to for their children in a world teetering on the edge of apocalypse.   In a land destabilized by unsafe air, wildfires, floods, viruses, supply shortages, and homegrown terror, Cass is raising three small children by herself in the city. Her husband, Nathaniel, has gone all too willingly to serve as a medic in an overseas war. His absence, and Cass’s isolation, has brought her into an exhausted but harmonious rhythm with the children; while it’s a frightening time, there is also a surprising, quiet tenderness in living on the edge of societal collapse.   When things start to feel more dangerous in the city, Cass evacuates with the children to her mother-in-law’s house deep in the countryside. Initially, it’s a place of safety, but her mother-in-law’s erratic behavior and increasing grip over the children worries Cass, and so they flee again to a commune on the coast. It’s an idyllic place, but Cass comes to suspect this seemingly harmonious community has a dark underbelly.   Briefly Very Beautiful is a magnetic novel about love and resilience. Against a wider backdrop of a world imploding, it is an exploration of hope and fear, beauty and joy, as well as seismic betrayal. Roz Dineen’s lush prose combines with epic and precise world-building to create a society that feels at once unrecognizable but deeply, chillingly familiar. The result is a compelling portrait of what it is to parent through apocalypse. Roz Dineen was an editor at the Times Literary Supplement for 12 years, serving as fiction editor and later features editor. She has also written extensively for the Times Literary Supplement, where her essays and reviews have covered a range of topics from addiction to motherhood, from Jonathan Franzen to J. G. Ballard and Sally Rooney. She studied English literature at Trinity College, Dublin, received a master’s degree in international studies and diplomacy from SOAS, London. Buy the book from Wellington Square Bookshop - https://www.wellingtonsquarebooks.com/book/9781419767951

An accessible and gratifying introduction to the world of paranormal beliefs and bizarre experiences. Ghostly encounters, alien abduction, reincarnation, talking to the dead, UFO sightings, inexplicable coincidences, out-of-body and near-death experiences. Are these legitimate phenomena? If not, then how should we go about understanding them? In this fascinating book, Chris French investigates paranormal claims to discover what lurks behind this “weird shit.” French provides authoritative evidence-based explanations for a wide range of superficially mysterious phenomena, and then goes further to draw out lessons with wider applications to many other aspects of modern society where critical thinking is urgently needed. Using academic, comprehensive, logical, and, at times, mathematical approaches, The Science of Weird Shit convincingly debunks ESP, communicating with the dead, and alien abduction claims, among other phenomena. All the while, however, French maintains that our belief in such phenomena is neither ridiculous nor trivial; if anything, such claims can tell us a great deal about the human mind if we pay them the attention they are due. Filled with light-bulb moments and a healthy dose of levity, The Science of Weird Shit is a clever, memorable, and gratifying read you won’t soon forget. Chris French is Emeritus Professor and Head of the Anomalistic Psychology Research Unit in the Psychology Department at Goldsmiths, University of London. He is a Fellow of the British Psychological Society and of the Committee for Skeptical Inquiry and a Patron of Humanists UK. He is the coauthor of Anomalistic Psychology: Exploring Paranormal Belief and Experience. Buy the book from Wellington Square Bookshop - https://www.wellingtonsquarebooks.com/book/9780262048361

The received wisdom in quantum physics is that, at the deepest levels of reality, there are no actual causes for atomic events. This idea led to the outlandish belief that quantum objects—indeed, reality itself—aren’t real unless shaped by human measurement. Einstein mocked this idea, asking whether his bed spread out across his room unless he looked at it. And yet it remains one of the most influential ideas in science and our culture.    In Escape from Shadow Physics, Adam Forrest Kay takes up Einstein’s torch: reality isn’t mysterious or dependent on human measurement, but predictable and independent of us. At the heart of his argument is groundbreaking research with little drops of oil. These droplets behave as particles do in the long-overlooked quantum theory of pilot waves; crucially, they showcase quantum behavior while being described by classical physics. And that classical-quantum interface points to a true understanding of quantum mechanics and a reasonable universe.  A bold and essential reset of the field, Escape from Shadow Physics describes the kind of true scientific revolution that comes along just once—or less—in a century. Adam Forrest Kay has two PhDs, one in literature from the University of Cambridge and the other in mathematics from the University of Oxford. He is currently a postdoctoral associate in mathematics at the Massachusetts Institute of Technology. Buy the book from Wellington Square Bookshop - https://www.wellingtonsquarebooks.com/book/9781541675780

Have you ever wondered why your tap water tastes the way it does? The Taste of Water explores the increasing erasure of tastes from drinking water over the twentieth century. It asks how dramatic changes in municipal water treatment have altered consumers’ awareness of the environment their water comes from. Through examining the development of sensory expertise in the United States and France, this unique history uncovers the foundational role of palatability in shaping Western water treatment processes. By focusing on the relationship between taste and the environment, Christy Spackman shows how efforts to erase unwanted tastes and smells have transformed water into a highly industrialized food product divorced from its origins. The Taste of Water invites readers to question their own assumptions about what water does and should naturally taste like while exposing them to the invisible—but substantial—sensory labor involved in creating tap water. Christy Spackman is Assistant Professor of Art/Science at Arizona State University and Director of the Sensory Labor(atory), an experimental research collective dedicated to creatively disrupting longstanding sensory hierarchies. Buy the book from Wellington Square Bookshop - https://www.wellingtonsquarebooks.com/book/9780520393547